There are the screen actors that most folks have recognized, and deservedly canonized, as the profession’s top-tier — your Streeps and De Niros, your Brandos and Blanchetts, your Hoffmans (both Dustin and Philip Seymour). And then there are the great actors who toil away from the brighter spotlights but still turn in consistently, reliably amazing work. You don’t see their names on marquees, and it might take you a second to place where you’ve caught them before. But the more you watch them do what they do, the...
- 5/1/2020
- by David Fear
- Rollingstone.com
In Annie Silverstein’s Bull, an at-risk teenage girl, Kris (by Amber Havard), is thrust into a relationship with neighbor Abe (Rob Morgan), a rodeo bullfighter nearing the end of his career. Silverstein’s feature debut builds out from her 2014 short Skunk, both set in a blue-collar part of Houston where rural and urban poverty collide. Most film productions drop in on locations, shoot what they need and depart. Silverstein and her husband and writing partner Johnny McAllister take a different approach, embedding themselves in communities for months and even years before filming. Bull has a documentary realism, but also a deep, […]...
- 5/1/2020
- by Daniel Eagan
- Filmmaker Magazine-Director Interviews
In Annie Silverstein’s Bull, an at-risk teenage girl, Kris (by Amber Havard), is thrust into a relationship with neighbor Abe (Rob Morgan), a rodeo bullfighter nearing the end of his career. Silverstein’s feature debut builds out from her 2014 short Skunk, both set in a blue-collar part of Houston where rural and urban poverty collide. Most film productions drop in on locations, shoot what they need and depart. Silverstein and her husband and writing partner Johnny McAllister take a different approach, embedding themselves in communities for months and even years before filming. Bull has a documentary realism, but also a deep, […]...
- 5/1/2020
- by Daniel Eagan
- Filmmaker Magazine - Blog
There’s not much to do around Kristyl’s (Amber Havard) hard luck subdivision besides getting into trouble at her age. With parents too busy or in jail (as is the case with her mother) to have the financial security necessary to keep a close eye out, these teens end up spending their days searching for new spots to get drunk and/or high without an imminent threat of incarceration. So maybe Kris punches a classmate in the face. Maybe she takes her little sister (Keira Bennett’s Chance) to the river—the exact spot their grandmother (Keeli Wheeler’s Marjorie) implores them not to go due to the water being unclean. Or maybe she breaks into the home of an absent-on-the-weekends neighbor (Rob Morgan’s Abe) so her friends can trash the place.
This is the downtrodden rural Texan existence that Bull director Annie Silverstein and co-writer Johnny McAllister establish for Kris.
This is the downtrodden rural Texan existence that Bull director Annie Silverstein and co-writer Johnny McAllister establish for Kris.
- 4/27/2020
- by Jared Mobarak
- The Film Stage
Sony has acquired international rights to Annie Silverstein’s featured debut “Bull” which world premiered at the Cannes Film Festival in the Un Certain Regard section and went on to win three awards at Deauville.
The deal with Sony was negotiated by London-based Constellation Film which represents the film in international markets. Samuel Goldwyn acquired U.S. rights to the movie from 30West.
A portrait of a rebellious teenage girl from South Texas, “Bull” marks Silverstein’s follow up to her short “Skunk” which won Cannes’s Cinéfondation prize in 2014. The movie follows the relationship between a troubled adolescent from West of Houston whose mother is in jail and an ageing African American bullfighter.
The film was written by Silverstein and Johnny McAllister. Producers are Monique Walton, Bert Marcus, HeatherRae, Ryan Zacarias, and Audrey Rosenberg, while the executive producers are Cassandra Thornton, Johnny McAllister and Jess Jacobs. Bert Marcus Film...
The deal with Sony was negotiated by London-based Constellation Film which represents the film in international markets. Samuel Goldwyn acquired U.S. rights to the movie from 30West.
A portrait of a rebellious teenage girl from South Texas, “Bull” marks Silverstein’s follow up to her short “Skunk” which won Cannes’s Cinéfondation prize in 2014. The movie follows the relationship between a troubled adolescent from West of Houston whose mother is in jail and an ageing African American bullfighter.
The film was written by Silverstein and Johnny McAllister. Producers are Monique Walton, Bert Marcus, HeatherRae, Ryan Zacarias, and Audrey Rosenberg, while the executive producers are Cassandra Thornton, Johnny McAllister and Jess Jacobs. Bert Marcus Film...
- 10/9/2019
- by Elsa Keslassy
- Variety Film + TV
In today’s film news roundup, Lionel Richie’s Glastonbury concert gets a movie release, cat story “A Gift From Bob” is in the works, and “Bull” and “Cosmos” find homes.
One-night Release
Fathom Events and Meteor 17 have set a one-night global theatrical release of “Lionel Richie at Glastonbury” for Nov. 19.
The screening, a filmed version of the singer’s 2015 performance, will also feature an exclusive introduction and commentary from Richie about his career from his beginnings in Tuskegee, Ala.
“I’m so excited for the opportunity to share the 2015 Glastonbury Festival performance with fans across the globe,” Richie said. “I’m honored to have played on such an iconic stage, and the fans’ energy that day truly made this show a memorable moment in my career.”
Richie’s set included hits like “Dancing on the Ceiling,” All Night Long,” “We Are The World,” “Easy,” and “Three Times A Lady.
One-night Release
Fathom Events and Meteor 17 have set a one-night global theatrical release of “Lionel Richie at Glastonbury” for Nov. 19.
The screening, a filmed version of the singer’s 2015 performance, will also feature an exclusive introduction and commentary from Richie about his career from his beginnings in Tuskegee, Ala.
“I’m so excited for the opportunity to share the 2015 Glastonbury Festival performance with fans across the globe,” Richie said. “I’m honored to have played on such an iconic stage, and the fans’ energy that day truly made this show a memorable moment in my career.”
Richie’s set included hits like “Dancing on the Ceiling,” All Night Long,” “We Are The World,” “Easy,” and “Three Times A Lady.
- 10/9/2019
- by Dave McNary
- Variety Film + TV
Samuel Goldwyn Films has acquired North American rights to Annie Silverstein’s drama Bull, which had its world premiere at the Cannes Film Festival. Starring are Rob Morgan (Just Mercy), Yolonda Ross (Whitney), and newcomer Amber Havard. The film centers on a young tearaway who discovers a passion for bull riding. As she sets out to learn the dangerous sport, bad influences lure her back into delinquent ways. Pic was directed by Annie Silverstein from her screenplay with Johnny McAllister. Producers are Monique Walton, Bert Marcus, Heather Rae, Ryan Zacarias, and Audrey Rosenberg; executive producers are Cassandra Thornton, Johnny McAllister and Jess Jacobs. Bert Marcus Film produced and financed the film with Invisible Pictures. The deal was negotiated by Peter Goldwyn on behalf of Samuel Goldwyn Films, Lawrence Kopeikin of Morris Yorn on behalf of Bert Marcus Film and Tristen Tuckfield of 30West on behalf of the filmmakers. Sony Pictures...
- 10/8/2019
- by Andreas Wiseman
- Deadline Film + TV
Annie Silverstein’s rough-edged debut, “Bull,” begins the same way her short film “Skunk” did, with an unruly dog chewing on the carcass of the creature it has caught. A teenage girl runs outside to deal with the situation — a half-wild child wrestling to control a rebellious animal — and in the hours and days that follow, Silverstein observes the small but critical choices the impulsive young woman makes to distinguish herself from the distracted parents, adults, and would-be role models in her life.
But if “Skunk” — a 15-minute treasure that won the Cinéfondation short film prize at the 2014 Cannes Film Festival and automatically earned Silverstein’s follow-up a spot in official selection this year — promised big things to come, then the director’s five-years-later “Bull” is a disappointment, coming off too much like its predecessor, rather than a different kind of animal. Both are shaky, faux-thentic portraits of South Texas...
But if “Skunk” — a 15-minute treasure that won the Cinéfondation short film prize at the 2014 Cannes Film Festival and automatically earned Silverstein’s follow-up a spot in official selection this year — promised big things to come, then the director’s five-years-later “Bull” is a disappointment, coming off too much like its predecessor, rather than a different kind of animal. Both are shaky, faux-thentic portraits of South Texas...
- 5/15/2019
- by Peter Debruge
- Variety Film + TV
Company boards Annie Silverstein’s debut feature.
London-based Film Constellation has picked up international sales rights, excluding North America, to Us filmmaker Annie Silverstein’s debut feature Bull ahead of its world premiere in Un Certain Regard at Cannes.
The film stars Rob Morgan and newcomer Amber Havard and is a drama about a troubled 14-year-old who destroys her neighbour’s rundown house in an act of youthful defiance and now faces state prison. She forms a bond with a man working on the rodeo circuit.
North American rights are being handled by Us outfit 30West which helped to source financing for the project.
London-based Film Constellation has picked up international sales rights, excluding North America, to Us filmmaker Annie Silverstein’s debut feature Bull ahead of its world premiere in Un Certain Regard at Cannes.
The film stars Rob Morgan and newcomer Amber Havard and is a drama about a troubled 14-year-old who destroys her neighbour’s rundown house in an act of youthful defiance and now faces state prison. She forms a bond with a man working on the rodeo circuit.
North American rights are being handled by Us outfit 30West which helped to source financing for the project.
- 4/30/2019
- by Tom Grater
- ScreenDaily
Film Constellation boards Annie Silverstein’s debut feature.
London-based Film Constellation has picked up international sales rights, excluding North America, to Us filmmaker Annie Silverstein’s debut feature Bull ahead of its world premiere in Un Certain Regard at Cannes.
The film stars Rob Morgan and newcomer Amber Havard and is a drama about a troubled 14-year-old who destroys her neighbour’s rundown house in an act of youthful defiance and now faces state prison. She forms a bond with a man working on the rodeo circuit.
North American rights are being handled by Us outfit 30West which helped to source financing for the project.
London-based Film Constellation has picked up international sales rights, excluding North America, to Us filmmaker Annie Silverstein’s debut feature Bull ahead of its world premiere in Un Certain Regard at Cannes.
The film stars Rob Morgan and newcomer Amber Havard and is a drama about a troubled 14-year-old who destroys her neighbour’s rundown house in an act of youthful defiance and now faces state prison. She forms a bond with a man working on the rodeo circuit.
North American rights are being handled by Us outfit 30West which helped to source financing for the project.
- 4/30/2019
- by Tom Grater
- ScreenDaily
Film Constellation boards Annie Silverstein’s debut feature.
London-based Film Constellation has picked up international sales rights, excluding North America, to Us filmmaker Annie Silverstein’s debut feature Bull ahead of its world premiere in Un Certain Regard at Cannes.
The film stars Rob Morgan and newcomer Amber Havard and is a drama about a troubled 14-year-old who destroys her neighbour’s rundown house in an act of youthful defiance and now faces state prison. She forms a bond with a man working on the rodeo circuit.
North American rights are being handled by Us outfit 30West which helped to source financing for the project.
London-based Film Constellation has picked up international sales rights, excluding North America, to Us filmmaker Annie Silverstein’s debut feature Bull ahead of its world premiere in Un Certain Regard at Cannes.
The film stars Rob Morgan and newcomer Amber Havard and is a drama about a troubled 14-year-old who destroys her neighbour’s rundown house in an act of youthful defiance and now faces state prison. She forms a bond with a man working on the rodeo circuit.
North American rights are being handled by Us outfit 30West which helped to source financing for the project.
- 4/30/2019
- by Tom Grater
- ScreenDaily
Selected for the 2016 Sundance Screenwriters and Directors Labs (here is a video interview), and recipient of the San Francisco Film Society/Kenneth Rainin Foundation Grant and Time Warner Fellowship, Annie Silverstein won the jury award at the 2014 Cannes Film Festival–Cinéfondation for Skunk before moving into her feature debut, Bull. Filming took place sometime around October in 2017 in Texas.
Gist: Co-written by Silverstein and Johnny McAllister, in a near-abandoned subdivision west of Houston, a wayward teen runs headlong into her equally willful and unforgiving neighbor, an aging bullfighter who’s seen his best days in the arena; it’s a collision that will change them both.…...
Gist: Co-written by Silverstein and Johnny McAllister, in a near-abandoned subdivision west of Houston, a wayward teen runs headlong into her equally willful and unforgiving neighbor, an aging bullfighter who’s seen his best days in the arena; it’s a collision that will change them both.…...
- 11/20/2018
- by Eric Lavallée
- IONCINEMA.com
Sundance Institute Announces Participants & Projects For Weeklong Creative Film Producing Initiative
Today, the Sundance Institute announces the participants for its weeklong Creative Film Producing Initiative at the Sundance Resort in Utah. This includes 11 feature film and documentary projects for the Creative Producing Labs, and more than 50 industry leaders for the Creative Producing Summit. The Institute’s Creative Producing Initiative encompasses a year-round series of Labs and Fellowships, nurturing the next generation of independent producers so that they can help sustain and support the vibrancy of independent film.
Read More: Sundance Institute Announces Projects For Its 2016 Screenwriters Lab, Doc Edit and Story Labs & Theatre-Makers Residency
The Feature Film Creative Producing Lab takes place from August 1st through 5th. It identifies emerging producers and, under the guidance of Creative Advisors, allows them to develop their creative instincts and evolve their skills at all stages of the project. Lab Fellows continue on through the Creative Producing Summit and receive ongoing yearlong mentorship, granting, and...
Read More: Sundance Institute Announces Projects For Its 2016 Screenwriters Lab, Doc Edit and Story Labs & Theatre-Makers Residency
The Feature Film Creative Producing Lab takes place from August 1st through 5th. It identifies emerging producers and, under the guidance of Creative Advisors, allows them to develop their creative instincts and evolve their skills at all stages of the project. Lab Fellows continue on through the Creative Producing Summit and receive ongoing yearlong mentorship, granting, and...
- 7/18/2016
- by Vikram Murthi
- Indiewire
The Sundance Institute is including a touch of Cannes this week as the likes of Pippa Bianco (her short Share was the 2015 winner of Cannes Cinefondation), Alistair Banks Griffin (Two Gates of Sleep premiered in Directors’ Fortnight in 2010), and the Fabio Grassadonia and Antonio Piazza tandem (from Critics’ Week Grand Prize in 2013 for Salvo) are among the dozen selected projects for the 2016 January Screenwriters Lab. The immersive, five-day writers’ workshop takes place just prior to the festival at the Sundance Resort in Utah, January 15-20. Look for several of these projects to one day break into not only Sundance, but other major film fests. Here are the selected people & projects:
The projects and fellows selected for the 2016 January Screenwriters Lab are:
Bull (U.S.A.) / Annie Silverstein (Co-writer/Director) and Johnny McAllister (Co-writer)
In a near-abandoned subdivision west of Houston, a wayward teen runs headlong into her equally willful and unforgiving neighbor,...
The projects and fellows selected for the 2016 January Screenwriters Lab are:
Bull (U.S.A.) / Annie Silverstein (Co-writer/Director) and Johnny McAllister (Co-writer)
In a near-abandoned subdivision west of Houston, a wayward teen runs headlong into her equally willful and unforgiving neighbor,...
- 1/11/2016
- by Eric Lavallee
- IONCINEMA.com
Artistic Director Urszula Śniegowska has created a family here of great cineastes and cinephiles. Included is the Austin posse with David Gordon Green receiving the double-barreled Indie Star Award and the European debut of his latest film, "Our Brand is Crisis" with the formidable Sandra Bullock in her ballsiest role ever playing the political strategist, James Carville, as she dictates the terms to her candidate for the President of Bolivia played by my new heartthrob, the Portuguese actor, Joaquim de Almeida. David says he may star in the next film he will direct which will be in Portuguese.
I'm betting on David Gordon Green becoming heir to the throne now occupied by Clint Eastwood as Warner Bros. creates its new brand. Warner Bros. also supplied the Clint Eastwood prints and virtual prints for the Eastwood retrospective. His masterpiece "The Unforgiven" was shown in 35mm. The evolution of Dgg since the Sundance debut (and his own first feature) of " George Washington" in 2000 shows his skill directing both indie and major genres.
The family in the Austin posse includes the grand director Berndt Mader ("Winnebago Man") of "Booger Red" (exec produced by Dgg) with his producer, Irish transplant and immigrant Johnny McAllister who co-wrote with Berndt, and Onur Tukel, the "Turkish Woody Allen" whose own directed and produced " Summer of Blood" debuted at Tribeca last year and was a huge hit at the Champs Elysees Film Festival (this year June 7-14), the sister of Aff who share their child Us in Progress. "Booger Red" is a hybrid documentary/narrative about a veteran reporter who searches for the truth behind the largest purported child sex ring in Texas history. On his journey through the bowels of East Texas, he's forced to confront his own history with abuse while he discovers that the allegations at the root of his investigation might have never happened.
At one of the nightly bar gatherings (which last til 4 am!), Dgg credited Onur for keeping the independent film scene in Austin alive.
Second to receive the double-barreled Indie Star Award with Dgg was Hal Hartley whose humble acceptance of the prize touched us all. He thanked the audience, a new generation for its "fresh" questions, a great pleasure for him after 25 years of doing Q&As. And he thanked the festival for putting on the most complete retrospective of his film ever held.
The Audience Award of Us$10,000 went to the Spectrum film "Dope" by Rick Famuyiwa , one of the freshest films to show in Sundance this year; a delightful, sweet romp with young talents De'aundre Bonds, Kiersey Clemons and Tony Revolori as they follow the orders of dope dealer Rakim Mayers, through the streets of Inglewood California.
The Audience Award of Us$5,000 went to the American Doc film "Transfatty Lives" by Patrick O'Brian. The Awards were funded by festival sponsor, Bny Mellon, wealth management and investments banker to the world. Started by Alexander Hamilton in 1784, Bny Mellon is one of the longest-lasting financial institutions in the world.
Festival Director Roman Gutek has created a great and lasting bond between film artists in U.S. and in Poland. He has also created Europe's largest international film festival, New Horizons, held here in Wroclaw July 25-31 which this year will have a special section of America as depicted by European filmmakers. In addition he has created Europe's largest arthouse multiplex, the New Horizons Theater where these two festivals are held.
I'm betting on David Gordon Green becoming heir to the throne now occupied by Clint Eastwood as Warner Bros. creates its new brand. Warner Bros. also supplied the Clint Eastwood prints and virtual prints for the Eastwood retrospective. His masterpiece "The Unforgiven" was shown in 35mm. The evolution of Dgg since the Sundance debut (and his own first feature) of " George Washington" in 2000 shows his skill directing both indie and major genres.
The family in the Austin posse includes the grand director Berndt Mader ("Winnebago Man") of "Booger Red" (exec produced by Dgg) with his producer, Irish transplant and immigrant Johnny McAllister who co-wrote with Berndt, and Onur Tukel, the "Turkish Woody Allen" whose own directed and produced " Summer of Blood" debuted at Tribeca last year and was a huge hit at the Champs Elysees Film Festival (this year June 7-14), the sister of Aff who share their child Us in Progress. "Booger Red" is a hybrid documentary/narrative about a veteran reporter who searches for the truth behind the largest purported child sex ring in Texas history. On his journey through the bowels of East Texas, he's forced to confront his own history with abuse while he discovers that the allegations at the root of his investigation might have never happened.
At one of the nightly bar gatherings (which last til 4 am!), Dgg credited Onur for keeping the independent film scene in Austin alive.
Second to receive the double-barreled Indie Star Award with Dgg was Hal Hartley whose humble acceptance of the prize touched us all. He thanked the audience, a new generation for its "fresh" questions, a great pleasure for him after 25 years of doing Q&As. And he thanked the festival for putting on the most complete retrospective of his film ever held.
The Audience Award of Us$10,000 went to the Spectrum film "Dope" by Rick Famuyiwa , one of the freshest films to show in Sundance this year; a delightful, sweet romp with young talents De'aundre Bonds, Kiersey Clemons and Tony Revolori as they follow the orders of dope dealer Rakim Mayers, through the streets of Inglewood California.
The Audience Award of Us$5,000 went to the American Doc film "Transfatty Lives" by Patrick O'Brian. The Awards were funded by festival sponsor, Bny Mellon, wealth management and investments banker to the world. Started by Alexander Hamilton in 1784, Bny Mellon is one of the longest-lasting financial institutions in the world.
Festival Director Roman Gutek has created a great and lasting bond between film artists in U.S. and in Poland. He has also created Europe's largest international film festival, New Horizons, held here in Wroclaw July 25-31 which this year will have a special section of America as depicted by European filmmakers. In addition he has created Europe's largest arthouse multiplex, the New Horizons Theater where these two festivals are held.
- 10/28/2015
- by Sydney Levine
- Sydney's Buzz
Funny and sweet in stretches but not memorable enough to break out of the pack, "Olympia" is a moderately successful romantic fable that was featured as the closing-night film of the 1998 Slamdance Film Festival.
A modest theatrical distribution may only earn the film a few fans, as might cable and video exposure. Still, it's not too shabby of a calling card for filmmaker Robert Byington.
Writer-director Byington's second feature is based on his short story "Javelkemeiche!" and it unfortunately plays like a one-joke movie: Did you hear the one about a loser in Texas who became the coach of a beautiful, javelin-throwing Mexican soap-opera actress?
But with a short running time and obvious budgetary limitations, "Olympia" has moments when it's charming in a rough, playful way -- in the spirit of the title character. On the down side, the plot too often seems to have no destination and fails to keep one fully engaged and sympathetic to the nutty scenario and goofball players.
While the portrait of the dumpy lead male is admirably fleshed out, with Jason Andrews ("Boogie Nights") gaining weight to play the 34-year-old deadbeat, the character of Olympia (newcomer Carmen Nogales) is annoyingly elusive and cold. A dreamer and risk-taker, she crosses the border to pursue a crazy dream of going to the Olympics and plays the Amazon in training to keep hapless impromptu host Bill Andrews) guessing.
The film has no edge to speak of, staying in a perky mood with not much sex, but the supporting cast of lowlifes and scumbags is often inspired. Damian Young ("Amateur") is scarily decrepit and caustic as Olympia's former trainer and partner, while James Black is wonderfully gruff and rude as a motel manager.
When Bill starts to take the job of training Olympia seriously, the film takes a leap of faith that some in the audience may not find agreeable. While there's a little Tex-Mex magic realism to go with the quirky romance, the actual javelin throwing is blandly filmed and not a dynamic transcendent element that convincingly unites chubby gringo with macho princess and skeptical viewer with filmmaker's vision.
OLYMPIA
King Pictures
Director: Robert Byington
Producers: Adrienne Gruben, Jason Silverman, Nancy Schafer
Screenwriters: Bill Stott,
Johnny McAllister, Robert Byington
Executive producer: Scott King
Director of photography: Paul Kloss
Editor: Garret Savage
Production designer: Gigi Causey
Costumes: Lee Hunsaker
Color/stereo
Cast:
Bill Daniel: Jason Andrews
Olympia Miraflores: Carmen Nogales
Ed Pedernales: Damian Young
Motel manager: James Black
Mom: Patricia Fiske
Running time -- 77 minutes
No MPAA rating...
A modest theatrical distribution may only earn the film a few fans, as might cable and video exposure. Still, it's not too shabby of a calling card for filmmaker Robert Byington.
Writer-director Byington's second feature is based on his short story "Javelkemeiche!" and it unfortunately plays like a one-joke movie: Did you hear the one about a loser in Texas who became the coach of a beautiful, javelin-throwing Mexican soap-opera actress?
But with a short running time and obvious budgetary limitations, "Olympia" has moments when it's charming in a rough, playful way -- in the spirit of the title character. On the down side, the plot too often seems to have no destination and fails to keep one fully engaged and sympathetic to the nutty scenario and goofball players.
While the portrait of the dumpy lead male is admirably fleshed out, with Jason Andrews ("Boogie Nights") gaining weight to play the 34-year-old deadbeat, the character of Olympia (newcomer Carmen Nogales) is annoyingly elusive and cold. A dreamer and risk-taker, she crosses the border to pursue a crazy dream of going to the Olympics and plays the Amazon in training to keep hapless impromptu host Bill Andrews) guessing.
The film has no edge to speak of, staying in a perky mood with not much sex, but the supporting cast of lowlifes and scumbags is often inspired. Damian Young ("Amateur") is scarily decrepit and caustic as Olympia's former trainer and partner, while James Black is wonderfully gruff and rude as a motel manager.
When Bill starts to take the job of training Olympia seriously, the film takes a leap of faith that some in the audience may not find agreeable. While there's a little Tex-Mex magic realism to go with the quirky romance, the actual javelin throwing is blandly filmed and not a dynamic transcendent element that convincingly unites chubby gringo with macho princess and skeptical viewer with filmmaker's vision.
OLYMPIA
King Pictures
Director: Robert Byington
Producers: Adrienne Gruben, Jason Silverman, Nancy Schafer
Screenwriters: Bill Stott,
Johnny McAllister, Robert Byington
Executive producer: Scott King
Director of photography: Paul Kloss
Editor: Garret Savage
Production designer: Gigi Causey
Costumes: Lee Hunsaker
Color/stereo
Cast:
Bill Daniel: Jason Andrews
Olympia Miraflores: Carmen Nogales
Ed Pedernales: Damian Young
Motel manager: James Black
Mom: Patricia Fiske
Running time -- 77 minutes
No MPAA rating...
- 1/28/1998
- The Hollywood Reporter - Movie News
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