Emily May Jampel is a filmmaker from Oʻahu, Hawai'i, based in New York City. “Lucky Fish” is her debut short, and has already played at festivals including Palm Springs International Film Festival, Champs-Élysées, Outfest L.A., Frameline, Inside Out and Short Shorts Film Festival & Asia.
“Lucky Fish” is screening at Busan International Short Film Festival
The movie begins inside a Chinese restaurant where Maggie, an Asian-American girl who is about to go to college, is “suffering” through her family's condescension, cliched-thinking and intrusiveness, as her younger sister has caught her looking at another Asian-American girl, across their table. Frustrated, Maggie goes to the bathroom, where she meets the aforementioned, Celene, with the two eventually moving to the upper floor of the restaurant, where an impressive fish tank is lying. Gradually, word by word, agreement by agreement, the two come closer.
Within the 8 minutes of the short's duration, Emily May Jampel...
“Lucky Fish” is screening at Busan International Short Film Festival
The movie begins inside a Chinese restaurant where Maggie, an Asian-American girl who is about to go to college, is “suffering” through her family's condescension, cliched-thinking and intrusiveness, as her younger sister has caught her looking at another Asian-American girl, across their table. Frustrated, Maggie goes to the bathroom, where she meets the aforementioned, Celene, with the two eventually moving to the upper floor of the restaurant, where an impressive fish tank is lying. Gradually, word by word, agreement by agreement, the two come closer.
Within the 8 minutes of the short's duration, Emily May Jampel...
- 5/2/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Power dynamics wrapped in religious intolerance drives a wedge between two brothers in Mamadou Dia’s engrossing feature debut, “Nafi’s Father.” While presenting two competing visions of Islam, the film plainly shows fundamentalism as an aberrant strain foreign to Senegal, wielded as a means of control rather than a genuine belief system; even though the Islamist topic is hardly under the radar of late, Dia grants his characters warmth and humor in their struggles and makes the story feel fresh without compromising on drama. Not enough sub-Saharan films make it to festivals let alone art-house cinemas, but the strength of “Nafi’s Father,” plus two Locarno wins, including the Golden Leopard in the Cinema of the Present section, should boost its chances considerably.
In a small town in the northeast of Senegal, the local Tierno, a religious leader qualified to be an Imam, practices a centuries-old homegrown version of...
In a small town in the northeast of Senegal, the local Tierno, a religious leader qualified to be an Imam, practices a centuries-old homegrown version of...
- 9/11/2019
- by Jay Weissberg
- Variety Film + TV
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