Over the next six weeks director and Filmmaker contributor Alix Lambert is taking The Edit Center’s course in feature film editing. This is the first of her weekly blogs on her experience. — Editor
As a director, I have sat in the editing room for the better part of two decades. My long-time friend and brilliant editor, Hannah Neufeld has talked my off the ledge, dissuaded me from many bad ideas, and brought her own keen eye and internal rhythm to projects that we have worked on together over the years. Other editors (notably David Ritsher) have done the same for me. So, when my friend and recent co-director David McMahon (Bayou Blue) suggested that we take an intensive editing class at The Edit Center, I immediately agreed. I continue to want to collaborate with editors on my feature-length projects, but I have a number of short form projects on...
As a director, I have sat in the editing room for the better part of two decades. My long-time friend and brilliant editor, Hannah Neufeld has talked my off the ledge, dissuaded me from many bad ideas, and brought her own keen eye and internal rhythm to projects that we have worked on together over the years. Other editors (notably David Ritsher) have done the same for me. So, when my friend and recent co-director David McMahon (Bayou Blue) suggested that we take an intensive editing class at The Edit Center, I immediately agreed. I continue to want to collaborate with editors on my feature-length projects, but I have a number of short form projects on...
- 9/25/2011
- by Alix Lambert
- Filmmaker Magazine - Blog
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.