“Monster,” Hirokazu Kore-eda, Japan
Described by Variety critic Peter Debruge as a “convoluted portrait of a pre-teen in turmoil,” Kore-eda ‘s Palme d’Or best script and Queer Palm winner stars Sakura Andō as a mother who confronts a teacher after noticing odd changes in her son’s demeanor. Written by Yuji Sakamoto, it’s scored by the late Ryuichi Sakamoto.
“Peafowl,” Byun Sungbin, South Korea
Myung, a transgender, is estranged from her family because of who she is. She competes in a dance to earn some money for her sex-change surgery but it does not go well. One day, she is told that her father has died and that his will stipulates she could inherit his estate if she performed the Drum Dance during his memorial. Left with no other options, she returns to her hometown to do her father’s bidding.
“Waiting for Dali,” David Pujol, Spain
Fernando,...
Described by Variety critic Peter Debruge as a “convoluted portrait of a pre-teen in turmoil,” Kore-eda ‘s Palme d’Or best script and Queer Palm winner stars Sakura Andō as a mother who confronts a teacher after noticing odd changes in her son’s demeanor. Written by Yuji Sakamoto, it’s scored by the late Ryuichi Sakamoto.
“Peafowl,” Byun Sungbin, South Korea
Myung, a transgender, is estranged from her family because of who she is. She competes in a dance to earn some money for her sex-change surgery but it does not go well. One day, she is told that her father has died and that his will stipulates she could inherit his estate if she performed the Drum Dance during his memorial. Left with no other options, she returns to her hometown to do her father’s bidding.
“Waiting for Dali,” David Pujol, Spain
Fernando,...
- 9/25/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Mexico’s Monterrey Film Festival (ficmonterrey) is chasing new ambitions in a bid to raise its international profile. Buttressed by generous state, local and private backing as well as some federal funding, the festival, running Sept. 28 – Oct. 4, aims to become Mexico’s most prominent international film festival and a key creative hub in Mexico.
This year’s 19th edition boasts a new director, Janeth Aguirre, also its first female director, and new hires: Diana Cadavid, a programmer for Toronto (TIFF), LA Latino Int’l Film Fest (Laliff) and Colombia’s Cali, who has taken charge of the festival’s burgeoning industry section, and LA-based PR agent Alvar Carretero of Joshua Jason Public Relations.
In recognition of its country guest of honor, South Korea, the fest will open with “Little Forest” by Yim Soonrye, one of the few prominent women film auteurs in South Korean New Wave cinema. Five of her...
This year’s 19th edition boasts a new director, Janeth Aguirre, also its first female director, and new hires: Diana Cadavid, a programmer for Toronto (TIFF), LA Latino Int’l Film Fest (Laliff) and Colombia’s Cali, who has taken charge of the festival’s burgeoning industry section, and LA-based PR agent Alvar Carretero of Joshua Jason Public Relations.
In recognition of its country guest of honor, South Korea, the fest will open with “Little Forest” by Yim Soonrye, one of the few prominent women film auteurs in South Korean New Wave cinema. Five of her...
- 9/11/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Madrid, Spain — Industry prizes will be announced on Friday, Festival awards one day later. Yet even by Thursday evening, as this year’s Malaga Festival’s Mafiz-Spanish Screenings headed into its home straits, Spain film and TV industry was sending strong signs of their consolidation as an international market power.
That cut multiple ways. Following, 10 provisional takes on this year’s event:
The Biggest Malaga Ever, By a Head
Final attendance has blasted past last year’s 1,600, in itself a massive hike on years prior, tracking by Thursday at 1,700 attendees from 61 countries at Mafiz, Malaga’s industry arm. The Spanish Screenings alone account for getting on half of those accreditations. “The market’s been very good,” said Vicente Canales at Film Factory. “There’s been enough buyers, spending more time watching Spanish films. At Berlin and Cannes, they just don’t have the time. And Screenings attendance has been high.
That cut multiple ways. Following, 10 provisional takes on this year’s event:
The Biggest Malaga Ever, By a Head
Final attendance has blasted past last year’s 1,600, in itself a massive hike on years prior, tracking by Thursday at 1,700 attendees from 61 countries at Mafiz, Malaga’s industry arm. The Spanish Screenings alone account for getting on half of those accreditations. “The market’s been very good,” said Vicente Canales at Film Factory. “There’s been enough buyers, spending more time watching Spanish films. At Berlin and Cannes, they just don’t have the time. And Screenings attendance has been high.
- 3/16/2023
- by John Hopewell, Emiliano De Pablos and Ed Meza
- Variety Film + TV
David Pujol, whose enchanting drama “Waiting for Dalí” premiered at the Malaga Film Festival on Sunday, has a new feature film project and an international TV series in the works.
Pujol has just completed the script for “Rehearsal for a Kiss,” the story of a passionate yet hapless movie theater owner in Barcelona whose love of classic movies has left his cinema in a precarious position. On the verge of losing the family business, he seeks help from his uncle in America, who has made a career for himself as a character actor in Hollywood. A flashy, larger-than-life personality, the uncle returns to his native city after 40 years to help his nephew save the theater while also reconnecting with his own past.
“The Flash Game,” meanwhile, is conceived as an eight-part series set in the 1960s world of paparazzi between Rome and London. It focuses on the rebellious son of a British publishing tycoon who,...
Pujol has just completed the script for “Rehearsal for a Kiss,” the story of a passionate yet hapless movie theater owner in Barcelona whose love of classic movies has left his cinema in a precarious position. On the verge of losing the family business, he seeks help from his uncle in America, who has made a career for himself as a character actor in Hollywood. A flashy, larger-than-life personality, the uncle returns to his native city after 40 years to help his nephew save the theater while also reconnecting with his own past.
“The Flash Game,” meanwhile, is conceived as an eight-part series set in the 1960s world of paparazzi between Rome and London. It focuses on the rebellious son of a British publishing tycoon who,...
- 3/14/2023
- by Ed Meza
- Variety Film + TV
“Alcarràs,” from Catalonia’s Carla Simón, won Berlin’s top Golden Bear in February. “One Year, One Night,” from Catalan Isaki Lacuesta, also played in main competition. This May “Pacifiction,” from Albert Serra, another Catalan, has scored a competition berth at Cannes.
Thanks to these three titles, Catalonia has more directors this year in the key section at Europe’s two biggest festivals than Italy (2), Germany (1) or the U.K. (none at all). Other Catalan productions to play at Cannes: Rodrigo Sorogoyen’s “The Beasts” in Premiere and Anna Fernández’s “I Didn’t Make It to Love Her,” a Critics’ Week short.
If big fest selection is any measure, with just 7.6 million inhabitants and Barcelona as its capital, Catalonia is building as an upscale European movie powerhouse.
The build, however, is far broader based. In the pipeline, all from Barcelona-based Nostromo Pictures, are major Netflix titles such as David...
Thanks to these three titles, Catalonia has more directors this year in the key section at Europe’s two biggest festivals than Italy (2), Germany (1) or the U.K. (none at all). Other Catalan productions to play at Cannes: Rodrigo Sorogoyen’s “The Beasts” in Premiere and Anna Fernández’s “I Didn’t Make It to Love Her,” a Critics’ Week short.
If big fest selection is any measure, with just 7.6 million inhabitants and Barcelona as its capital, Catalonia is building as an upscale European movie powerhouse.
The build, however, is far broader based. In the pipeline, all from Barcelona-based Nostromo Pictures, are major Netflix titles such as David...
- 5/18/2022
- by Emilio Mayorga
- Variety Film + TV
From Berlin Golden Bear winner ‘Alcarrás’ to Cannes Competition title ‘Pacifiction,’ these projects will represent Catalonia at Cannes.
Alcarràs
Director: Carla Simón
The 2022 Berlin Golden Bear winner, a family farm drama marking the flagship title for Catalonia’s newest generation of cineastes.
Sales: MK2 Films
Amazing Elisa
Director: Sadrac González-Perellón
The next from 2017 BiFan Grand Jury Prize winner González- Perellón (“Black Hollow Cage”), once more mixing fantasy and family dynamics as Elisa, 12, seeks revenge after her mother’s tragic death. La Charito Films produces.
Sales: Filmax
The Beasts
Director: Rodrigo Sorogoyen
One of 2022’s most awaited Spanish titles, selected for Cannes Premiere, a Galicia-set thriller from Oscar-nominee Sorogoyen (“Mother”), produced by Arcadia, Caballo Films and Le Pacte.
Sales: Latido Films
The Communion Girl
Director: Víctor García
Film Factory’s genre play for Cannes: A revenge thriller drawing on an urban legend about a girl in a communion dress.
Sales: Film...
Alcarràs
Director: Carla Simón
The 2022 Berlin Golden Bear winner, a family farm drama marking the flagship title for Catalonia’s newest generation of cineastes.
Sales: MK2 Films
Amazing Elisa
Director: Sadrac González-Perellón
The next from 2017 BiFan Grand Jury Prize winner González- Perellón (“Black Hollow Cage”), once more mixing fantasy and family dynamics as Elisa, 12, seeks revenge after her mother’s tragic death. La Charito Films produces.
Sales: Filmax
The Beasts
Director: Rodrigo Sorogoyen
One of 2022’s most awaited Spanish titles, selected for Cannes Premiere, a Galicia-set thriller from Oscar-nominee Sorogoyen (“Mother”), produced by Arcadia, Caballo Films and Le Pacte.
Sales: Latido Films
The Communion Girl
Director: Víctor García
Film Factory’s genre play for Cannes: A revenge thriller drawing on an urban legend about a girl in a communion dress.
Sales: Film...
- 5/18/2022
- by Emilio Mayorga
- Variety Film + TV
Bérénice Bejo, Oscar nominated for “The Artist,” and two-time Goya winner Antonio de la Torre are to star in “The Movie Teller,” which is to be directed by Lone Scherfig, a BAFTA nominee with “An Education.” Embankment is launching worldwide sales on the Spanish-language film at the virtual AFM.
Walter Salles, a BAFTA winner with “The Motorcycle Diaries” and “Central Station,” and Rafa Russo have adapted Hernán Rivera Letelier’s novel, which is the story of life in a mining town in Chile’s Atacama Desert, and a tribute to the inspirational power of cinema, reminiscent of “Cinema Paradiso.”
The film is produced by Adolfo Blanco (“The Bookshop”) of A Contracorriente Films and Vincent Juillerat of Selenium Films and Al Tiro Films. Embankment is an executive producer, and co-represents Latin American rights with Latido Films. It shoots in the Atacama Desert in the first quarter of next year.
Bejo stars as María Magnolia,...
Walter Salles, a BAFTA winner with “The Motorcycle Diaries” and “Central Station,” and Rafa Russo have adapted Hernán Rivera Letelier’s novel, which is the story of life in a mining town in Chile’s Atacama Desert, and a tribute to the inspirational power of cinema, reminiscent of “Cinema Paradiso.”
The film is produced by Adolfo Blanco (“The Bookshop”) of A Contracorriente Films and Vincent Juillerat of Selenium Films and Al Tiro Films. Embankment is an executive producer, and co-represents Latin American rights with Latido Films. It shoots in the Atacama Desert in the first quarter of next year.
Bejo stars as María Magnolia,...
- 11/1/2021
- by Leo Barraclough
- Variety Film + TV
The culinary drama shoots on the Costa Brava and in Barcelona for six weeks.
Spanish director David Pujol’s feature debut has commenced shooting in Spain, with UK sales outfit Embankment representing global sales and serving as executive producer.
The film is produced by FishCorb Films’ Roger Corbi and Yan Fisher, plus Arlong Productions’ David Ortiz, with Pujol also writing the screenplay.
The shoot will take place for six weeks on the Costa Brava and in Barcelona, in Spanish and in French. Embankment has released this first-look image from the production.
Waiting For Dali takes inspiration from the art of...
Spanish director David Pujol’s feature debut has commenced shooting in Spain, with UK sales outfit Embankment representing global sales and serving as executive producer.
The film is produced by FishCorb Films’ Roger Corbi and Yan Fisher, plus Arlong Productions’ David Ortiz, with Pujol also writing the screenplay.
The shoot will take place for six weeks on the Costa Brava and in Barcelona, in Spanish and in French. Embankment has released this first-look image from the production.
Waiting For Dali takes inspiration from the art of...
- 10/15/2021
- by Mona Tabbara
- ScreenDaily
David Pujol’s documentary includes some bizarre moments, including Dalí’s seduction of his wife-to-be with a paste made of goat excrement and fish glue
Produced by the Gala-Salvador Dalí Foundation, this documentary about the relentlessly eccentric Spanish painter benefits – as you would hope it would – from plentiful archive access and a scholarly level of appreciation. So on the one hand we get some utterly bizarre footage of Dalí explaining how he seduced his wife-to-be Gala with a paste made of goat excrement and fish glue (Gala nodding quizzically alongside); and on the other a tight little knot of Dalí connoisseurs discussing the artist with each other while studiously avoiding the camera. The latter certainly elevates the film, but also hampers it; it’s pretty dry stuff compared with the slick Exhibition on Screen films we have become used to in cinemas. Some awkward translations and some rough sound edits are also a little off-putting.
Produced by the Gala-Salvador Dalí Foundation, this documentary about the relentlessly eccentric Spanish painter benefits – as you would hope it would – from plentiful archive access and a scholarly level of appreciation. So on the one hand we get some utterly bizarre footage of Dalí explaining how he seduced his wife-to-be Gala with a paste made of goat excrement and fish glue (Gala nodding quizzically alongside); and on the other a tight little knot of Dalí connoisseurs discussing the artist with each other while studiously avoiding the camera. The latter certainly elevates the film, but also hampers it; it’s pretty dry stuff compared with the slick Exhibition on Screen films we have become used to in cinemas. Some awkward translations and some rough sound edits are also a little off-putting.
- 1/18/2019
- by Andrew Pulver
- The Guardian - Film News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.