They previously teamed to produce the documentary The Wonder Year, which followed a year in the life of CEO, NAACP ambassador, Duke University professor, husband, father, son and Grammy Award-winning producer 9th Wonder, from his childhood home, to late nights in the studio and everywhere in between. Now they (director Kenneth Price and 9th Wonder) are returning for a second film, also with 9th Wonder as the subject, but this time the focus will be on hip-hop's place in academia - specifically, the film will follow 9th Wonder's year as a Harvard Fellow - hence the title, The Havard Fellow. Synopsis reads: The Hip-Hop Fellow is a 78 minute documentary following Grammy Award...
- 2/20/2014
- by Tambay A. Obenson
- ShadowAndAct
Appropriately titled, The Wonder Year, the film's synopsis reads: "A year in the life of CEO, NAACP ambassador, Duke University professor, husband, father, son and Grammy Award winning producer 9th Wonder. The film follows one of soul music’s most dynamic figures from his childhood home to late nights in the studio and everywhere in between." Featuring: DJ Premier, DJ Green Lantern, J. Cole, Murs, Phonte, Sha Money Xl, Young Guru, The Alchemist, Drake & more. 9th Wonder (aka Patrick Douthit) has worked with the likes of Mary J. Blige, Jean Grae, Wale, Jay-z, Erykah Badu, Ludacris, and others. Directed by Kenneth Price, the 78-minute feature...
- 11/6/2012
- by Courtney
- ShadowAndAct
The previously teamed to produce the documentary The Wonder Year, which followed a year in the life of CEO, NAACP ambassador, Duke University professor, husband, father, son and Grammy Award winning producer 9th Wonder, from his childhood home, to late nights in the studio and everywhere in between. Now they (director Kenneth Price and 9th Wonder) are returning for a second film, also with 9th Wonder as the subject, but this time the focus will be on hip-hop's place in academia - specifically, the film will follow 9th Wonder's year as a Harvard Fellow - hence the title, The Havard Fellow. Synopsis reads: The Harvard Fellow follows one of hiphop's most dynamic...
- 8/15/2012
- by Tambay A. Obenson
- ShadowAndAct
There's always the temptation to stay inside during the winter, made even more compelling by the wide array of films you can watch at home. But that would be ignoring the 89 reasons why the only place more inviting than a couch near the fireplace is a seat at your local arthouse where the options range from the ancient Roman war epic "The Eagle" with Channing Tatum and Jamie Bell to the fantastical Palme d'Or-winning elegy "Uncle Boonmee Who Can Recall His Past Lives" from Apichatpong Weerasethakul. Many awards contenders will expand across the country while those sick of such serious fare can fall back on revenge-themed thrillers with Jason Statham, Nicolas Cage or the deadly Korean twosome of "The Housemaid" and "I Saw the Devil," the action stylings of Donnie Yen ("IP Man 2") and Tony Jaa ("Ong Bak 3"), or the comedies of John C. Reilly and Ed Helms ("Cedar Rapids...
- 1/11/2011
- by Stephen Saito
- ifc.com
The prestigious Art in America magazine profiles and interviews Bad Lit favorite Brent Green. Filmmaker and curator Cecilia Araneda has a new website that’s very spiffy looking. If you need a zen moment, go stare at the wonder of filmmaker and artist Daniel Barrow’s snowglobe. Michael Varrati has a great new filmmaker to know: David DeCoteau, the king of beefcake horror. I was completely unfamiliar with his work until I read this! Rhizome goes through the career of pioneering video artist Nam June Paik in conjunction with a retrospective of his work running at the Tate in London. Plus, some staff changes at the media arts website. I think the Underground Film Guild is a project of Tla Video, but I can’t say for sure. (Hey guys, update your About page from the automatic WordPress-install text.) But, if you want to read/watch about exploitation films, this...
- 1/9/2011
- by Mike Everleth
- Underground Film Journal
From the shaky production values to its cast of grinning newcomers, the bizarro satire “Americatown” reeks of amateurism. Yet despite all odds working against it, director Kenneth Price’s second feature with the Wilmington-based comedy group Superkiiiids! sustains a uniquely goofy charm. Set in an imagined community comprised of perpetually upbeat characters named after brand names, the cheery facade takes inspired jabs at capitalism, which it cleverly subverts by the very ...
- 1/7/2011
- Indiewire
The Atlanta Underground Film Festival wrapped up its 7th successful year back on Aug. 29 and has given out awards to 13 feature films and 14 shorts.
Several of the winners are films that have been featured here on Bad Lit, either with a review or having been embedded on the site for your viewing pleasure. First, repeat Auff winner Chris Hansen won the Best Director award for his second feature film Endings, a film that finds three disparate strangers spending their last day on Earth together.
Loretta Hintz‘s outrageous lesbian farm fantasy The Sheep and the Ranch Hand took home the 2010 Auff The Wall award. Also, the recently embedded The Shave by Sean Christensen, a haunting memoir, won the Best Experimental Short award. And, lastly, I was very happy to see that animator Victoria Cook, whom I’ve written about in the past, took home the Best Short Short award for her Devil Town.
Several of the winners are films that have been featured here on Bad Lit, either with a review or having been embedded on the site for your viewing pleasure. First, repeat Auff winner Chris Hansen won the Best Director award for his second feature film Endings, a film that finds three disparate strangers spending their last day on Earth together.
Loretta Hintz‘s outrageous lesbian farm fantasy The Sheep and the Ranch Hand took home the 2010 Auff The Wall award. Also, the recently embedded The Shave by Sean Christensen, a haunting memoir, won the Best Experimental Short award. And, lastly, I was very happy to see that animator Victoria Cook, whom I’ve written about in the past, took home the Best Short Short award for her Devil Town.
- 9/18/2010
- by Mike Everleth
- Underground Film Journal
The 7th annual Atlanta Underground Film Festival is like having four different fests crammed into an exhaustive three days on Aug. 27-29. It’s an outrageous underground fest, an animation festival, a documentary fest and a horror movie festival: The culmination of a month of fests run by Atlanta’s Festival League. There’s tons of short films, documentaries, features and more.
There’s lots of great stuff to recommend, too. On the last night of the fest, there will be a screening of Chris Hansen‘s second feature film, Endings, which tells the touching story of three people spending their last day on Earth together. The film was reviewed on Bad Lit a few months ago. On the short film front, there’s Loretta Hintz‘s wild lesbian bestiality (sort of) tale, The Sheep and the Ranch Hand and two films by the perpetually awesome Neil Ira Needleman, Meeskit...
There’s lots of great stuff to recommend, too. On the last night of the fest, there will be a screening of Chris Hansen‘s second feature film, Endings, which tells the touching story of three people spending their last day on Earth together. The film was reviewed on Bad Lit a few months ago. On the short film front, there’s Loretta Hintz‘s wild lesbian bestiality (sort of) tale, The Sheep and the Ranch Hand and two films by the perpetually awesome Neil Ira Needleman, Meeskit...
- 8/18/2010
- by Mike Everleth
- Underground Film Journal
Chicago – In Chicago, they are out and about on a daily basis. It is a simple pick-up truck, often bent and rusted with age. Most of the hauling areas in the back cabs of these trucks are outfitted with plywood extensions, increasing their ability to get more stuff in the back. They are the “Scrappers.”
This documentary follows two such men, as they prowl the alleys of Chicago, searching for the elusive metal that they can trade in for cash. Oscar is an undocumented immigrant from Honduras, working 14 hours a day to keep a subsistent level for his wife, child and family back home. Otis is a 73 year old African American man, proud and self-sufficient, who views scrapping as a noble and independent profession.
Co-directors Brian Ashby, Ben Kolak and Courtney Prokopas engage the two men, and use a point-of-view style to understand the often desperate circumstances of the scrap business and its practitoners.
This documentary follows two such men, as they prowl the alleys of Chicago, searching for the elusive metal that they can trade in for cash. Oscar is an undocumented immigrant from Honduras, working 14 hours a day to keep a subsistent level for his wife, child and family back home. Otis is a 73 year old African American man, proud and self-sufficient, who views scrapping as a noble and independent profession.
Co-directors Brian Ashby, Ben Kolak and Courtney Prokopas engage the two men, and use a point-of-view style to understand the often desperate circumstances of the scrap business and its practitoners.
- 6/27/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
The Chicago Underground Film Festival is always a special occasion, but the 17th edition of this venerable institution, which runs on June 24 – July 1, is a little bit extra special. This year, Cuff will be honoring the lifelong underground film champion Jonas Mekas with their Lifetime Achievement Award!
Mekas will be in attendance at the festival at will appear at several screenings in his honor. On the 25th, there will be a screening of the new documentary Visionaries: Jonas Mekas and the (Mostly) American Avant-Garde, at which director Chuck Workman, Mekas and underground film historian Fred Camper will participate in a Q&A. Then, on the 26th, several of Mekas’ own films will screen and he’ll be presented with his award.
As for the rest of the fest, Cuff usually has some sort of unifying theme, at least as far as the features go. It’s not typically a stated theme,...
Mekas will be in attendance at the festival at will appear at several screenings in his honor. On the 25th, there will be a screening of the new documentary Visionaries: Jonas Mekas and the (Mostly) American Avant-Garde, at which director Chuck Workman, Mekas and underground film historian Fred Camper will participate in a Q&A. Then, on the 26th, several of Mekas’ own films will screen and he’ll be presented with his award.
As for the rest of the fest, Cuff usually has some sort of unifying theme, at least as far as the features go. It’s not typically a stated theme,...
- 6/3/2010
- by Mike Everleth
- Underground Film Journal
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