Less than a decade ago, the Shanghai International Film Festival was the preeminent annual hotspot for Hollywood and European dealmakers determined to forge alliances and carve out a foothold in China’s then-booming commercial film sector. In the post-pandemic era, however, as the Chinese industry continues to mature and the Hollywood hype over the country’s market potential long ago gave way to grim reality, the festival has transitioned into a somewhat more inward-facing occasion.
That domestic focus is on display in the Shanghai event’s 2024 lineup, which features 10 Chinese movies among the 25 titles of the two main international competition sections (and not a single film from the U.S. or South Korea). For international film buffs, the Shanghai festival is now best viewed as an opportunity to take stock of current trends in Chinese filmmaking — and on that front, the event’s 2024 lineup is rich with potential.
The 26th...
That domestic focus is on display in the Shanghai event’s 2024 lineup, which features 10 Chinese movies among the 25 titles of the two main international competition sections (and not a single film from the U.S. or South Korea). For international film buffs, the Shanghai festival is now best viewed as an opportunity to take stock of current trends in Chinese filmmaking — and on that front, the event’s 2024 lineup is rich with potential.
The 26th...
- 6/15/2024
- by Patrick Brzeski and Mathew Scott
- The Hollywood Reporter - Movie News
After “Come Drink With Me” Hong Kong director King Hu probably could have stayed with Shaw Brothers Studio, but instead left the country for Taiwan where he would form his own company and in the years to come, make some of the best movies of his career. While the budget and conditions had certainly changed, Hu continued exploring the themes of his last feature in “Dragon Inn”, arguably his most popular movie aside from “A Touch of Zen”. As one of the most referred to entry in the wuxia genre, it not only provided cinephiles with great fight choreographies, great performances and a wonderful setting, with the architecture of the inn itself being the star of the show, “Dragon Inn” also proved how the genre would blend a highly entertaining formula with a very interesting and (after all these years) still quite appealing social commentary about the relationship of subject and ruler.
- 11/16/2023
- by Rouven Linnarz
- AsianMoviePulse
"The soil rewards us. Whether you're rich or powerful or an ordinary person." Film Movement debuted an official US trailer for this indie film from China titled Return to Dust, from the award-winning filmmaker named Ruijun Li. This originally premiered in early 2022 at the Berlin Film Festival and it toured to other fests including Melbourne, Edinburgh, Toronto, Mill Valley. A tender tale about the transformative nature of love, Return to Dust is an "absorbing, beautifully framed drama" that was already a box office hit in China when it opened last year. Humble, unassuming Ma and timid Cao have been cast off by their families and forced into an arranged marriage. They have to combine their strength and build a home to survive. In the face of much adversity, an unexpected and wholesome bond begins to blossom, as both Ma and Cao, uniting with the Earth's cycles, create a haven for...
- 7/17/2023
- by Alex Billington
- firstshowing.net
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