On Friday, October 20, 2023, at 10:00 Pm, PBS will air Season 11, Episode 3 of “Art21: Art in the Twenty-First Century,” titled “Friends & Strangers.”
This episode will feature four artists: Linda Goode Bryant, Miranda July, Cannupa Hanska Luger, and Christine Sun Kim.
Viewers can anticipate a closer look at these artists and their work. “Art21: Art in the Twenty-First Century” explores the creative minds and the artistic processes of a diverse range of contemporary artists.
In this particular episode, Linda Goode Bryant, Miranda July, Cannupa Hanska Luger, and Christine Sun Kim will be the focal points. Their artistry, perspectives, and the stories behind their work will be shared with the audience.
This series offers a unique opportunity to gain insights into the world of contemporary art and the minds of the artists who shape it.
Tune in to PBS for “Art21: Art in the Twenty-First Century” and discover the...
This episode will feature four artists: Linda Goode Bryant, Miranda July, Cannupa Hanska Luger, and Christine Sun Kim.
Viewers can anticipate a closer look at these artists and their work. “Art21: Art in the Twenty-First Century” explores the creative minds and the artistic processes of a diverse range of contemporary artists.
In this particular episode, Linda Goode Bryant, Miranda July, Cannupa Hanska Luger, and Christine Sun Kim will be the focal points. Their artistry, perspectives, and the stories behind their work will be shared with the audience.
This series offers a unique opportunity to gain insights into the world of contemporary art and the minds of the artists who shape it.
Tune in to PBS for “Art21: Art in the Twenty-First Century” and discover the...
- 10/13/2023
- by Jules Byrd
- TV Everyday
Miranda July has not announced another feature since she directed 2020’s “Kajillionaire.” But that should hardly be a surprise from the offbeat filmmaker whose previous movie, “The Future,” came out a decade prior. The Los Angeles-based artist fills in her time with visual and performance art as well as writing novels and short stories. Her novels tend to be about middle-aged women changing the course of their lives, as was the case with 2015’s sexually adventurous “The First Bad Man” and now next year’s “All Fours,” which July explains in the Art21 clip below is about “the second half of a woman’s life. And it’s also a romance.”
July shares an update on “All Fours” in this excerpt from “Friends and Strangers,” the third and final episode of Season 11 of Art21’s “Art in the Twenty-First Century,” broadcasting on PBS October 20.
July also opens the door (just...
July shares an update on “All Fours” in this excerpt from “Friends and Strangers,” the third and final episode of Season 11 of Art21’s “Art in the Twenty-First Century,” broadcasting on PBS October 20.
July also opens the door (just...
- 10/4/2023
- by Ryan Lattanzio
- Indiewire
Click here to read the full article.
A few weeks ago, during a reflective conversation, a friend described 2020 as a fever dream. The uncertainty provoked by the pandemic and the potential of that summer’s uprisings brought many people closer to understanding the demands they could make of themselves and each other to create a safer world. It was a year of answering calls to action, of protesting and demonstrating, of helping neighbors, of corporate promises to listen and learn, of checking in emotionally and checking out of the death-making capitalist machine. An intoxicating energy coursed through those days — no wonder it felt unreal.
If 2020 was marked by promises, then 2022 was defined by their ghosts. How many of those pledges went unfulfilled? How many commitments were quietly abandoned? Lethargy settled in as we continued to live in unprecedented times: Corporate profits increased while individual pockets and sanities contracted, scientists and...
A few weeks ago, during a reflective conversation, a friend described 2020 as a fever dream. The uncertainty provoked by the pandemic and the potential of that summer’s uprisings brought many people closer to understanding the demands they could make of themselves and each other to create a safer world. It was a year of answering calls to action, of protesting and demonstrating, of helping neighbors, of corporate promises to listen and learn, of checking in emotionally and checking out of the death-making capitalist machine. An intoxicating energy coursed through those days — no wonder it felt unreal.
If 2020 was marked by promises, then 2022 was defined by their ghosts. How many of those pledges went unfulfilled? How many commitments were quietly abandoned? Lethargy settled in as we continued to live in unprecedented times: Corporate profits increased while individual pockets and sanities contracted, scientists and...
- 12/20/2022
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSMuch-loved genre filmmaker Albert Pyun (above) has died. Working mostly with low-budgets, and often making films for the direct-to-video market, Pyun’s career spanned five decades and included films such as The Sword and the Sorcerer (1982), Cyborg (1989), and the popular cyberpunk film series Nemesis. Cynthia Curnan, Pyun's wife and producer, had recently requested messages from fans to pass onto the filmmaker, who had been ill for a number of years prior to his passing.It seems that Paul Thomas Anderson is planning to start shooting his next feature in July 2023. Little is yet known about the new project, but a casting call has been listed for a “15-to-16-year-old female of mixed ethnicity who is physically athletic and excels at Martial Arts.” Previous...
- 11/30/2022
- MUBI
U.S. director-producer Laura Poitras, who won an Oscar and an Emmy with Edward Snowden film “Citizenfour,” and recently took the Golden Lion at Venice with opioid epidemic pic “All the Beauty and the Bloodshed,” will be the Guest of Honor at the International Documentary Film Festival Amsterdam. The 35th edition of the festival takes place from Nov. 9 to 20.
Poitras will be honored at IDFA with the Retrospective and Top 10 programs, in which she curates 10 films. The Top 10 program includes reflections on political imprisonment (“Hunger” by Steve McQueen; “This Is Not a Film” by Jafar Panahi and Mojtaba Mirtahmasb), incarceration and psychiatry (Frederick Wiseman’s “Titicut Follies”), and genocide (Claude Lanzmann’s “Shoah”). As part of the Top 10, Poitras will be in conversation with several of her selected filmmakers during the festival’s public talks program.
In the Retrospective section, IDFA presents all seven films directed by Poitras from 2003 to today.
Poitras will be honored at IDFA with the Retrospective and Top 10 programs, in which she curates 10 films. The Top 10 program includes reflections on political imprisonment (“Hunger” by Steve McQueen; “This Is Not a Film” by Jafar Panahi and Mojtaba Mirtahmasb), incarceration and psychiatry (Frederick Wiseman’s “Titicut Follies”), and genocide (Claude Lanzmann’s “Shoah”). As part of the Top 10, Poitras will be in conversation with several of her selected filmmakers during the festival’s public talks program.
In the Retrospective section, IDFA presents all seven films directed by Poitras from 2003 to today.
- 9/20/2022
- by Leo Barraclough
- Variety Film + TV
Oscar-winning director Laura Poitras will be guest of honor at the 35th International Documentary Film Festival Amsterdam (IDFA), running from November 9 to 20.
Poitras is currently on a packed festival tour with All The Beauty And The Bloodshed, which won the Golden Lion in Venice and is now an awards season contender. After Venice, the title screened in Toronto and has dates set for New York and the BFI London Film Festival.
As guest of honor at IDFA, Poitras will be feted with a retrospective and has also been given carte blanche to curate 10 films that have influenced her work and shaped her view of the world.
Her Top 10 selections include Steve McQueen’s Hunger, Jafar Panahi and Mojtaba Mirtahmasb’s This is Not A Film, Frederick Wiseman’s Titicut Follies and Claude Lanzmann’s Shoah.
As part of the sidebar, Poitras will also conduct on-stage conversations with a number of the selected filmmakers.
Poitras is currently on a packed festival tour with All The Beauty And The Bloodshed, which won the Golden Lion in Venice and is now an awards season contender. After Venice, the title screened in Toronto and has dates set for New York and the BFI London Film Festival.
As guest of honor at IDFA, Poitras will be feted with a retrospective and has also been given carte blanche to curate 10 films that have influenced her work and shaped her view of the world.
Her Top 10 selections include Steve McQueen’s Hunger, Jafar Panahi and Mojtaba Mirtahmasb’s This is Not A Film, Frederick Wiseman’s Titicut Follies and Claude Lanzmann’s Shoah.
As part of the sidebar, Poitras will also conduct on-stage conversations with a number of the selected filmmakers.
- 9/20/2022
- by Melanie Goodfellow
- Deadline Film + TV
Click here to read the full article.
Laura Poitras, the Oscar-winning director of Citizenfour, whose latest doc, All the Beauty and the Bloodshed, won the Golden Lion at the 2022 Venice Film Festival, will be this year’s guest of honor at the International Documentary Festival Amsterdam (IDFA).
IDFA will host a retrospective of Poitras’ work, screening all 7 documentaries she has directed, from her 2003 feature debut Flag Wars, made in collaboration with artist Linda Goode Bryant, a cinéma vérité film on the gentrification of a working-class African American neighborhood by white gays and lesbians, to All the Beauty and the Bloodshed, which follows the career of photographer and artist Nan Goldin and her campaign to hold Purdue Pharma and the Sackler family responsible for the opioid addiction crisis. Poitras is perhaps best known for her portraits of Edward Snowden (the Oscar-winning Citizenfour) and Julian Assange (2016’s Risk).
Poitras will also curate...
Laura Poitras, the Oscar-winning director of Citizenfour, whose latest doc, All the Beauty and the Bloodshed, won the Golden Lion at the 2022 Venice Film Festival, will be this year’s guest of honor at the International Documentary Festival Amsterdam (IDFA).
IDFA will host a retrospective of Poitras’ work, screening all 7 documentaries she has directed, from her 2003 feature debut Flag Wars, made in collaboration with artist Linda Goode Bryant, a cinéma vérité film on the gentrification of a working-class African American neighborhood by white gays and lesbians, to All the Beauty and the Bloodshed, which follows the career of photographer and artist Nan Goldin and her campaign to hold Purdue Pharma and the Sackler family responsible for the opioid addiction crisis. Poitras is perhaps best known for her portraits of Edward Snowden (the Oscar-winning Citizenfour) and Julian Assange (2016’s Risk).
Poitras will also curate...
- 9/20/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
There was much reason for celebration at the 2017 Full Frame Documentary Film Festival (April 6-9) down in Durham, North Carolina. The state had just (kinda sorta) repealed the ridiculous bathroom bill — which had had me scrambling to cover all the queer films I could find at the 2016 fest — and this year’s 20th anniversary inspired artistic director Sadie Tillery to create “DoubleTake,” a wide-ranging retro program featuring 19 films, one from each year of the festival’s history. This diverse selection included everything from Jem Cohen and Peter Sillen’s 2001 Benjamin Smoke, to Linda Goode Bryant and Laura […]...
- 4/25/2017
- by Lauren Wissot
- Filmmaker Magazine - Blog
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