From the period-specific tunes of “The Crown” to the surprising instrumental reworkings of modern pop hits in “Bridgerton,” this season’s Emmy contenders in music supervision showcase the growing field’s continued influence.
Alexandra Patsavas
“Bridgerton” may give veteran music supervisor Patsavas her best shot yet at an Emmy thanks to her clever use of chamber music-style covers of modern pop songs, which help trace the emotional journey of Daphne and Simon (Phoebe Dynevor and Regé-Jean Page) in Regency-era London.
The Vitamin String Quartet’s renditions of Ariana Grande’s “Thank U, Next,” Maroon 5’s “Girls Like You,” Shawn Mendes’ “In My Blood” and Billie Eilish’s “Bad Guy,” along with Duomo’s cover of Taylor Swift’s “Wildest Dreams,” sent streaming numbers into the stratosphere soon after the Netflix series debuted in December.
According to Patsavas, discussions about “how a period project could be relevant and inviting,” musically speaking...
Alexandra Patsavas
“Bridgerton” may give veteran music supervisor Patsavas her best shot yet at an Emmy thanks to her clever use of chamber music-style covers of modern pop songs, which help trace the emotional journey of Daphne and Simon (Phoebe Dynevor and Regé-Jean Page) in Regency-era London.
The Vitamin String Quartet’s renditions of Ariana Grande’s “Thank U, Next,” Maroon 5’s “Girls Like You,” Shawn Mendes’ “In My Blood” and Billie Eilish’s “Bad Guy,” along with Duomo’s cover of Taylor Swift’s “Wildest Dreams,” sent streaming numbers into the stratosphere soon after the Netflix series debuted in December.
According to Patsavas, discussions about “how a period project could be relevant and inviting,” musically speaking...
- 6/2/2021
- by Jon Burlingame
- Variety Film + TV
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