Monica Dugo with Anne-Katrin Titze celebrating Film at Lincoln Center and Cinecittà’s 22nd edition of Open Roads: New Italian Cinema. Photo: Sally Fischer
Monica Dugo’s Like Turtles (Come Le Tartarughe), co-written with Massimiliano Nardulli, starring the director with Romana Maggiora Vergano, Angelo Libri, Edoardo Boschetti, Martina Brusco, Francesco Gheghi, Annalisa Insardà, and Ancheta Aurelia Martin was a highlight of Film at Lincoln Center and Cinecittà’s 22nd edition of Open Roads: New Italian Cinema. Monica Dugo, who plays the mother, Lisa, graciously sprinkles the clues about this family of four and trusts that we connect the dots.
A closet is being built in an apartment. We see the city from above, Rome in all its splendour. It’s a house with lavender satchels, the teenage daughter Sveva (Romana Maggiora Vergano) plays tennis. The father Daniele (Angelo Libri) brings back a gift basket from a conference. The family expects it.
Monica Dugo’s Like Turtles (Come Le Tartarughe), co-written with Massimiliano Nardulli, starring the director with Romana Maggiora Vergano, Angelo Libri, Edoardo Boschetti, Martina Brusco, Francesco Gheghi, Annalisa Insardà, and Ancheta Aurelia Martin was a highlight of Film at Lincoln Center and Cinecittà’s 22nd edition of Open Roads: New Italian Cinema. Monica Dugo, who plays the mother, Lisa, graciously sprinkles the clues about this family of four and trusts that we connect the dots.
A closet is being built in an apartment. We see the city from above, Rome in all its splendour. It’s a house with lavender satchels, the teenage daughter Sveva (Romana Maggiora Vergano) plays tennis. The father Daniele (Angelo Libri) brings back a gift basket from a conference. The family expects it.
- 7/2/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Nicola Maccanico with Anne-Katrin Titze on current Cinecittà productions: “Joe Wright, Roland Emmerich and Luca Guadagnino.” Photo: Sally Fischer
I met with Nicola Maccanico to discuss the significant expansion of Cinecittà Studios under his leadership on the morning of the Open Roads: New Italian Cinema luncheon at The Leopard at des Artistes, attended by The Hummingbird (Il Colibrì) director Francesca Archibugi, Tommaso Ragno, Margherita Mazzucco (star of Susanna Nicchiarelli's Chiara and Saverio Costanzo’s My Brilliant Friend), directors Michele Vannucci (Delta), Niccolo Falsetti (Margins), Monica Dugo, and Fireworks (Stranizza d’Amuri)) director Giuseppe Fiorello with his stars Gabriele Pizzurro and Samuele Segreto.
Nicola Maccanico on Luca Guadagnino: “Bones and All! His last movie, I think is a masterpiece.” Photo: Anne-Katrin Titze
Inside Film at Lincoln Center’s Walter Reade Theater, Nicola joined me for a conversation on the robust state of Italian cinema and the current international productions going on at Cinecittà,...
I met with Nicola Maccanico to discuss the significant expansion of Cinecittà Studios under his leadership on the morning of the Open Roads: New Italian Cinema luncheon at The Leopard at des Artistes, attended by The Hummingbird (Il Colibrì) director Francesca Archibugi, Tommaso Ragno, Margherita Mazzucco (star of Susanna Nicchiarelli's Chiara and Saverio Costanzo’s My Brilliant Friend), directors Michele Vannucci (Delta), Niccolo Falsetti (Margins), Monica Dugo, and Fireworks (Stranizza d’Amuri)) director Giuseppe Fiorello with his stars Gabriele Pizzurro and Samuele Segreto.
Nicola Maccanico on Luca Guadagnino: “Bones and All! His last movie, I think is a masterpiece.” Photo: Anne-Katrin Titze
Inside Film at Lincoln Center’s Walter Reade Theater, Nicola joined me for a conversation on the robust state of Italian cinema and the current international productions going on at Cinecittà,...
- 6/24/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The funding per project will rise from €150,000 to €200,000.
Funding for the next edition of Biennale College Cinema, Venice Film Festival’s emerging filmmakers’ training and production initiative, will be hiked from €150,000 to €200,000 per project.
The increase comes off the back of a three-year sponsorship deal with French media giant Vivendi that was announced in July. “Vivendi will join us as our partner,” said Venice festival artistic director Alberto Barbera. “We believe this will have a significant impact on our projects in coming years.”
Financial details of the partnership were not revealed. Biennale College Cinema is also supported by Italy’s ministry of culture,...
Funding for the next edition of Biennale College Cinema, Venice Film Festival’s emerging filmmakers’ training and production initiative, will be hiked from €150,000 to €200,000 per project.
The increase comes off the back of a three-year sponsorship deal with French media giant Vivendi that was announced in July. “Vivendi will join us as our partner,” said Venice festival artistic director Alberto Barbera. “We believe this will have a significant impact on our projects in coming years.”
Financial details of the partnership were not revealed. Biennale College Cinema is also supported by Italy’s ministry of culture,...
- 9/5/2022
- by Alina Trabattoni
- ScreenDaily
Now entering its 11th edition, the Venice Film Festival’s Biennale College Cinema program acts as incubator for first or second films, inviting 12 micro-budget projects on a two-week development workshop each October before funding production on four selected works. The only catch – the films have to be ready in time to screen at the next festival.
“It’s a bet,” says Venice director Alberto Barbera, who also oversees the program. “But we’ve been so lucky that in 10 years, all the projects have been successful. All of them made it in time for the following year.”
This year will see those microbudgets grow, as the Biennale College program ups its production grant from 150,000 to 200,000 for each selected feature, and from 60,000 to 80,000 for the one selected VR piece. Everything else will stay in place for an initiative that has proven remarkably fruitful.
“More than 80 projects have been made,” Barbera says. “The...
“It’s a bet,” says Venice director Alberto Barbera, who also oversees the program. “But we’ve been so lucky that in 10 years, all the projects have been successful. All of them made it in time for the following year.”
This year will see those microbudgets grow, as the Biennale College program ups its production grant from 150,000 to 200,000 for each selected feature, and from 60,000 to 80,000 for the one selected VR piece. Everything else will stay in place for an initiative that has proven remarkably fruitful.
“More than 80 projects have been made,” Barbera says. “The...
- 9/1/2022
- by Ben Croll
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.