In Disney Princess: Beyond the Tiara, longtime Rolling Stone contributor Emily Zemler takes a deep dive into how various beloved princesses became the cultural icons they are today, from Snow White’s lasting reign to newer, inspiring royalty like Moana.
The book weaves interviews with historians and those who helped shape the characters, including directors and voice talent, alongside concept art and memorabilia, and breaks down important themes integral to how the princesses serve as inspirations.
Music, of course, is a key element to the storytelling and what makes the characters resonate for decades,...
The book weaves interviews with historians and those who helped shape the characters, including directors and voice talent, alongside concept art and memorabilia, and breaks down important themes integral to how the princesses serve as inspirations.
Music, of course, is a key element to the storytelling and what makes the characters resonate for decades,...
- 9/20/2022
- by Althea Legaspi
- Rollingstone.com
Maury Laws, who as musical director for Rankin-Bass productions supervised the scoring of such animated TV classics as “Rudolph the Red-Nosed Reindeer,” “Frosty the Snowman” and “The Hobbit,” died March 28 in Appleton, Wisc. He was 95.
Laws’ greatest achievement in TV was arranging and conducting all of the music for the 1964 stop-motion animation version of “Rudolph,” which featured new songs by original “Rudolph” songwriter Johnny Marks. Laws’ warm orchestral settings for such songs as “Holly Jolly Christmas,” “There’s Always Tomorrow” and the title tune helped to make the hour-long show a holiday season perennial.
The success of “Rudolph” led to a series of animated specials by the Rankin-Bass company. Laws worked with Fred Astaire on “Santa Claus Is Comin’ to Town” (1970), Danny Kaye on “Here Comes Peter Cottontail” (1971), Angela Lansbury on “The First Christmas” (1975) and Judy Collins on “The Wind in the Willows” (1987), often writing the songs with lyricist and...
Laws’ greatest achievement in TV was arranging and conducting all of the music for the 1964 stop-motion animation version of “Rudolph,” which featured new songs by original “Rudolph” songwriter Johnny Marks. Laws’ warm orchestral settings for such songs as “Holly Jolly Christmas,” “There’s Always Tomorrow” and the title tune helped to make the hour-long show a holiday season perennial.
The success of “Rudolph” led to a series of animated specials by the Rankin-Bass company. Laws worked with Fred Astaire on “Santa Claus Is Comin’ to Town” (1970), Danny Kaye on “Here Comes Peter Cottontail” (1971), Angela Lansbury on “The First Christmas” (1975) and Judy Collins on “The Wind in the Willows” (1987), often writing the songs with lyricist and...
- 4/1/2019
- by Jon Burlingame
- Variety Film + TV
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