The Cph:dox programme looks to integrate business strategies to innovative digital storytelling.
Denmark’s Cph:Dox has selected nine projects for the 2023 edition of Cph:lab, its talent development programme for screen documentary projects.
The lab has an expanded focus this year to include interactive and immersive technologies.
Projects include Echoes / Collateral Echoes, a VR installation from 2018 UK-Ireland Screen Star of Tomorrow Baff Akoto, former Sheffield Doc/Fest programme director Luke Moody and Lidz-Ama Appiah.
Scroll down for the full list of projects
Using renderings of archival images, artifacts and spoken testimonies, the work represents the over 150 Black Britons who have...
Denmark’s Cph:Dox has selected nine projects for the 2023 edition of Cph:lab, its talent development programme for screen documentary projects.
The lab has an expanded focus this year to include interactive and immersive technologies.
Projects include Echoes / Collateral Echoes, a VR installation from 2018 UK-Ireland Screen Star of Tomorrow Baff Akoto, former Sheffield Doc/Fest programme director Luke Moody and Lidz-Ama Appiah.
Scroll down for the full list of projects
Using renderings of archival images, artifacts and spoken testimonies, the work represents the over 150 Black Britons who have...
- 9/13/2022
- by Ben Dalton
- ScreenDaily
UK scheme aimed at first time filmmakers.
UK-based female-focused film organisation Birds’ Eye View has revealed the 18 first-time filmmakers selected for this year’s Filmonomics business training programme.
The cohort have been chosen for the sixth iteration of the scheme, which is aimed at feature writers, directors and producers of marginalised genders who are either on the verge of making their first feature, or have just made or released their debut.
The 18 participants are Afia Nkrumah, Bircan Birol, Cherish Oteka, Emily Everdee, Fozia Khaliq, Isla Badenoch, Jo Tracy, Katie Dolan, Lesley-Anne Macfarlane, Libby Potter, Lidz-Ama Appiah, Liv Little, Lizzie Mackenzie,...
UK-based female-focused film organisation Birds’ Eye View has revealed the 18 first-time filmmakers selected for this year’s Filmonomics business training programme.
The cohort have been chosen for the sixth iteration of the scheme, which is aimed at feature writers, directors and producers of marginalised genders who are either on the verge of making their first feature, or have just made or released their debut.
The 18 participants are Afia Nkrumah, Bircan Birol, Cherish Oteka, Emily Everdee, Fozia Khaliq, Isla Badenoch, Jo Tracy, Katie Dolan, Lesley-Anne Macfarlane, Libby Potter, Lidz-Ama Appiah, Liv Little, Lizzie Mackenzie,...
- 3/30/2022
- by Michael Rosser
- ScreenDaily
The BFI London Film Festival has added a new, annual works-in-progress showcase as part of its industry program, and has invited seven projects to participate, including two featuring “Star Wars: Episode IX – The Rise of Skywalker” and “The End of the F***ing World” actor Naomie Ackie and “ZeroZeroZero” actor Andrea Riseborough.
The showcase features works made for cinema, television and immersive platforms by U.K. emerging talent and will be presented to an invited audience of international buyers and festival programmers.
The projects include psychological thriller “Here Before” by Stacey Gregg (“Little Birds”), produced by Sophie Vickers (“Surge”) and Julia Godzinskaya (“The Other Lamb”), starring Riseborough, Martin McCann (“Wildfire”) and Jonjo O’Neill (“Pennyworth”); and heist film “The Score,” directed by Malachi Smyth (“Nocturne”), produced by Matthew James Wilkinson (“Yesterday”), Ben Pullen (“Light of the World), alongside co-producer Isabelle Georgeaux (“Calibre”), starring Johnny Flynn (“Stardust”), Ackie and Will Poulter (“Midsommar”).
Experimental filmmaker Baff Akoto,...
The showcase features works made for cinema, television and immersive platforms by U.K. emerging talent and will be presented to an invited audience of international buyers and festival programmers.
The projects include psychological thriller “Here Before” by Stacey Gregg (“Little Birds”), produced by Sophie Vickers (“Surge”) and Julia Godzinskaya (“The Other Lamb”), starring Riseborough, Martin McCann (“Wildfire”) and Jonjo O’Neill (“Pennyworth”); and heist film “The Score,” directed by Malachi Smyth (“Nocturne”), produced by Matthew James Wilkinson (“Yesterday”), Ben Pullen (“Light of the World), alongside co-producer Isabelle Georgeaux (“Calibre”), starring Johnny Flynn (“Stardust”), Ackie and Will Poulter (“Midsommar”).
Experimental filmmaker Baff Akoto,...
- 9/22/2020
- by Naman Ramachandran
- Variety Film + TV
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