Goldcrest Post, an independently-owned feature and episodic postproduction facility that currently maintains bases in New York and London, plans to open a third location at Lionsgate Studios Yonkers, just outside New York City.
Goldcrest plans to open in September as a full service facility that will include a theater equipped with Dolby Atmos and Dolby Vision for screenings, color grading sessions and sound mixing. For launch, Goldcrest is also constructing an Adr room and offices for needs such as dailies, editing and visual effects. The site will be networked to Goldcrest’s base in Manhattan.
It’s part of an agreement with Great Point Studios, which owns and operates Lionsgate Studios. In all, the $500 million studio complex encompasses 1 million square feet of space that includes stages, offices and backlots. Tenants include production/distribution company Mediapro and Syracuse University’s Newhouse School of Public Communication.
Goldcrest Post managing director Domenic Rom...
Goldcrest plans to open in September as a full service facility that will include a theater equipped with Dolby Atmos and Dolby Vision for screenings, color grading sessions and sound mixing. For launch, Goldcrest is also constructing an Adr room and offices for needs such as dailies, editing and visual effects. The site will be networked to Goldcrest’s base in Manhattan.
It’s part of an agreement with Great Point Studios, which owns and operates Lionsgate Studios. In all, the $500 million studio complex encompasses 1 million square feet of space that includes stages, offices and backlots. Tenants include production/distribution company Mediapro and Syracuse University’s Newhouse School of Public Communication.
Goldcrest Post managing director Domenic Rom...
- 4/4/2024
- by Carolyn Giardina
- Variety Film + TV
In today’s film news roundup, Netflix dates “The Lovebirds,” Goldcrest Post hires a veteran executive and the documentaries “American Heretics” and “Anthropocene: The Human Epoch” are getting free showings.
Release Date
Streaming giant Netflix has set a May 22 launch date for its Issa Rae-Kumail Nanjiani romantic comedy “The Lovebirds,” directed by Michael Showalter.
“The Lovebirds” was originally scheduled to premiere on March 14 at SXSW and then be released in the United States on April 3 by Paramount. Those plans were scrubbed due to the coronavirus pandemic, with Paramount then opting to have Netflix handle the release.
Rae and Nanjiani portray a couple who become unintentionally caught up in a murder mystery, requiring them to solve the murder and figure out the future of their relationship at the same time. “The Lovebirds” also stars Paul Sparks, Anna Campa and Kyle Bornheimer.
Nanjiani and Rae each released short promotional videos Monday about...
Release Date
Streaming giant Netflix has set a May 22 launch date for its Issa Rae-Kumail Nanjiani romantic comedy “The Lovebirds,” directed by Michael Showalter.
“The Lovebirds” was originally scheduled to premiere on March 14 at SXSW and then be released in the United States on April 3 by Paramount. Those plans were scrubbed due to the coronavirus pandemic, with Paramount then opting to have Netflix handle the release.
Rae and Nanjiani portray a couple who become unintentionally caught up in a murder mystery, requiring them to solve the murder and figure out the future of their relationship at the same time. “The Lovebirds” also stars Paul Sparks, Anna Campa and Kyle Bornheimer.
Nanjiani and Rae each released short promotional videos Monday about...
- 4/20/2020
- by Dave McNary
- Variety Film + TV
Compared with other members of the below-the-line community affected by the coronavirus pandemic and the production shutdowns it spurred, post-production artists are uniquely positioned. Relying mostly on computers and an Internet connection to do their jobs, picture editors, sound editors and colorists are able to work remotely, while many other artisans are not.
Still, this reality is tempered by the fact that without new material to edit, their work, too, will dry out.
Tom Jarvis, the Emmy-nominated editor behind The Late Late Show with James Corden, has spoken with a number of his fellow craftsmen in recent days, gaining a sense of how the shutdowns have impacted them.
“There are quite...
Still, this reality is tempered by the fact that without new material to edit, their work, too, will dry out.
Tom Jarvis, the Emmy-nominated editor behind The Late Late Show with James Corden, has spoken with a number of his fellow craftsmen in recent days, gaining a sense of how the shutdowns have impacted them.
“There are quite...
- 3/23/2020
- by Matt Grobar
- Deadline Film + TV
Jay Tilin, a postproduction veteran and head of production at New York-based Goldcrest Post since 2017, died Feb. 12 on Long Island of complications from Als, a company spokeswoman said. He was 62.
Tilin worked as an editor, visual effects artist and executive for 40 years. His notable credits including the series Marco Polo for Netflix and Treme and True Detective for HBO.
"Jay was in integral part of New York's postproduction community and one of the top conform artists in the world," Goldcrest Post managing director Domenic Rom said in a statement. "He was beloved ...
Tilin worked as an editor, visual effects artist and executive for 40 years. His notable credits including the series Marco Polo for Netflix and Treme and True Detective for HBO.
"Jay was in integral part of New York's postproduction community and one of the top conform artists in the world," Goldcrest Post managing director Domenic Rom said in a statement. "He was beloved ...
- 3/10/2020
- The Hollywood Reporter - Film + TV
Jay Tilin, a postproduction veteran and head of production at New York-based Goldcrest Post since 2017, died Feb. 12 on Long Island of complications from Als, a company spokeswoman said. He was 62.
Tilin worked as an editor, visual effects artist and executive for 40 years. His notable credits including the series Marco Polo for Netflix and Treme and True Detective for HBO.
"Jay was in integral part of New York's postproduction community and one of the top conform artists in the world," Goldcrest Post managing director Domenic Rom said in a statement. "He was beloved ...
Tilin worked as an editor, visual effects artist and executive for 40 years. His notable credits including the series Marco Polo for Netflix and Treme and True Detective for HBO.
"Jay was in integral part of New York's postproduction community and one of the top conform artists in the world," Goldcrest Post managing director Domenic Rom said in a statement. "He was beloved ...
- 3/10/2020
- The Hollywood Reporter - Movie News
Deluxe New York has tapped Sam Daley as senior colorist to lead final color finishing for feature films and television.
Daley’s feature credits include “The Florida Project” (pictured), “Beirut” and the upcoming “Sorry to Bother You.” In TV he worked on several HBO shows, including the first seasons of “Girls” and “The Deuce,” as well as miniseries “Show Me a Hero,” for which earned a 2015 Hpa Award nomination for best TV series color correction.
“We are thrilled that Sam is joining the Deluxe family,” said William Sherak, president, Deluxe Post Production. “He is immensely talented and will be a great addition to the team as we continue to expand our color services around the globe.”
“Sam is a world-class colorist,” added Domenic Rom, Deluxe president and general manager of TV post-production. “I’ve watched and shared his career growth since he first came into the New York market. He...
Daley’s feature credits include “The Florida Project” (pictured), “Beirut” and the upcoming “Sorry to Bother You.” In TV he worked on several HBO shows, including the first seasons of “Girls” and “The Deuce,” as well as miniseries “Show Me a Hero,” for which earned a 2015 Hpa Award nomination for best TV series color correction.
“We are thrilled that Sam is joining the Deluxe family,” said William Sherak, president, Deluxe Post Production. “He is immensely talented and will be a great addition to the team as we continue to expand our color services around the globe.”
“Sam is a world-class colorist,” added Domenic Rom, Deluxe president and general manager of TV post-production. “I’ve watched and shared his career growth since he first came into the New York market. He...
- 5/23/2018
- by Peter Caranicas
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.