“This Must Be how the white gays felt when Madonna’s Confessions on a Dance Floor came out,” I direct-messaged my best friend in the wee hours of July 29, 2022. “Finally, an album for us.”
It was the third consecutive time I had listened to Beyoncé’s seventh studio album, Renaissance, after it debuted at midnight. As a Black queer millennial who grew up anticipating the global superstar’s stylishly curated releases, this felt remarkably personal. Beyoncé has never been a stranger to giving a nod to LGBTQ themes and artists...
It was the third consecutive time I had listened to Beyoncé’s seventh studio album, Renaissance, after it debuted at midnight. As a Black queer millennial who grew up anticipating the global superstar’s stylishly curated releases, this felt remarkably personal. Beyoncé has never been a stranger to giving a nod to LGBTQ themes and artists...
- 9/5/2022
- by Ernest Owens
- Rollingstone.com
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