The 11th Pune International Film Festival (January 10-17, 2013) has announced its slate for 2013. These films will be screened under nine sections: International Competition, Marathi Competition, Student Competition (live action and animation), Global Cinema, Country Focus, Retrospective, Tribute, Indian Cinema and Regional Cinema.
Israeli film Hayuta and Berl by Amir Manor will open the festival on 10th January. See the schedule here.
Feature films at the festival contend for the Best Film, Best Director and Government of Maharashtra “Sant Tukaram” Best International Marathi Film Award. The Marathi films in competition will vie for the Best Director, Best Actor, Best Screenplay and Best Cinematography Awards. The Student Competition will also have a Special Award and a cash prize.
Eighty contemporary films from more than 50 countries will be screened under the Global Cinema section. Hungary and South Korea will be the Countries in Focus with the screening of six and seven films, respectively.
Israeli film Hayuta and Berl by Amir Manor will open the festival on 10th January. See the schedule here.
Feature films at the festival contend for the Best Film, Best Director and Government of Maharashtra “Sant Tukaram” Best International Marathi Film Award. The Marathi films in competition will vie for the Best Director, Best Actor, Best Screenplay and Best Cinematography Awards. The Student Competition will also have a Special Award and a cash prize.
Eighty contemporary films from more than 50 countries will be screened under the Global Cinema section. Hungary and South Korea will be the Countries in Focus with the screening of six and seven films, respectively.
- 1/9/2013
- by NewsDesk
- DearCinema.com
Oscar winner Resul Pookutty is an exception. Sound engineers take away rough edges from flat voices, add pauses and oomphs to songs, but hardly ever get credit for their work, rues Satish Gupta who gave his magical touch to hits like "Bheege honth tere", "Sandese aate hain" and "Kaho na pyaar hai"."Normally if a song becomes a hit, credit goes to the music director and the lyricist. But the crucial role of the sound engineer is rarely recognised," Gupta, who was in his hometown to assist an 80-minute live audio-visual spectacle "Mohabbat the Taj" at the Kalakriti auditorium, told Ians in an interview.Gupta says neither singers nor composers rehearse before the recording thanks technological advancement and a sound engineer has to do all the dirty work."Unlike earlier years today we use a lot of technology. We...
- 9/6/2009
- Filmicafe
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