Chile’s Bf Distribution, among the leading distributors in Latin America, has picked up Latin American and Spanish distribution rights to “El Silencio de Marcos Tremmer” with Bf Distribution partners Carlos Hansen and Matias Cardone of Invercine Chile boarding the pic as executive producers.
Shot in the Dominican Republic, Uruguay and Madrid, it was helmed by Spanish director Miguel García de la Calera and is currently in post.
The film stars Benjamín Vicuña, Adriana Ugarte (Pedro Almodovar’s “Julieta”), Daniel Hendler (a Berlin best actor winner for “Lost Embrace”) and Felix Gomez (“La caza”).
“Given its A-list cast of Latin American and Spanish talent, we plan to release it next year in Chile, Argentina and Spain to start,” said Cardone.
Vicuña plays Marcos Tremmer, a prosperous Uruguayan ad executive residing in Madrid, who is madly in love with his wife, Lucía (Ugarte). However, one day, Marcos uncovers a grim truth...
Shot in the Dominican Republic, Uruguay and Madrid, it was helmed by Spanish director Miguel García de la Calera and is currently in post.
The film stars Benjamín Vicuña, Adriana Ugarte (Pedro Almodovar’s “Julieta”), Daniel Hendler (a Berlin best actor winner for “Lost Embrace”) and Felix Gomez (“La caza”).
“Given its A-list cast of Latin American and Spanish talent, we plan to release it next year in Chile, Argentina and Spain to start,” said Cardone.
Vicuña plays Marcos Tremmer, a prosperous Uruguayan ad executive residing in Madrid, who is madly in love with his wife, Lucía (Ugarte). However, one day, Marcos uncovers a grim truth...
- 11/2/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Spain’s Festival de Málaga, through its industry arm Mafiz (Málaga Festival Industry Zone), heads to the Cannes Marché du Film with five works-in-progress from burgeoning Andalusian talent.
“The Malaga Festival wants to support the completion of these works and make their international distribution viable,” commented Malaga head of industry, Annabelle Aramburu.
This year, as Cannes more broadly celebrates Spain, the event curates two titles that tackle its tumultuous history and one which takes audiences on an unconventional road trip questioning the biological clock alongside narratives that dissect the minutiae of new forms of co-existing and the baffling concept of destiny.
The second edition of Málaga Goes to Cannes takes place on Monday May 22.
“Alone In The Night,” (Guillermo Rojas)
A wry take on the eve of Feb. 23, 1981 when an attempted coup in Spain threatened its young democracy, profoundly changing the lives of the protagonists, an ensemble cast that includes...
“The Malaga Festival wants to support the completion of these works and make their international distribution viable,” commented Malaga head of industry, Annabelle Aramburu.
This year, as Cannes more broadly celebrates Spain, the event curates two titles that tackle its tumultuous history and one which takes audiences on an unconventional road trip questioning the biological clock alongside narratives that dissect the minutiae of new forms of co-existing and the baffling concept of destiny.
The second edition of Málaga Goes to Cannes takes place on Monday May 22.
“Alone In The Night,” (Guillermo Rojas)
A wry take on the eve of Feb. 23, 1981 when an attempted coup in Spain threatened its young democracy, profoundly changing the lives of the protagonists, an ensemble cast that includes...
- 5/21/2023
- by Holly Jones
- Variety Film + TV
Stars: Saturnino García, Félix Gómez, Elena Furiase, Montse Pla, Dunia Rodríguez, Nacho Guerreros, Erika Sanz, Federico Repetto, Vicky Jorge | Directed by Isaac Berrocal, Erika Elizalde, Manuel Martínez Velasco, Víctor Matellano, Piter Moreira
Based on an original idea by co-director Víctor Matellano, this black-and-white anthology film opens on Halloween night as children trick-or-treat. Gravedigger Mister Fettes (Saturnino García), preferring to be called Vampus, feels unappreciated for his work. He holds a sour outlook on the world, as established when he reads a news story about a hipster being stabbed 45 times and reacts by saying it wasn’t enough.
Matellano directs the wraparound segments, where Vampus acts as a storyteller to the audience in a manner resembling The Cryptkeeper. He also encounters many people whose lives he ends at the slightest irritation, before feeding them to his ghoulish pet named Toby. It’s constantly entertaining to watch this ill-tempered gravedigger that García terrifically brings alive.
Based on an original idea by co-director Víctor Matellano, this black-and-white anthology film opens on Halloween night as children trick-or-treat. Gravedigger Mister Fettes (Saturnino García), preferring to be called Vampus, feels unappreciated for his work. He holds a sour outlook on the world, as established when he reads a news story about a hipster being stabbed 45 times and reacts by saying it wasn’t enough.
Matellano directs the wraparound segments, where Vampus acts as a storyteller to the audience in a manner resembling The Cryptkeeper. He also encounters many people whose lives he ends at the slightest irritation, before feeding them to his ghoulish pet named Toby. It’s constantly entertaining to watch this ill-tempered gravedigger that García terrifically brings alive.
- 2/14/2023
- by James Rodrigues
- Nerdly
Stars: Gillian Jacobs, Michaela Watkins, Vanessa Bayer, Richard Madden, Gwen Elizabeth Duchon, Phoebe Robinson, Félix Gómez, Tea Vracic, Bojan Ban, Tara Thaller, Marko Paradzik, Ivan Devcic, Jordi Molla, Bozena Bilanovic, Coco Bolleboom | Written by Lauryn Kahn | Directed by Alex Richanbach
Meet Harper: She’s a single thirtysomething New Yorker with awesome friends she loves and a dead-end job she hates. So when her controlling, condescending, germophobic nightmare of a boss sends her on a business trip to Barcelona, Harper jumps at the chance to shake up her routine. Flanked by her two best pals, Harper lets loose in the land of Sangria, where a bit of surprising body graffiti leads to a flirty encounter with a famous DJ.
Alex Richanbach’s Ibiza, one of many latest releases from Netflix is your predictable, clingy and anecdotal/raunchy party monster comedy, albeit with a progressive and redeeming twist of following three women,...
Meet Harper: She’s a single thirtysomething New Yorker with awesome friends she loves and a dead-end job she hates. So when her controlling, condescending, germophobic nightmare of a boss sends her on a business trip to Barcelona, Harper jumps at the chance to shake up her routine. Flanked by her two best pals, Harper lets loose in the land of Sangria, where a bit of surprising body graffiti leads to a flirty encounter with a famous DJ.
Alex Richanbach’s Ibiza, one of many latest releases from Netflix is your predictable, clingy and anecdotal/raunchy party monster comedy, albeit with a progressive and redeeming twist of following three women,...
- 7/17/2018
- by Jak-Luke Sharp
- Nerdly
Painless Trailer, Insensibles Trailer. Luiso Berdejo‘s Painless / Insensibles (2012) movie trailer stars Derek de Lint, Richard Felix, Félix Gómez, Tómas Lemarquis, and Àlex Brendemühl. Painless‘ plot synopsis: “Set in Catalonia, Painless weaves two stories: in one, starting during the Spanish Civil War and running through to the ’60s, an asylum attempts to rehabilitate children [...]
Continue reading: Painless / Insensibles (2012) Movie Trailer, Poster, Photos...
Continue reading: Painless / Insensibles (2012) Movie Trailer, Poster, Photos...
- 8/31/2012
- by Rollo Tomasi
- Film-Book
Reviewed at Fantastic Fest 2010.
"Agnosia," like "Julia's Eyes," which screens at the festival today, is the product of a Guillermo del Toro protege -- Eugenio Mira, whose first film, 2004's "The Birthday," caught the director/producer/force of nature's attention, if few others'. And it looks like it -- working off a screenplay by "The Devil's Backbone" writer Antonio Trashorras, Mira adeptly assembles lush, gothic visuals of the type that have become del Toro's signature. If only the film had the same amount of emotional impact. "Agnosia" is certainly the most lavishly beautiful film at Fantastic Fest, but it's structured around a story that doesn't seem to have enough to it to support a feature, either in what's at stake or in the characters.
The film starts with a group of investors arriving in the countryside to try out a new telescopic rifle, the joint product of German weapon manufacturer...
"Agnosia," like "Julia's Eyes," which screens at the festival today, is the product of a Guillermo del Toro protege -- Eugenio Mira, whose first film, 2004's "The Birthday," caught the director/producer/force of nature's attention, if few others'. And it looks like it -- working off a screenplay by "The Devil's Backbone" writer Antonio Trashorras, Mira adeptly assembles lush, gothic visuals of the type that have become del Toro's signature. If only the film had the same amount of emotional impact. "Agnosia" is certainly the most lavishly beautiful film at Fantastic Fest, but it's structured around a story that doesn't seem to have enough to it to support a feature, either in what's at stake or in the characters.
The film starts with a group of investors arriving in the countryside to try out a new telescopic rifle, the joint product of German weapon manufacturer...
- 9/30/2010
- by Alison Willmore
- ifc.com
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