Barbie is the most nominated film for the 2024 Guild of Music Supervisors Awards, landing three nominations, including two in the best song for film category for “What Was I Made For?” and “I’m Just Ken.”
Barbie is nominated for best music supervision for film budgeted over $25 million and scored two nods for best song written and/or recorded for a film for Billie Eilish and Finneas’ “What Was I Made For?” and Mark Ronson and Andrew Wyatt’s “I’m Just Ken,” performed by Ryan Gosling.
The music supervisors with the most individual nominations are Mike Ladman and Mara Techam, each with five nominations, whose work in advertising includes collaborations with brands like Levis, The New York Times, Hennessy and others.
The 14th annual Guild of Music Supervisors Awards are set to take place in-person and virtually at Los Angeles’ Wiltern Theatre on Sunday, March 3.
A full list of nominees follows.
Barbie is nominated for best music supervision for film budgeted over $25 million and scored two nods for best song written and/or recorded for a film for Billie Eilish and Finneas’ “What Was I Made For?” and Mark Ronson and Andrew Wyatt’s “I’m Just Ken,” performed by Ryan Gosling.
The music supervisors with the most individual nominations are Mike Ladman and Mara Techam, each with five nominations, whose work in advertising includes collaborations with brands like Levis, The New York Times, Hennessy and others.
The 14th annual Guild of Music Supervisors Awards are set to take place in-person and virtually at Los Angeles’ Wiltern Theatre on Sunday, March 3.
A full list of nominees follows.
- 1/22/2024
- by Hilary Lewis
- The Hollywood Reporter - Movie News
With even most features struggling to get the big screen limelight they so often deserve these days, it’s harder still to get shorts played big and loud. Once again FrightFest delivers though, with another three feature-length showcases of short-form goodness, giving a platform to some of the most exciting up-and-coming genre filmmakers on the planet.
Here’s this writer’s stand-outs, from another densely packed year:
Kicking things off with Chris McInroy’s tonally perfect, and utterly disgusting workplace splatter comedy Guts; a bold and terrifically performed sketch about what it means to have guts (in every sense of the word) that milks a single joke for all it’s worth beautifully.
The same can be said for smartly devised and shot black comedy Cruise, from director Sam Rudykoff, a tight one room concept that builds wonderfully to a laugh-out-loud kicker of a punchline.
British comedy had a banner year too,...
Here’s this writer’s stand-outs, from another densely packed year:
Kicking things off with Chris McInroy’s tonally perfect, and utterly disgusting workplace splatter comedy Guts; a bold and terrifically performed sketch about what it means to have guts (in every sense of the word) that milks a single joke for all it’s worth beautifully.
The same can be said for smartly devised and shot black comedy Cruise, from director Sam Rudykoff, a tight one room concept that builds wonderfully to a laugh-out-loud kicker of a punchline.
British comedy had a banner year too,...
- 8/29/2022
- by Ben Robins
- HeyUGuys.co.uk
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