New Delhi, Sep 17 (Ians) Chip-maker Intel has bid goodbye to Pentium and Celeron processors and has introduced a new chip for upcoming essential segment or budget computers.
The company has introduced ‘Intel Processor’ that will replace Pentium and Celeron branding in the 2023 notebook product stack.
“The new Intel Processor branding will simplify our offerings so users can focus on choosing the right processor for their needs,” said Josh Newman, Intel vice president and interim Gm of Mobile Client Platforms.
Intel said that with this new brand architecture, it will continue to sharpen its focus on its flagship brands: Intel Core, Intel Evo and Intel vPro.
In addition, this update streamlines brand offerings across PC segments to enable and enhance Intel customer communication on each product’s value proposition, while simplifying the purchasing experience for customers, the company said in a statement late on Friday.
Introduced in 1993, Pentium chips were first introduced in high-end desktop machines,...
The company has introduced ‘Intel Processor’ that will replace Pentium and Celeron branding in the 2023 notebook product stack.
“The new Intel Processor branding will simplify our offerings so users can focus on choosing the right processor for their needs,” said Josh Newman, Intel vice president and interim Gm of Mobile Client Platforms.
Intel said that with this new brand architecture, it will continue to sharpen its focus on its flagship brands: Intel Core, Intel Evo and Intel vPro.
In addition, this update streamlines brand offerings across PC segments to enable and enhance Intel customer communication on each product’s value proposition, while simplifying the purchasing experience for customers, the company said in a statement late on Friday.
Introduced in 1993, Pentium chips were first introduced in high-end desktop machines,...
- 9/17/2022
- by Glamsham Bureau
- GlamSham
Big Picture Media has officially released a promo art for their upcoming slasher film starring Kane Hodder. The film is in pre-production for director Christian Winters.
The film is about two brothers posing as paramedics, who intercept 911 calls in a retired old ambulance. Fast paced and blood soaked, ‘Old 37′ taps into the most basic human fear: vulnerability. The words ‘don’t worry, I’m a paramedic’ will make you think twice before dialing 9-1-1.
Here’s the press release:
“Big Picture Media has begun pre-production for Old 37, a psychological slasher about two brothers posing as paramedics, who intercept 911 calls in a retired old ambulance. Fast-paced and blood-soaked, Old 37 taps into the most basic human fear: vulnerability.
The chaos begins filming this fall in Long Island, New York, directed and edited by two-time Emmy winning editor, Christian Winters. First time writer/producer Paul Travers will produce his...
The film is about two brothers posing as paramedics, who intercept 911 calls in a retired old ambulance. Fast paced and blood soaked, ‘Old 37′ taps into the most basic human fear: vulnerability. The words ‘don’t worry, I’m a paramedic’ will make you think twice before dialing 9-1-1.
Here’s the press release:
“Big Picture Media has begun pre-production for Old 37, a psychological slasher about two brothers posing as paramedics, who intercept 911 calls in a retired old ambulance. Fast-paced and blood-soaked, Old 37 taps into the most basic human fear: vulnerability.
The chaos begins filming this fall in Long Island, New York, directed and edited by two-time Emmy winning editor, Christian Winters. First time writer/producer Paul Travers will produce his...
- 6/28/2011
- by Jon Peters
- Killer Films
by Tim Mathis, MoreHorror.com
Not a ton is known about the upcoming horror film called Old 37 starring Kane Hodder, but what we do have is cool details about the movie which is currently in pre-production.
Old 37 is an upcoming psychological slasher about two brothers posing as paramedics who intercept 911 calls in a rotted-out retired ambulance.
For further details about this flick, some interesting medical horror stories, story boards and other links, check out the official Old 37 website. You can also find 'Old 37' on the following social networks. Old 37 Facebook page or by following them on Twitter.
From the Press Release
Big Picture Media has begun pre-production for Old 37, a psychological slasher about two brothers posing as paramedics, who intercept 911 calls in a retired old ambulance. Fast-paced and blood-soaked, Old 37 taps into the most basic human fear: vulnerability. The words "don't worry,...
Not a ton is known about the upcoming horror film called Old 37 starring Kane Hodder, but what we do have is cool details about the movie which is currently in pre-production.
Old 37 is an upcoming psychological slasher about two brothers posing as paramedics who intercept 911 calls in a rotted-out retired ambulance.
For further details about this flick, some interesting medical horror stories, story boards and other links, check out the official Old 37 website. You can also find 'Old 37' on the following social networks. Old 37 Facebook page or by following them on Twitter.
From the Press Release
Big Picture Media has begun pre-production for Old 37, a psychological slasher about two brothers posing as paramedics, who intercept 911 calls in a retired old ambulance. Fast-paced and blood-soaked, Old 37 taps into the most basic human fear: vulnerability. The words "don't worry,...
- 6/28/2011
- by admin
- MoreHorror
There's not much information available for Old 37 yet, but what I've seen so far looks very intriguing. We know Kane Hodder will bring his wealth of horror experience to play one of the film's killers, and Brandi Cyrus (that's Miley's big sis) will also appear in the film.
To sum up what we currently know about the story, the film is about a couple of derelict psycho brothers who spend their time eavesdropping on emergency calls and responding in their father's retired ambulance (which I can only assume is #37) to dole out their own kind of down-home, backwoods medicine. I think we can safely surmise that bad things and the red, red kroovy follow soon after.
The official Old 37 website, which is very eerie in its own right, features some additional information and cool storyboards to give you a feel for the film. Up to the minute...
To sum up what we currently know about the story, the film is about a couple of derelict psycho brothers who spend their time eavesdropping on emergency calls and responding in their father's retired ambulance (which I can only assume is #37) to dole out their own kind of down-home, backwoods medicine. I think we can safely surmise that bad things and the red, red kroovy follow soon after.
The official Old 37 website, which is very eerie in its own right, features some additional information and cool storyboards to give you a feel for the film. Up to the minute...
- 6/27/2011
- by Doctor Gash
- DreadCentral.com
Screened
Toronto International Film Festival
TORONTO -- "I Love Your Work" is a movie directed and co-written by an actor, Adam Goldberg, that features many of his actor buddies. So what's it all about? It's about how awful it is to be an actor or, worse, a movie star and how an acting career can damage one's fragile psyche. Before you can even accuse the moviemaker and his pals of naval gazing, a "narcissism expert" appears on a TV talk show and turns to the movie's protagonist to lecture him about listening to other people and getting over his egocentricity. Of course, he doesn't listen to her.
However much this movie may speak to the current generation of actors, it has little to say to moviegoers. Goldberg's direction is all flash and no substance, and his story and characters offer little reason for viewers to empathize with such self-pitying characters. Because Goldberg borrows -- or believes he is borrowing -- from the stylistic flourishes of filmmakers ranging from David Lynch and John Cassavetes to Martin Scorsese and the French New Wave, the movie may stimulate cineastes who look for "references" in movies rather than originality. Otherwise, "I Love Your Work" will have little life off the festival circuit.
Giovanni Ribisi plays Gray Evans, a movie star whose life and marriage to fellow movie star Mia (Franka Potente) is falling apart. As Mia accurately points out to Gray: "You hate the business. You hate the rags. And you hate being a celebrity." No one bothers to ask why Gray pursues a career guaranteed to bring him so much grief.
Goldberg and co-writer Adrian Butchart try to establish layers of reality in order to play peekaboo with the narrative structure. So there is a movie being made within the movie. Gray's obsessions and fantasies may or may not be real. And he suffers many mental mix-ups wherein his wife turns into his ex-lover Shana (Christina Ricci) and Shana gets confused with Jane (Marisa Coughlan), the young girlfriend of one of Gray's fans, John (Joshua Jackson). But since no level of reality is given any substance or plausibility, the movie feels void of narrative purpose.
Gray, who exists on a diet of booze and tobacco, apparently goes to a premiere nearly every night. Yet every time a photographer's flash goes off, his face has the startled, horrified look of a deer caught in the headlights of an on-rushing car. Gray sees stalkers everywhere, to the amusement of his security expert (Jared Harris), who pads his bank account nicely by following up on every obsession. And every time Elvis Costello leaves a message on the answering machine for Mia, Gray goes into a jealous rage.
Meanwhile, Gray and Mia live a strange movie-star existence as they inhabit a cool, sterile loft above an aging movie theater. The only real twist to this film comes when the movie star essentially stalks his own fan. Gray's spying on John and Jane allows him to fantasize about what a "normal" life would be like. Yet he gleams no wisdom from his intrusion into their lives. Instead, his continual delusions and flawed memories offer Goldberg the opportunity to wallow in an impressionistic style, courtesy of cinematographer Mark Putnam's crisp, gloomy lighting, designer Erin Smith's antiseptic decors and editors Zack Bell and John Valerio's jumble of images culled from Gray's confused mind.
Goldberg's actors work hard, but the overwrought melodrama betrays their efforts. Ribisi, who has never looked less like a movie star, is too weird and affected from the opening scene to pull you into his character's turmoil and troubles. Potente, who does look like a movie star, comes off with dignity at least as a women struggling to cope with a failing marriage. Jackson, Coughlan and Ricci, all playing quasi-figments of Gray's imagination, can do little more than pose and react.
I LOVE YOUR WORK
Fireworks presents a Muse production in association with Cyan Pictures, Departure Entertainment, Miracle Mile Films, Rice/Walter Prods. in association with In Association With Prods.
Credits:
Director: Adam Goldberg
Screenwriters: Adam Goldberg, Adrian Butchart
Producers: Chris Hanley, David Hillary, Tim Peternel, Joshua Newman, Adam Goldberg
Executive producers: Daniel Diamond, Jay Firestone, Damon Martin, Chad Troutwine, Boro Vukadinovic
Director of photography: Mark Putnam
Production designer: Erin Smith
Music: Adam Goldberg, Stephen Drozd
Costume designer: Dawn Weisberg
Editors: Zack Bell, John Valerio
Cast:
Gray: Giovanni Ribisi
Mia: Franka Potente
Shana: Christina Ricci
John: Joshua Jackson
Jane: Marisa Coughlan
Yehud: Jared Harris
Stalker: Jason Lee
Running time -- 111 minutes
No MPAA rating...
Toronto International Film Festival
TORONTO -- "I Love Your Work" is a movie directed and co-written by an actor, Adam Goldberg, that features many of his actor buddies. So what's it all about? It's about how awful it is to be an actor or, worse, a movie star and how an acting career can damage one's fragile psyche. Before you can even accuse the moviemaker and his pals of naval gazing, a "narcissism expert" appears on a TV talk show and turns to the movie's protagonist to lecture him about listening to other people and getting over his egocentricity. Of course, he doesn't listen to her.
However much this movie may speak to the current generation of actors, it has little to say to moviegoers. Goldberg's direction is all flash and no substance, and his story and characters offer little reason for viewers to empathize with such self-pitying characters. Because Goldberg borrows -- or believes he is borrowing -- from the stylistic flourishes of filmmakers ranging from David Lynch and John Cassavetes to Martin Scorsese and the French New Wave, the movie may stimulate cineastes who look for "references" in movies rather than originality. Otherwise, "I Love Your Work" will have little life off the festival circuit.
Giovanni Ribisi plays Gray Evans, a movie star whose life and marriage to fellow movie star Mia (Franka Potente) is falling apart. As Mia accurately points out to Gray: "You hate the business. You hate the rags. And you hate being a celebrity." No one bothers to ask why Gray pursues a career guaranteed to bring him so much grief.
Goldberg and co-writer Adrian Butchart try to establish layers of reality in order to play peekaboo with the narrative structure. So there is a movie being made within the movie. Gray's obsessions and fantasies may or may not be real. And he suffers many mental mix-ups wherein his wife turns into his ex-lover Shana (Christina Ricci) and Shana gets confused with Jane (Marisa Coughlan), the young girlfriend of one of Gray's fans, John (Joshua Jackson). But since no level of reality is given any substance or plausibility, the movie feels void of narrative purpose.
Gray, who exists on a diet of booze and tobacco, apparently goes to a premiere nearly every night. Yet every time a photographer's flash goes off, his face has the startled, horrified look of a deer caught in the headlights of an on-rushing car. Gray sees stalkers everywhere, to the amusement of his security expert (Jared Harris), who pads his bank account nicely by following up on every obsession. And every time Elvis Costello leaves a message on the answering machine for Mia, Gray goes into a jealous rage.
Meanwhile, Gray and Mia live a strange movie-star existence as they inhabit a cool, sterile loft above an aging movie theater. The only real twist to this film comes when the movie star essentially stalks his own fan. Gray's spying on John and Jane allows him to fantasize about what a "normal" life would be like. Yet he gleams no wisdom from his intrusion into their lives. Instead, his continual delusions and flawed memories offer Goldberg the opportunity to wallow in an impressionistic style, courtesy of cinematographer Mark Putnam's crisp, gloomy lighting, designer Erin Smith's antiseptic decors and editors Zack Bell and John Valerio's jumble of images culled from Gray's confused mind.
Goldberg's actors work hard, but the overwrought melodrama betrays their efforts. Ribisi, who has never looked less like a movie star, is too weird and affected from the opening scene to pull you into his character's turmoil and troubles. Potente, who does look like a movie star, comes off with dignity at least as a women struggling to cope with a failing marriage. Jackson, Coughlan and Ricci, all playing quasi-figments of Gray's imagination, can do little more than pose and react.
I LOVE YOUR WORK
Fireworks presents a Muse production in association with Cyan Pictures, Departure Entertainment, Miracle Mile Films, Rice/Walter Prods. in association with In Association With Prods.
Credits:
Director: Adam Goldberg
Screenwriters: Adam Goldberg, Adrian Butchart
Producers: Chris Hanley, David Hillary, Tim Peternel, Joshua Newman, Adam Goldberg
Executive producers: Daniel Diamond, Jay Firestone, Damon Martin, Chad Troutwine, Boro Vukadinovic
Director of photography: Mark Putnam
Production designer: Erin Smith
Music: Adam Goldberg, Stephen Drozd
Costume designer: Dawn Weisberg
Editors: Zack Bell, John Valerio
Cast:
Gray: Giovanni Ribisi
Mia: Franka Potente
Shana: Christina Ricci
John: Joshua Jackson
Jane: Marisa Coughlan
Yehud: Jared Harris
Stalker: Jason Lee
Running time -- 111 minutes
No MPAA rating...
Screened
Toronto International Film Festival
TORONTO -- "I Love Your Work" is a movie directed and co-written by an actor, Adam Goldberg, that features many of his actor buddies. So what's it all about? It's about how awful it is to be an actor or, worse, a movie star and how an acting career can damage one's fragile psyche. Before you can even accuse the moviemaker and his pals of naval gazing, a "narcissism expert" appears on a TV talk show and turns to the movie's protagonist to lecture him about listening to other people and getting over his egocentricity. Of course, he doesn't listen to her.
However much this movie may speak to the current generation of actors, it has little to say to moviegoers. Goldberg's direction is all flash and no substance, and his story and characters offer little reason for viewers to empathize with such self-pitying characters. Because Goldberg borrows -- or believes he is borrowing -- from the stylistic flourishes of filmmakers ranging from David Lynch and John Cassavetes to Martin Scorsese and the French New Wave, the movie may stimulate cineastes who look for "references" in movies rather than originality. Otherwise, "I Love Your Work" will have little life off the festival circuit.
Giovanni Ribisi plays Gray Evans, a movie star whose life and marriage to fellow movie star Mia (Franka Potente) is falling apart. As Mia accurately points out to Gray: "You hate the business. You hate the rags. And you hate being a celebrity." No one bothers to ask why Gray pursues a career guaranteed to bring him so much grief.
Goldberg and co-writer Adrian Butchart try to establish layers of reality in order to play peekaboo with the narrative structure. So there is a movie being made within the movie. Gray's obsessions and fantasies may or may not be real. And he suffers many mental mix-ups wherein his wife turns into his ex-lover Shana (Christina Ricci) and Shana gets confused with Jane (Marisa Coughlan), the young girlfriend of one of Gray's fans, John (Joshua Jackson). But since no level of reality is given any substance or plausibility, the movie feels void of narrative purpose.
Gray, who exists on a diet of booze and tobacco, apparently goes to a premiere nearly every night. Yet every time a photographer's flash goes off, his face has the startled, horrified look of a deer caught in the headlights of an on-rushing car. Gray sees stalkers everywhere, to the amusement of his security expert (Jared Harris), who pads his bank account nicely by following up on every obsession. And every time Elvis Costello leaves a message on the answering machine for Mia, Gray goes into a jealous rage.
Meanwhile, Gray and Mia live a strange movie-star existence as they inhabit a cool, sterile loft above an aging movie theater. The only real twist to this film comes when the movie star essentially stalks his own fan. Gray's spying on John and Jane allows him to fantasize about what a "normal" life would be like. Yet he gleams no wisdom from his intrusion into their lives. Instead, his continual delusions and flawed memories offer Goldberg the opportunity to wallow in an impressionistic style, courtesy of cinematographer Mark Putnam's crisp, gloomy lighting, designer Erin Smith's antiseptic decors and editors Zack Bell and John Valerio's jumble of images culled from Gray's confused mind.
Goldberg's actors work hard, but the overwrought melodrama betrays their efforts. Ribisi, who has never looked less like a movie star, is too weird and affected from the opening scene to pull you into his character's turmoil and troubles. Potente, who does look like a movie star, comes off with dignity at least as a women struggling to cope with a failing marriage. Jackson, Coughlan and Ricci, all playing quasi-figments of Gray's imagination, can do little more than pose and react.
I LOVE YOUR WORK
Fireworks presents a Muse production in association with Cyan Pictures, Departure Entertainment, Miracle Mile Films, Rice/Walter Prods. in association with In Association With Prods.
Credits:
Director: Adam Goldberg
Screenwriters: Adam Goldberg, Adrian Butchart
Producers: Chris Hanley, David Hillary, Tim Peternel, Joshua Newman, Adam Goldberg
Executive producers: Daniel Diamond, Jay Firestone, Damon Martin, Chad Troutwine, Boro Vukadinovic
Director of photography: Mark Putnam
Production designer: Erin Smith
Music: Adam Goldberg, Stephen Drozd
Costume designer: Dawn Weisberg
Editors: Zack Bell, John Valerio
Cast:
Gray: Giovanni Ribisi
Mia: Franka Potente
Shana: Christina Ricci
John: Joshua Jackson
Jane: Marisa Coughlan
Yehud: Jared Harris
Stalker: Jason Lee
Running time -- 111 minutes
No MPAA rating...
Toronto International Film Festival
TORONTO -- "I Love Your Work" is a movie directed and co-written by an actor, Adam Goldberg, that features many of his actor buddies. So what's it all about? It's about how awful it is to be an actor or, worse, a movie star and how an acting career can damage one's fragile psyche. Before you can even accuse the moviemaker and his pals of naval gazing, a "narcissism expert" appears on a TV talk show and turns to the movie's protagonist to lecture him about listening to other people and getting over his egocentricity. Of course, he doesn't listen to her.
However much this movie may speak to the current generation of actors, it has little to say to moviegoers. Goldberg's direction is all flash and no substance, and his story and characters offer little reason for viewers to empathize with such self-pitying characters. Because Goldberg borrows -- or believes he is borrowing -- from the stylistic flourishes of filmmakers ranging from David Lynch and John Cassavetes to Martin Scorsese and the French New Wave, the movie may stimulate cineastes who look for "references" in movies rather than originality. Otherwise, "I Love Your Work" will have little life off the festival circuit.
Giovanni Ribisi plays Gray Evans, a movie star whose life and marriage to fellow movie star Mia (Franka Potente) is falling apart. As Mia accurately points out to Gray: "You hate the business. You hate the rags. And you hate being a celebrity." No one bothers to ask why Gray pursues a career guaranteed to bring him so much grief.
Goldberg and co-writer Adrian Butchart try to establish layers of reality in order to play peekaboo with the narrative structure. So there is a movie being made within the movie. Gray's obsessions and fantasies may or may not be real. And he suffers many mental mix-ups wherein his wife turns into his ex-lover Shana (Christina Ricci) and Shana gets confused with Jane (Marisa Coughlan), the young girlfriend of one of Gray's fans, John (Joshua Jackson). But since no level of reality is given any substance or plausibility, the movie feels void of narrative purpose.
Gray, who exists on a diet of booze and tobacco, apparently goes to a premiere nearly every night. Yet every time a photographer's flash goes off, his face has the startled, horrified look of a deer caught in the headlights of an on-rushing car. Gray sees stalkers everywhere, to the amusement of his security expert (Jared Harris), who pads his bank account nicely by following up on every obsession. And every time Elvis Costello leaves a message on the answering machine for Mia, Gray goes into a jealous rage.
Meanwhile, Gray and Mia live a strange movie-star existence as they inhabit a cool, sterile loft above an aging movie theater. The only real twist to this film comes when the movie star essentially stalks his own fan. Gray's spying on John and Jane allows him to fantasize about what a "normal" life would be like. Yet he gleams no wisdom from his intrusion into their lives. Instead, his continual delusions and flawed memories offer Goldberg the opportunity to wallow in an impressionistic style, courtesy of cinematographer Mark Putnam's crisp, gloomy lighting, designer Erin Smith's antiseptic decors and editors Zack Bell and John Valerio's jumble of images culled from Gray's confused mind.
Goldberg's actors work hard, but the overwrought melodrama betrays their efforts. Ribisi, who has never looked less like a movie star, is too weird and affected from the opening scene to pull you into his character's turmoil and troubles. Potente, who does look like a movie star, comes off with dignity at least as a women struggling to cope with a failing marriage. Jackson, Coughlan and Ricci, all playing quasi-figments of Gray's imagination, can do little more than pose and react.
I LOVE YOUR WORK
Fireworks presents a Muse production in association with Cyan Pictures, Departure Entertainment, Miracle Mile Films, Rice/Walter Prods. in association with In Association With Prods.
Credits:
Director: Adam Goldberg
Screenwriters: Adam Goldberg, Adrian Butchart
Producers: Chris Hanley, David Hillary, Tim Peternel, Joshua Newman, Adam Goldberg
Executive producers: Daniel Diamond, Jay Firestone, Damon Martin, Chad Troutwine, Boro Vukadinovic
Director of photography: Mark Putnam
Production designer: Erin Smith
Music: Adam Goldberg, Stephen Drozd
Costume designer: Dawn Weisberg
Editors: Zack Bell, John Valerio
Cast:
Gray: Giovanni Ribisi
Mia: Franka Potente
Shana: Christina Ricci
John: Joshua Jackson
Jane: Marisa Coughlan
Yehud: Jared Harris
Stalker: Jason Lee
Running time -- 111 minutes
No MPAA rating...
- 9/12/2003
- The Hollywood Reporter - Movie News
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