There are times when I don’t have much to say here. I read a book, I mostly liked it, I’ve already read a number of things by the same creator, I don’t have anything particularly new or specific to say this time.
And that sounds so horribly minimizing, doesn’t it?
But “this is good stuff, in line with the same person’s previous good stuff” is actually very positive.
So, with that caveat: I just read Noah Van Sciver’s 2016 collection of comics short stories, Disquiet . It’s a general, miscellaneous collection – everything I’ve seen from him previously has been more focused, from the graphic novels Fante Bukowski and Saint Cole to the self-explanatorily themed As a Cartoonist collection.
But this one is just some stories and art Van Sciver did, over about the previous five years, collected between two covers and assembled into a plausible order.
And that sounds so horribly minimizing, doesn’t it?
But “this is good stuff, in line with the same person’s previous good stuff” is actually very positive.
So, with that caveat: I just read Noah Van Sciver’s 2016 collection of comics short stories, Disquiet . It’s a general, miscellaneous collection – everything I’ve seen from him previously has been more focused, from the graphic novels Fante Bukowski and Saint Cole to the self-explanatorily themed As a Cartoonist collection.
But this one is just some stories and art Van Sciver did, over about the previous five years, collected between two covers and assembled into a plausible order.
- 6/8/2024
- by Andrew Wheeler
- Comicmix.com
I used to personalize far too much when I read, to reflexively attribute ideas or thoughts in a book to the author. To blame the author, some times, for how I reacted to the book, or just hold them responsible for how I, or anyone, responded to a book. [1]
I got better; I got older and (I hope) smarter.
One quirk of that growing-older change is that, as I seemingly have less and less time to read, I’m willing to give writers more and more chances, to assume it’s a book that’s not working for me rather than the author. And I try to be more generous to creators, to assume positive intent, to get away from that young-huffy pose of outrage that’s so energizing to so many of us read-everything types for so long.
So I keep coming back to creators that don’t quite work for me,...
I got better; I got older and (I hope) smarter.
One quirk of that growing-older change is that, as I seemingly have less and less time to read, I’m willing to give writers more and more chances, to assume it’s a book that’s not working for me rather than the author. And I try to be more generous to creators, to assume positive intent, to get away from that young-huffy pose of outrage that’s so energizing to so many of us read-everything types for so long.
So I keep coming back to creators that don’t quite work for me,...
- 9/6/2023
- by Andrew Wheeler
- Comicmix.com
Celebrated cartoonist and screenwriter Daniel Clowes discusses his favorite formative films with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Baxter (1989)
Faster Pussycat! Kill! Kill! (1966) – Josh Olson’s trailer commentary
Ghost World (2001) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Art School Confidential (2006)
Help! (1965) – Allan Arkush’s trailer commentary, Charlie Largent’s review
The Russians Are Coming! The Russians Are Coming! (1966) – John Landis’s trailer commentary,
The Adventures of Tom Sawyer (1938) – Charlie Largent’s Blu-ray review
Gone With The Wind (1939)
Mudhoney (1965) – John Badham’s trailer commentary
Finders Keepers, Lovers Weepers! (1968)
Common Law Cabin (1967)
Beyond The Valley Of The Dolls (1970) – Michael Lehmann’s trailer commentary, Glenn Erickson’s Blu-ray review
The Seven Minutes (1971)
Black Snake (1973)
An American Werewolf In London (1981) – Glenn Erickson’s Blu-ray and 4K Blu-ray reviews
Lady In A Cage (1964) – Darren Bousman’s trailer commentary, Charlie Largent’s Blu-ray review
The Wild One (1953)
Hush…...
Show Notes: Movies Referenced In This Episode
Baxter (1989)
Faster Pussycat! Kill! Kill! (1966) – Josh Olson’s trailer commentary
Ghost World (2001) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Art School Confidential (2006)
Help! (1965) – Allan Arkush’s trailer commentary, Charlie Largent’s review
The Russians Are Coming! The Russians Are Coming! (1966) – John Landis’s trailer commentary,
The Adventures of Tom Sawyer (1938) – Charlie Largent’s Blu-ray review
Gone With The Wind (1939)
Mudhoney (1965) – John Badham’s trailer commentary
Finders Keepers, Lovers Weepers! (1968)
Common Law Cabin (1967)
Beyond The Valley Of The Dolls (1970) – Michael Lehmann’s trailer commentary, Glenn Erickson’s Blu-ray review
The Seven Minutes (1971)
Black Snake (1973)
An American Werewolf In London (1981) – Glenn Erickson’s Blu-ray and 4K Blu-ray reviews
Lady In A Cage (1964) – Darren Bousman’s trailer commentary, Charlie Largent’s Blu-ray review
The Wild One (1953)
Hush…...
- 11/15/2022
- by Kris Millsap
- Trailers from Hell
There is no Saint Cole. No one was ever canonized under that name – there is a Saint Colette, but given the subject of Noah Van Sciver’s graphic novel, there’s no chance that’s the reference meant. It is not the name of a town. It is not metaphorical; there is no one named Cole in the book.
“Saint Cole” is a random squawk, emitted by a minor character whose whole point is that he’s mentally damaged. It is meaningless. I have no idea why it’s the title of this book. There is something vaguely ironic that the story of a man named Joe who is deeply unsaintly is named Saint Cole , but 99 of life is that ironic to begin with. It’s not much to hang a story on.
Saint Cole is the story of an alcoholic, a loser who thinks he isn’t a loser,...
“Saint Cole” is a random squawk, emitted by a minor character whose whole point is that he’s mentally damaged. It is meaningless. I have no idea why it’s the title of this book. There is something vaguely ironic that the story of a man named Joe who is deeply unsaintly is named Saint Cole , but 99 of life is that ironic to begin with. It’s not much to hang a story on.
Saint Cole is the story of an alcoholic, a loser who thinks he isn’t a loser,...
- 6/22/2022
- by Andrew Wheeler
- Comicmix.com
Marcus Parks, Henry Zebrowski, and Ben Kissel, the hosts of Last Podcast on the Left, recently made headlines earlier this year with the announcement that they were creating horror comic book series Soul Plumber for DC, but that's not all! Today, it's been announced that they have teamed up with Z2 Comics for a horror anthology comic book series that should have fans of Creepy and Tales from the Crypt very excited!
Titled The Last Comic Book on the Left, the first volume is due out in spring 2022 and features an all-star list of comic book writers and artists. We have the full press release below, along with a look at the cover art, and an exclusive reveal of Ian McGinty's Detective Popcorn print!
"After producing nearly 500 full episodes exploring the darkest corners of humanity and supernatural dread, horror-comedy connoisseurs Marcus Parks, Henry Zebrowski, and Ben Kissel are ushering...
Titled The Last Comic Book on the Left, the first volume is due out in spring 2022 and features an all-star list of comic book writers and artists. We have the full press release below, along with a look at the cover art, and an exclusive reveal of Ian McGinty's Detective Popcorn print!
"After producing nearly 500 full episodes exploring the darkest corners of humanity and supernatural dread, horror-comedy connoisseurs Marcus Parks, Henry Zebrowski, and Ben Kissel are ushering...
- 11/18/2021
- by Jonathan James
- DailyDead
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