Fahrenheit 11/9 Review

Years ago, Michael Moore sat at the same table as Donald Trump when they were both scheduled as guests on (of all people) Roseanne Barr’s daytime talk show. Knowing what we know today, the implausibility of that image is amusing, but Moore wasn’t laughing. Trump, nervous to face Moore’s imminent firestorm of a debate, refused to be a part of the interview until the controversially outspoken filmmaker agreed to tame himself. Moore agreed and traded his pressing questions for cheap jokes. In voiceover, he tells those of us watching Fahrenheit 11/9 that he was shocked to learn that Trump enjoyed his first film, Roger & Me, which steamrolled over General Motors then CEO Roger B. Smith. Trump then said, “I hope he never does one about me.”

Nobody would want to be on the receiving end of one of Michael Moore’s investigations, but after watching his
See full article at We Got This Covered »

Michael Moore’s Roger & Me — 25th Anniversary Blu-ray on October 7

Michael Moore has created some of the most talked about documentaries of all time. It’s been 25 years since his ground-breaking film Roger & Me, so it’s time for it to get the Blu-ray treatment. Here is a portion of the news release…

Roger & Me, the highly acclaimed and groundbreaking hit film that launched Michael Moore’s career as a documentary filmmaker and a leading nationwide activist, debuts in a new 25th Anniversary Blu-ray™ edition, DVD and Digital HD on October 7 from Warner Bros. Home Entertainment.

Roger & Me is a highly original, personal and satire account of one of America’s greatest urban disasters told against the background of the tough times in Flint, Michigan, Moore’s hometown. The birthplace of General Motors, Flint had been economically decimated by, among other things, plant closings and the elimination of 30,000 Gm jobs. In Roger & Me, Moore gives cinematic voice to his razor-sharp,
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Feature: No More Moore! Onscreen Beefs With Michael Moore

  • IFC
By Matt Singer

According to the trailer of David Zucker's new comedy, "An American Carol," "America's most infamous filmmaker -- totally arrogant, completely clueless -- [has] finally gone too far." Of course, Zucker, a former liberal activist who became a "9/11 Republican," is referring to Michael Moore, the inspiration for the central character in "An American Carol," one Michael Malone (Kevin Farley), a filmmaker who's visited by three Dickensian ghosts after he demands that July 4th be abolished ("I love America. That's why it needs to be destroyed!").

Zucker's spoof is perhaps the most high-profile film to take on Moore, but it's by no means the first. In fact, in the last four years, Moore's work has inadvertently given birth to an entirely new strain of conservative filmmaking whose sole mission is to discredit him by taking issue with his documentary aesthetic, his politics, his personal success, even his physical appearance.
See full article at IFC »

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