In his 2005 book “Save the Cat!”, the renowned tutor and screenwriter Blake Snyder argues that one tool to make a successful screenplay is to effectively utilize either “save the cat” or “kick the dog” trope in the first five minutes of the film, i.e. make a character either save a cat or kick a dog, in order to give us a clear signal of his intentions if he’s good or evil.
In Takashi Miike’s fabulous “Gozu”, the maniacal yakuza Ozaki doesn’t just kick the dog. He thrashes the living hell out of it, and finishes his beating with swinging it round and round on the leash and smashing it into the restaurant front window in bloody bits at the five-minute mark exactly.
After Ozaki’s (Shô Aikawa) violent antics have become a liability, the boss (Miike mainstay Renji Ishibashi) orders his minion Minami...
In Takashi Miike’s fabulous “Gozu”, the maniacal yakuza Ozaki doesn’t just kick the dog. He thrashes the living hell out of it, and finishes his beating with swinging it round and round on the leash and smashing it into the restaurant front window in bloody bits at the five-minute mark exactly.
After Ozaki’s (Shô Aikawa) violent antics have become a liability, the boss (Miike mainstay Renji Ishibashi) orders his minion Minami...
- 8/27/2019
- by Tristan Priimagi
- AsianMoviePulse
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