Poor Things, Oppenheimer and Saltburn took top film honors at the 28th annual Art Directors Guild Awards tonight. The Neighborhood and New Girl actor Max Greenfield hosted the show from Ovation Hollywood’s Ray Dolby Ballroom. Check out the full winners list below.
Oppenheimer‘s Ruth De Jong and Poor Things’ James Price and Shona Heath will face off for Best Production Design at the Academy Awards next month. They’ll go up against the production designers and set decorators behind Barbie, Killers of the Flower Moon and Napoleon.
The Art Directors Guild divides its top film prizes into Fantasy, Period and Contemporary Feature categories, which went to Poor Things, Oppenheimer and Saltburn, respectively. Since the trophy show launched in 1996, the winner of one of those has gone on to win the Art Direction/Production Design Oscar in 18 of the 27 years. It had a run of nine in a row snapped last year,...
Oppenheimer‘s Ruth De Jong and Poor Things’ James Price and Shona Heath will face off for Best Production Design at the Academy Awards next month. They’ll go up against the production designers and set decorators behind Barbie, Killers of the Flower Moon and Napoleon.
The Art Directors Guild divides its top film prizes into Fantasy, Period and Contemporary Feature categories, which went to Poor Things, Oppenheimer and Saltburn, respectively. Since the trophy show launched in 1996, the winner of one of those has gone on to win the Art Direction/Production Design Oscar in 18 of the 27 years. It had a run of nine in a row snapped last year,...
- 2/11/2024
- by Erik Pedersen
- Deadline Film + TV
When the Art Directors Guild holds its annual awards ceremony on Feb. 10, prizes will go to talented designers who created looks ranging from the nuclear-threatened whimsy of Wes Anderson’s “Asteroid City,” to the apocalyptic wasteland of “The Last of Us,” to the pink-hued fantasy of a doll choosing between plastic eternity and real-world life and death (she picked the latter).
See a common thread here? In addition to the gloom lurking behind these creations, other contenders provided backdrops for the implied genocide of “Killers of the Flower Moon,” the grief of a lauded composer stricken by the death of his wife in “Maestro,” the battlefield carnage of “Napoleon” and the development of an ultimate weapon that can extinguish humankind in “Oppenheimer.”
Want more? There’s AI armageddon in “The Creator” and “A Murder at the End of the World,” Frankenstein biology in “Poor Things” and a cool-headed professional assassin in “The Killer.
See a common thread here? In addition to the gloom lurking behind these creations, other contenders provided backdrops for the implied genocide of “Killers of the Flower Moon,” the grief of a lauded composer stricken by the death of his wife in “Maestro,” the battlefield carnage of “Napoleon” and the development of an ultimate weapon that can extinguish humankind in “Oppenheimer.”
Want more? There’s AI armageddon in “The Creator” and “A Murder at the End of the World,” Frankenstein biology in “Poor Things” and a cool-headed professional assassin in “The Killer.
- 2/10/2024
- by Peter Caranicas
- Variety Film + TV
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