Belgian director Leonardo Van Dijl’s assured debut feature, Julie Keeps Quiet, builds a riveting psychological drama around the choice of a star player from an elite youth tennis academy not to speak up in the wake of tragedy. In her first acting role, young tennis ace Tessa Van den Broeck internalizes the title character’s brooding unease with slow-burn intensity. The movie’s silence is so loaded with the anxiety, obstinance, inchoate anger and desire for anonymity of the traumatized teenage sportswoman that the constant thwack of her racquet hitting the ball cuts through the tension like violent shocks.
Unfolding predominantly in static frames that keep the story laser-focused, with pinpoint use of American contemporary classical composer Caroline Shaw’s needling vocal score, this is an austerely effective work. It has a kinship with Laura Wandel’s Playground from 2021 and last year’s The Teachers’ Lounge by İlker Çatak,...
Unfolding predominantly in static frames that keep the story laser-focused, with pinpoint use of American contemporary classical composer Caroline Shaw’s needling vocal score, this is an austerely effective work. It has a kinship with Laura Wandel’s Playground from 2021 and last year’s The Teachers’ Lounge by İlker Çatak,...
- 5/22/2024
- by David Rooney
- The Hollywood Reporter - Movie News
Watching this calmly controlled and sharply focused debut feature from Leonardo ban Dijl put me in mind of Vania Turner’s recent Greek/British documentary Tack, which charts the story of sailing champion Sofia Bekatorou. She spoke out years after she had been abused by a coach, prompting a second, younger woman to come forward with her own separate experience and sparking the Greek arm of the #MeToo movement.
Questions of why a survivor would stay silent were among those raised as the court case for the younger woman went forward. Van Dijl’s film - co-written with Ruth Becquart - goes a long way to answering some of those, while asking plenty of its own. Belgian Julie has the sort of focus many young athletes have, laying her energies down on the court on a daily basis - something Van Dijl emphasises...
Questions of why a survivor would stay silent were among those raised as the court case for the younger woman went forward. Van Dijl’s film - co-written with Ruth Becquart - goes a long way to answering some of those, while asking plenty of its own. Belgian Julie has the sort of focus many young athletes have, laying her energies down on the court on a daily basis - something Van Dijl emphasises...
- 5/20/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
Cannes film festival
A star player at an elite tennis school decides to stay silent when the head coach is suspended in Leonardo Van Dijl’s absorbing movie of things unsaid and subjects avoided
Filmgoers are currently gobbling up Luca Guadagnino’s tennis comedy Challengers with its hilariously imagined sexual dynamic between a female coach and male players. This debut feature from Belgian film-maker Leonardo Van Dijl, produced by Jean-Pierre and Luc Dardenne, is a reminder that in the real world, the gender relations of sex and power in tennis – or anywhere – are generally pretty different. Julie Keeps Quiet is a tense, absorbing movie of silences and absences, of difficult terrain skirted around, of subjects avoided. It’s a reminder that in key situations, to keep quiet is a stressful, strenuous and, crucially, public activity – and a survival instinct that many young people have to learn.
The scene is an...
A star player at an elite tennis school decides to stay silent when the head coach is suspended in Leonardo Van Dijl’s absorbing movie of things unsaid and subjects avoided
Filmgoers are currently gobbling up Luca Guadagnino’s tennis comedy Challengers with its hilariously imagined sexual dynamic between a female coach and male players. This debut feature from Belgian film-maker Leonardo Van Dijl, produced by Jean-Pierre and Luc Dardenne, is a reminder that in the real world, the gender relations of sex and power in tennis – or anywhere – are generally pretty different. Julie Keeps Quiet is a tense, absorbing movie of silences and absences, of difficult terrain skirted around, of subjects avoided. It’s a reminder that in key situations, to keep quiet is a stressful, strenuous and, crucially, public activity – and a survival instinct that many young people have to learn.
The scene is an...
- 5/18/2024
- by Peter Bradshaw
- The Guardian - Film News
Cannes parallel section Critics’ Week opens Wednesday with French director Jonathan Millet’s psychological manhunt thriller Ghost Trail (Les Fantômes), starring Adam Bessa as man in in pursuit of a faceless, former torturer.
Running from May 15 to 23, the compact line-up will showcase 11 first and second works features by emerging directors, seven in competition, as well as 13 short films.
Deadline caught up with Artistic Director Ava Cahen on the eve of the 63rd edition.
Deadline: You’re on your third selection as Critics’ Week artistic director. How was it this year?
Ava Cahen: We always put the counters back to zero. So everything felt new, even if it’s my third year. We received a few more films than normal and screened 1,050 features. It’s hard when you’ve only got 11 slots. Obviously there were a lot more than 11 films that we would have liked to have welcomed. There was a lot of discussion.
Running from May 15 to 23, the compact line-up will showcase 11 first and second works features by emerging directors, seven in competition, as well as 13 short films.
Deadline caught up with Artistic Director Ava Cahen on the eve of the 63rd edition.
Deadline: You’re on your third selection as Critics’ Week artistic director. How was it this year?
Ava Cahen: We always put the counters back to zero. So everything felt new, even if it’s my third year. We received a few more films than normal and screened 1,050 features. It’s hard when you’ve only got 11 slots. Obviously there were a lot more than 11 films that we would have liked to have welcomed. There was a lot of discussion.
- 5/15/2024
- by Melanie Goodfellow
- Deadline Film + TV
Jour2Fete has acquired French distribution rights to Cannes Critics’ Week title Julie Keeps Quiet.
The debut feature of Belgian director Leonardo Van Dijl, Julie Keeps Quiet is set in an elite tennis academy. When an investigation into her tennis coach ignites and he is suspended, all of the club’s players are encouraged to speak up but star player Julie chooses to keep quiet - leaving the investigation and the coach’s future in doubt. Van Dijl’s short film Stephanie played in Cannes, San Sebastian and TIFF in 2020 and was set in the world of gymnastics.
International sales for...
The debut feature of Belgian director Leonardo Van Dijl, Julie Keeps Quiet is set in an elite tennis academy. When an investigation into her tennis coach ignites and he is suspended, all of the club’s players are encouraged to speak up but star player Julie chooses to keep quiet - leaving the investigation and the coach’s future in doubt. Van Dijl’s short film Stephanie played in Cannes, San Sebastian and TIFF in 2020 and was set in the world of gymnastics.
International sales for...
- 4/18/2024
- ScreenDaily
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