Vincent van Gogh’s painting Self-Portrait with Bandaged Ear sold for $71.5 million at a November 1998 Christie’s auction. The artist created it after dropping a package off at a brothel for a woman named Rachel, telling her to “guard this object with your life.” That was in December 1888. Van Gogh was an unknown artist at the time. Adrien Brody plays a similar art curator to those at Christie’s in Wes Anderson’s anthology film, The French Dispatch. The first vignette in the three-story film exhibits how commerce in the art world is a cut-throat business, especially when it’s personal.
The French Dispatch is Anderson’s homage to The New Yorker during the magazine’s heyday under founder/editor Harold Ross, fictionalized in the film as Arthur Howitzer, Jr., portrayed eccentrically by Bill Murray. With writers like James Thurber, A.J. Liebling, James Baldwin, and Rosamond Bernier, it was idiosyncratic and utterly original.
The French Dispatch is Anderson’s homage to The New Yorker during the magazine’s heyday under founder/editor Harold Ross, fictionalized in the film as Arthur Howitzer, Jr., portrayed eccentrically by Bill Murray. With writers like James Thurber, A.J. Liebling, James Baldwin, and Rosamond Bernier, it was idiosyncratic and utterly original.
- 2/26/2022
- by David Crow
- Den of Geek
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will be factors in this year’s movie awards race.
The French Dispatch isn’t even half the full title of the movie. On screen, it’s The French Dispatch of the Liberty Kansas Evening Sun. Wes Anderson’s latest film is a collection of short stories, serving as examples of the stories published in the Dispatch.
In the film, the magazine ceases publication upon the death of the editor, Arthur Howitzer, Jr. (Bill Murray). As the staff prepares his obituary, some highlights of the stories he published come to life on screen.
Herbsaint Sazerac (Owen Wilson) visits the underbelly of Ennui-sur Blasé on bicycle. J.K.L. Berensen (Tilda Swinton) writes about prisoner and artist Moses Rosenthaler (Benicio Del Toro), whose muse is his guard, Simone (Léa Seydoux). College students Zeffirelli (Timothée Chalamet...
The French Dispatch isn’t even half the full title of the movie. On screen, it’s The French Dispatch of the Liberty Kansas Evening Sun. Wes Anderson’s latest film is a collection of short stories, serving as examples of the stories published in the Dispatch.
In the film, the magazine ceases publication upon the death of the editor, Arthur Howitzer, Jr. (Bill Murray). As the staff prepares his obituary, some highlights of the stories he published come to life on screen.
Herbsaint Sazerac (Owen Wilson) visits the underbelly of Ennui-sur Blasé on bicycle. J.K.L. Berensen (Tilda Swinton) writes about prisoner and artist Moses Rosenthaler (Benicio Del Toro), whose muse is his guard, Simone (Léa Seydoux). College students Zeffirelli (Timothée Chalamet...
- 1/19/2022
- by Fred Topel
- Deadline Film + TV
Journalists are the heroes in “The French Dispatch,” so expect film critics to be a little bit biased in their embrace of Wes Anderson’s latest. It flatters the field, after all, just not in the way that Pulitzer-centric mega-scoop sagas “All the President’s Men” or “Spotlight” may have done before. Anderson is more of a miniaturist, albeit one whose vision grows more expansive — and more impressive — with each successive project.
Here, the Texas-to-Paris transplant sets out to honor The New Yorker and its ilk, re-creating the joy of losing oneself in a 12,000-word article (or three) on the big screen while relocating the entire affair to his adoptive home. Set in the fictional city of Ennui-sur-Blasé — a cross between Paris and frozen-in-time Angoulême (where most of the exteriors were shot) — the film offers an expat’s-eye view of France, packaged as a series of clips from the eponymous publication.
Here, the Texas-to-Paris transplant sets out to honor The New Yorker and its ilk, re-creating the joy of losing oneself in a 12,000-word article (or three) on the big screen while relocating the entire affair to his adoptive home. Set in the fictional city of Ennui-sur-Blasé — a cross between Paris and frozen-in-time Angoulême (where most of the exteriors were shot) — the film offers an expat’s-eye view of France, packaged as a series of clips from the eponymous publication.
- 7/12/2021
- by Peter Debruge
- Variety Film + TV
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