Rjle Films Presents We Need To Do Somethingon DVD And Blu-ray On June 16, 2022 Directed by Sean King O’Grady Written by Max Booth III Film Stars Sierra McCormick, Vinessa Shaw, Pat Healy, and John James Cronin Sean King O’Grady, Max Booth III (Satan His Own Self), Sierra McCormick (“American Horror …
The post We Need To Do Something | Directed by Sean King O’Grady | On DVD and Blu-ray on June 16, 2022 appeared first on Horror News | Hnn.
The post We Need To Do Something | Directed by Sean King O’Grady | On DVD and Blu-ray on June 16, 2022 appeared first on Horror News | Hnn.
- 6/10/2022
- by Adrian Halen
- Horror News
After a number of years in which it maybe wasn’t the case, it seems like we horror fans are continually spoiled year after year. Every December or January when it comes time to make my list of favorites for Daily Dead, I’m blown away as I look back and see just how many incredible books, films, TV shows, conventions, streaming offerings, DVDs, boutique Blu-rays – you name it – are released in a given year. Though it may have been a challenging disaster in so many other ways, 2021 was no exception when it came to horror. Here are just some of my favorites.
Chucky
As a huge fan of the Child’s Play film series – particularly some of the latter Dtv entries that have taken the franchise into bizarre and exciting new directions – I was out of my mind excited about the new Chucky TV show, which aired on both USA and SyFy.
Chucky
As a huge fan of the Child’s Play film series – particularly some of the latter Dtv entries that have taken the franchise into bizarre and exciting new directions – I was out of my mind excited about the new Chucky TV show, which aired on both USA and SyFy.
- 1/5/2022
- by Patrick Bromley
- DailyDead
Saw franchise co-creator Peter Block among producers.
Priscilla Ross Smith’s genre sales agency The Coven has finalised a raft of key international deals following the virtual AFM led by the UK on Tribeca and Stiges horror mystery We Need To Do Something.
Blue Finch has acquired UK rights and Front Row has picked it up fort Middle East. In other significant deals the film closed in Russia/Cis (Exponenta), Malaysia and Singapore (Suraya), Scandinavia (Lucky Dogs), and Poland (Media4Fun). IFC distributes in North America.
We Need To Do Something premiered at Tribeca Festival in June and stars Sierra McCormick...
Priscilla Ross Smith’s genre sales agency The Coven has finalised a raft of key international deals following the virtual AFM led by the UK on Tribeca and Stiges horror mystery We Need To Do Something.
Blue Finch has acquired UK rights and Front Row has picked it up fort Middle East. In other significant deals the film closed in Russia/Cis (Exponenta), Malaysia and Singapore (Suraya), Scandinavia (Lucky Dogs), and Poland (Media4Fun). IFC distributes in North America.
We Need To Do Something premiered at Tribeca Festival in June and stars Sierra McCormick...
- 11/29/2021
- by Jeremy Kay
- ScreenDaily
Scrappy Halloween fare set in a bathroom delivers more whimper than bang in its end-of-the-world horror
A decade ago, Jeff Nichols directed Take Shelter, a remarkably prophetic, big-picture drama with Michael Shannon as a construction worker alienating his loved ones with his insistence on building a bunker in readiness for gathering storms. It may be a sign of a withering US indie sector that this far scrappier genre item aims to generate comparably doomy vibes on a single set measuring barely 40 square feet.
Adapted by Max Booth III from his own novella, Sean King O’Grady’s film unfolds primarily in a domestic bathroom, to which uptight corporate drone Pat Healy, put-upon wife Vinessa Shaw and the couple’s two children are confined after a felled tree dissects their Tornado Alley property. It’s soon clear this is one of those metaphorical bathrooms, representative of a much bigger space. Squandering any...
A decade ago, Jeff Nichols directed Take Shelter, a remarkably prophetic, big-picture drama with Michael Shannon as a construction worker alienating his loved ones with his insistence on building a bunker in readiness for gathering storms. It may be a sign of a withering US indie sector that this far scrappier genre item aims to generate comparably doomy vibes on a single set measuring barely 40 square feet.
Adapted by Max Booth III from his own novella, Sean King O’Grady’s film unfolds primarily in a domestic bathroom, to which uptight corporate drone Pat Healy, put-upon wife Vinessa Shaw and the couple’s two children are confined after a felled tree dissects their Tornado Alley property. It’s soon clear this is one of those metaphorical bathrooms, representative of a much bigger space. Squandering any...
- 10/19/2021
- by Mike McCahill
- The Guardian - Film News
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