There are really three Dario Argentos in Simone Scafidi’s new documentary, Dario Argento Panico, and together they form a kind of Unholy Trinity. There is Dario Argento the artist (Father)––passionate, industrious, destructive; Dario Argento the man (Son)––generous, bookish, vulnerable; and Dario Argento the cinematic style (Holy Spirit)––savage, operatic, phantasmagorical. And perhaps the most enjoyable––and certainly the most novel––part of Scafidi’s film is that he allows these three personas to co-exist, creating a disguised giallo whose central question is not “Who committed the murder?” but “Who is Dario Argento?”
Scafidi’s portrait of Argento the man is, for the most part, sympathetic and in many ways rather ordinary, though there are occasional flashes of insight. We hear about his life in Rome during World War II; about his relationship with his father, the producer Salvatore Argento; and about how he used to sit quietly...
Scafidi’s portrait of Argento the man is, for the most part, sympathetic and in many ways rather ordinary, though there are occasional flashes of insight. We hear about his life in Rome during World War II; about his relationship with his father, the producer Salvatore Argento; and about how he used to sit quietly...
- 1/31/2024
- by Oliver Weir
- The Film Stage
Prolific writer who enjoyed her greatest success with the recycling Wombles
Elisabeth Beresford, who has died aged 84, enjoyed her greatest success with the creation of the Wombles. The family motto of the colourful underground creatures – "making good use of bad rubbish" – sprang from a concern of the writer's that chimed with the growing ecological awareness of the next four decades. Famously, the inspiration for the figures came on a Boxing Day walk on Wimbledon Common, south-west London, during which her daughter, Kate, misnamed it Wombledon Common.
As elsewhere with Beresford's work, the point of departure was real – here, the place and the characters, largely drawn from uncles, grandparents, siblings and her children: Marcus, her son, genial and interested in food, inspired Orinoco; Kate inspired Bungo, a strong character in the books, though not in the films.
Their underground and above-ground adventures begin simply; in The Wombles (1968) the characters do little...
Elisabeth Beresford, who has died aged 84, enjoyed her greatest success with the creation of the Wombles. The family motto of the colourful underground creatures – "making good use of bad rubbish" – sprang from a concern of the writer's that chimed with the growing ecological awareness of the next four decades. Famously, the inspiration for the figures came on a Boxing Day walk on Wimbledon Common, south-west London, during which her daughter, Kate, misnamed it Wombledon Common.
As elsewhere with Beresford's work, the point of departure was real – here, the place and the characters, largely drawn from uncles, grandparents, siblings and her children: Marcus, her son, genial and interested in food, inspired Orinoco; Kate inspired Bungo, a strong character in the books, though not in the films.
Their underground and above-ground adventures begin simply; in The Wombles (1968) the characters do little...
- 12/27/2010
- by Julia Eccleshare
- The Guardian - Film News
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