” For I am Superwoman, and you have spurned her!”
Article by Jim Batts, Dana Jung, and Tom Stockman
Russell Albion “Russ” Meyer was born in California in 1922 and spent WWII as a combat photographer. In 1953 Playboy magazine debuted and Meyer was one of its first centerfold photographers. Meyer had a knack, and a passion, for photographing gorgeous, busty women and felt that the gals in the nudist camp movies that were popular in the ’50s were far too plain-looking for his tastes. In 1959, Meyer scraped together $24,000 and made The Immoral Mr. Teas, a quaint, colorful, and cartoonish movie about a nerdy fellow whose life is constantly interrupted by beautiful large-breasted women in various stages of undress. There was no sex in Meyer’s film and he made no pretense of presenting nudity as a lifestyle choice, as did the nudist camp movies. It was a simple and honest film about...
Article by Jim Batts, Dana Jung, and Tom Stockman
Russell Albion “Russ” Meyer was born in California in 1922 and spent WWII as a combat photographer. In 1953 Playboy magazine debuted and Meyer was one of its first centerfold photographers. Meyer had a knack, and a passion, for photographing gorgeous, busty women and felt that the gals in the nudist camp movies that were popular in the ’50s were far too plain-looking for his tastes. In 1959, Meyer scraped together $24,000 and made The Immoral Mr. Teas, a quaint, colorful, and cartoonish movie about a nerdy fellow whose life is constantly interrupted by beautiful large-breasted women in various stages of undress. There was no sex in Meyer’s film and he made no pretense of presenting nudity as a lifestyle choice, as did the nudist camp movies. It was a simple and honest film about...
- 3/24/2020
- by Movie Geeks
- WeAreMovieGeeks.com
Russ Meyer’s Faster Pussycat Kill Kill! screens Wednesday, August 2nd at 8pm at Schlafly Bottleworks Restaurant and Bar (7260 Southwest Ave.- at Manchester – Maplewood, Mo 63143) as part of Webster University’s Award-Winning Strange Brew Film Series. The film will be followed by an interview with its star Tura Satana that was conducted on-stage at the Way Out Club in St. Louis in October of 2008. Admission is $5
In 1953 Playboy magazine debuted and one of its first centerfold photographers was Russ Meyer, who had been a combat photographer in WWII. Meyer had a knack, and a passion, for photographing gorgeous, busty women and felt that the gals in the nudist camp movies that were popular in the ‘50s were far too plain-looking for his tastes. In 1959, Meyer scraped together $24,000 and made The Immoral Mr. Teas, a quaint, colorful, and cartoonish movie about a nerdy fellow whose life is constantly interrupted by...
In 1953 Playboy magazine debuted and one of its first centerfold photographers was Russ Meyer, who had been a combat photographer in WWII. Meyer had a knack, and a passion, for photographing gorgeous, busty women and felt that the gals in the nudist camp movies that were popular in the ‘50s were far too plain-looking for his tastes. In 1959, Meyer scraped together $24,000 and made The Immoral Mr. Teas, a quaint, colorful, and cartoonish movie about a nerdy fellow whose life is constantly interrupted by...
- 7/28/2017
- by Tom Stockman
- WeAreMovieGeeks.com
Russ Meyer’s Faster Pussycat Kill Kill! screens Wednesday, August 2nd at 8pm at Schlafly Bottleworks Restaurant and Bar (7260 Southwest Ave.- at Manchester – Maplewood, Mo 63143) as part of Webster University’s Award-Winning Strange Brew Film Series. The film will be followed by an interview with its star Tura Satana that was conducted on-stage at the Way Out Club in St. Louis in October of 2008. Admission is $5
In 1953 Playboy magazine debuted and one of its first centerfold photographers was Russ Meyer, who had been a combat photographer in WWII. Meyer had a knack, and a passion, for photographing gorgeous, busty women and felt that the gals in the nudist camp movies that were popular in the ‘50s were far too plain-looking for his tastes. In 1959, Meyer scraped together $24,000 and made The Immoral Mr. Teas, a quaint, colorful, and cartoonish movie about a nerdy fellow whose life is constantly interrupted by...
In 1953 Playboy magazine debuted and one of its first centerfold photographers was Russ Meyer, who had been a combat photographer in WWII. Meyer had a knack, and a passion, for photographing gorgeous, busty women and felt that the gals in the nudist camp movies that were popular in the ‘50s were far too plain-looking for his tastes. In 1959, Meyer scraped together $24,000 and made The Immoral Mr. Teas, a quaint, colorful, and cartoonish movie about a nerdy fellow whose life is constantly interrupted by...
- 7/27/2017
- by Tom Stockman
- WeAreMovieGeeks.com
Sound on Sight presents a weekly round-up of some of the more interesting articles from around the web from this week! Be sure to share with us what you think is missing and your own thoughts on these articles!
Over at IndieWire, Peter Knegt asks Why Don’t Lgbt Movies Make Money At The Box Office Anymore?
Last week, Pedro Almodovar’s “I’m So Excited” crossed the $1 million mark in North America. That’s not so exciting as far as Almodovar films go — every one of them has crossed that milestone since 1988′s “Women On The Verge of a Nervous Breakdown” (most of them going on to make considerably more). But it is indeed rare for a film to feature lead gay or lesbian characters — as “Excited” does — to cross that mark, at least these days. Read More
At The Dissolve, Nathan Rabin writes about The poisoned, almost subversive...
Over at IndieWire, Peter Knegt asks Why Don’t Lgbt Movies Make Money At The Box Office Anymore?
Last week, Pedro Almodovar’s “I’m So Excited” crossed the $1 million mark in North America. That’s not so exciting as far as Almodovar films go — every one of them has crossed that milestone since 1988′s “Women On The Verge of a Nervous Breakdown” (most of them going on to make considerably more). But it is indeed rare for a film to feature lead gay or lesbian characters — as “Excited” does — to cross that mark, at least these days. Read More
At The Dissolve, Nathan Rabin writes about The poisoned, almost subversive...
- 8/16/2013
- by Justine Smith
- SoundOnSight
The Russ Meyer Show Featuring Kitten Natividad takes place in St. Louis this Friday, June 15th at The Way Out Club. Details at the end of this article.
Article by Jim Batts, Dana Jung, and Tom Stockman
Russell Albion “Russ” Meyer was born in California in 1922 and spent WWII as a combat photographer. In 1953 Playboy magazine debuted and Meyer was one of its first centerfold photographers. Meyer had a knack, and a passion, for photographing gorgeous, busty women and felt that the gals in the nudist camp movies that were popular in the ’50s were far too plain-looking for his tastes. In 1959, Meyer scraped together $24,000 and made The Immoral Mr. Teas, a quaint, colorful, and cartoonish movie about a nerdy fellow whose life is constantly interrupted by beautiful large-breasted women in various stages of undress. There was no sex in Meyer’s film and he made no pretense of presenting nudity as a lifestyle choice,...
Article by Jim Batts, Dana Jung, and Tom Stockman
Russell Albion “Russ” Meyer was born in California in 1922 and spent WWII as a combat photographer. In 1953 Playboy magazine debuted and Meyer was one of its first centerfold photographers. Meyer had a knack, and a passion, for photographing gorgeous, busty women and felt that the gals in the nudist camp movies that were popular in the ’50s were far too plain-looking for his tastes. In 1959, Meyer scraped together $24,000 and made The Immoral Mr. Teas, a quaint, colorful, and cartoonish movie about a nerdy fellow whose life is constantly interrupted by beautiful large-breasted women in various stages of undress. There was no sex in Meyer’s film and he made no pretense of presenting nudity as a lifestyle choice,...
- 6/12/2012
- by Movie Geeks
- WeAreMovieGeeks.com
This article was originally posted in February of 2010 but is being reposted here with updates and to tie in to next week’s Wamg Top Ten Tuesday List “The Best of Russ Meyer”.
Mondo Topless (1966) is Russ Meyer’s send up of the swingin’ 60′s, a pseudo-documentary portrait of San Francisco, and most of all, a tribute to Meyer’s favorite subject; naked women! The 61-minute sort-of-documentary is sparse, even by Russ Meyer standards – just a rock soundtrack by The Aladdins accompanied by an overexuberant announcer who provides double entendre narration as stacked women dance about displaying their figures. Mondo Topless, which seems relatively wholesome now, was definitely a product of its time and requires historical perspective (and, despite the name of this column, it Is available on DVD).
With today’s endless cornucopia of internet porn, it’s hard to believe that less than 50 years ago, there was an...
Mondo Topless (1966) is Russ Meyer’s send up of the swingin’ 60′s, a pseudo-documentary portrait of San Francisco, and most of all, a tribute to Meyer’s favorite subject; naked women! The 61-minute sort-of-documentary is sparse, even by Russ Meyer standards – just a rock soundtrack by The Aladdins accompanied by an overexuberant announcer who provides double entendre narration as stacked women dance about displaying their figures. Mondo Topless, which seems relatively wholesome now, was definitely a product of its time and requires historical perspective (and, despite the name of this column, it Is available on DVD).
With today’s endless cornucopia of internet porn, it’s hard to believe that less than 50 years ago, there was an...
- 6/8/2012
- by Tom Stockman
- WeAreMovieGeeks.com
I usually make a point of not commenting on movies that haven’t been made yet, regardless of how promising they may sound. Yet when I learned that director David O. Russell, coming off The Fighter, was in negotiations with Fox Searchlight over the possibility of directing a feature film based on the life of Russ Meyer, the eccentric king of ’60s and ’70s sexploitation B movies, I thought, “Wow, now that is a film I’d love to see!” It sounded like it could be the Ed Wood of sleaze, a celebration of the raw and vital trash underground of American filmmaking.
- 3/27/2011
- by Owen Gleiberman
- EW - Inside Movies
Mondo Topless (1966) is Russ Meyer’s send up of the swingin’ 60’s, a pseudo-documentary portrait of San Francisco, and most of all, a tribute to Meyer’s favorite subject; naked women! The 61-minute sort-of-documentary is sparse, even by Russ Meyer standards – just a rock soundtrack by The Aladdins accompanied by an overexuberant announcer who provides double entendre narration as stacked women dance about displaying their figures. Mondo Topless, which seems relatively wholesome now, was definitely a product of its time and requires historical perspective (and, despite the name of this column, it Is available on DVD).
With today’s endless cornucopia of internet porn, it’s hard to believe that less than 50 years ago, there was an entire industry based on a glimpse at women’s breasts. In the 1950s, when healthy male movie fans wanted to see females naked on-screen, their only choice were ‘nudist camp movies’ – a genre...
With today’s endless cornucopia of internet porn, it’s hard to believe that less than 50 years ago, there was an entire industry based on a glimpse at women’s breasts. In the 1950s, when healthy male movie fans wanted to see females naked on-screen, their only choice were ‘nudist camp movies’ – a genre...
- 2/11/2010
- by Tom
- WeAreMovieGeeks.com
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