Rapper Travis Scott recently teamed up with the entertainment company A24 and director Harmony Korine (Kids) on two different projects. One was Circus Maximus, a companion piece to Scott’s album Utopia that reached theatres the day before Utopia was released. The other is the “action-oriented feature” Aggro Dr1ft, which was shot entirely in infrared and has been making the festival rounds. JoBlo’s own Chris Bumbray wasn’t very impressed with Aggro Dr1ft after catching one of its festival screenings, giving it a 5/10 review that can be read Here. Next up is a February 7th screening at a strip club in Los Angeles called Crazy Girls (tickets are available at This Link), and in anticipation of that screening a trailer for the film has arrived online. You can check it out in the embed above.
Aggro Dr1ft has the following logline: Breaking away from the traditional parameters of cinema,...
Aggro Dr1ft has the following logline: Breaking away from the traditional parameters of cinema,...
- 1/25/2024
- by Cody Hamman
- JoBlo.com
I have seen the future of cinema, and it is “Aggro Dr1ft,” a neon-hued outlaw eyegasm from the director of ”Spring Breakers.” There will likely never be another film like it. Even so, it’s clear that Harmony Korine’s immersive iridescent plunge into the world and psyche of a serial killer points the way down fresh avenues for the medium to explore.
This is the first movie I’ve seen that doesn’t feel like it was meant to be watched; instead, it was designed to wash over you — or maybe just to unspool on one of the many screens illuminated in your field of vision, while your focus ricochets between it and whatever else is competing for your attention. As Brian De Palma’s “Scarface” became a touchstone cultural reference for the immigrant and hip-hop communities, so too could “Aggro Dr1ft” connect with audiences who see themselves (or...
This is the first movie I’ve seen that doesn’t feel like it was meant to be watched; instead, it was designed to wash over you — or maybe just to unspool on one of the many screens illuminated in your field of vision, while your focus ricochets between it and whatever else is competing for your attention. As Brian De Palma’s “Scarface” became a touchstone cultural reference for the immigrant and hip-hop communities, so too could “Aggro Dr1ft” connect with audiences who see themselves (or...
- 9/2/2023
- by Peter Debruge
- Variety Film + TV
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