The 15th annual Antimatter Film Festival is grinding out, as it always does, an incredible program of avant-garde and experimental short films and features from all over the world. The visual smorgasbord is assaulting Victoria, British Columbia on Oct. 12-20.
Some of the features include Matt McCormick‘s lyrical travelogue road trip The Great Northwest, Sabine Gruffat‘s Detroit & Dubai contrast and comparison I Have Always Been a Dreamer and Ben Rivers‘ acclaimed pastoral odyssey Two Years at Sea.
On the short film front, there’s Salise Hughes‘ vanishing Erasable Cities, Deborah Stratman‘s reworked silent film Village, silenced, Matt McCormick‘s meditation on abandoned spaces Future So Bright, Jem Cohen‘s portrait doc Crossing Paths With Luce Vigo, Lyn Elliot‘s stop-motion Another Dress, Another Button, Alyssa Timon‘s A Dog Wearing Glasses; and tons more.
Plus, there’s the special “Home Movie Day” tribute to Victoria, BC on Oct.
Some of the features include Matt McCormick‘s lyrical travelogue road trip The Great Northwest, Sabine Gruffat‘s Detroit & Dubai contrast and comparison I Have Always Been a Dreamer and Ben Rivers‘ acclaimed pastoral odyssey Two Years at Sea.
On the short film front, there’s Salise Hughes‘ vanishing Erasable Cities, Deborah Stratman‘s reworked silent film Village, silenced, Matt McCormick‘s meditation on abandoned spaces Future So Bright, Jem Cohen‘s portrait doc Crossing Paths With Luce Vigo, Lyn Elliot‘s stop-motion Another Dress, Another Button, Alyssa Timon‘s A Dog Wearing Glasses; and tons more.
Plus, there’s the special “Home Movie Day” tribute to Victoria, BC on Oct.
- 10/15/2012
- by Mike Everleth
- Underground Film Journal
The 7th annual Wndx Festival of Moving Image, in addition to the fest’s usually fantastic lineup of new experimental film and video, is presenting a virtual smorgasbord of special events. So, be on the look out for them as they completely take over the city of Winnipeg on Sept. 26-30.
The fun kicks off on Sept. 26 with the debut of “Situated Cinema,” a roving microcinema created by Thomas Evans and Craig Rodmore that will screen at different venues throughout the entire festival. The opening night will take place at Raw Gallery and feature five films curated by Solomon Nagler that will connect viewers with their environment. The filmmakers presenting work at this unique screening experience are Heidi Phillips, Alexandre Larose, Caroline Monnet, Izabella Pruska-Oldenhof and Alex MacKenzie.
Another fantastic multi-part special event at Wndx will be hosted by underground film historian Jack Sargeant, the world’s foremost authority on Beat Cinema.
The fun kicks off on Sept. 26 with the debut of “Situated Cinema,” a roving microcinema created by Thomas Evans and Craig Rodmore that will screen at different venues throughout the entire festival. The opening night will take place at Raw Gallery and feature five films curated by Solomon Nagler that will connect viewers with their environment. The filmmakers presenting work at this unique screening experience are Heidi Phillips, Alexandre Larose, Caroline Monnet, Izabella Pruska-Oldenhof and Alex MacKenzie.
Another fantastic multi-part special event at Wndx will be hosted by underground film historian Jack Sargeant, the world’s foremost authority on Beat Cinema.
- 9/24/2012
- by Mike Everleth
- Underground Film Journal
"Fifty years ago this July," begins Michael Fox in the Sf Weekly, "Bruce Baillie and Chick Strand set up a sheet in their backyard in the California town of Canyon to project avant-garde films. This low-key, lo-fi setup, fortified with red wine, became a weekly bastion for filmmakers as well as their associates, friends, and lovers. Baillie and Strand went on (separately) to make landmark experimental films while shepherding their small artistic and social scene into incarnations that continue to thrive today: San Francisco Cinematheque (exhibition) and Canyon Cinema (distribution). The second annual Crossroads Festival launches tonight with Radical Light: Cinematheque at 50, part of a program honoring the Bay Area’s broad, important, and entertaining history of avant-garde filmmaking."
"Opening night includes at least one city symphony (Timoleon Wilkins' Chinatown Sketch), a form expanded upon in several subsequent Crossroads shows," notes Max Goldberg in the San Francisco Bay Guardian. "Jeanne...
"Opening night includes at least one city symphony (Timoleon Wilkins' Chinatown Sketch), a form expanded upon in several subsequent Crossroads shows," notes Max Goldberg in the San Francisco Bay Guardian. "Jeanne...
- 5/12/2011
- MUBI
Grim Prairie Tales: Doreen Girard and Irene Bindi Talk about The Kult Mania of Their Expanded Cinema Performance Winter Night
– Interview by Kier-La Janisse –
On Sunday December 12th, Austin will be host to a unique cinematic experience dreamt up by a handful of multidisciplinary lo-fi artists from the weirdest and coldest English-speaking place on earth: Winnipeg, Canada. Winter Night is a program that utilizes live music, live manipulation of 16mm and slide projectors, and Winnipeg’s rich history of Diy crafts, Aboriginal magic, heavy metal, and random violent outbursts to create an anthology of stories sure to make your spine tingle.
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Doreen, how did you become interested in slides as your primary visual medium, and what are the advantages or limitations of working with slides?
Doreen: A number of my friends are filmmakers, and I started working with slides as a way of overcoming my own technical shortcomings in terms of making film.
– Interview by Kier-La Janisse –
On Sunday December 12th, Austin will be host to a unique cinematic experience dreamt up by a handful of multidisciplinary lo-fi artists from the weirdest and coldest English-speaking place on earth: Winnipeg, Canada. Winter Night is a program that utilizes live music, live manipulation of 16mm and slide projectors, and Winnipeg’s rich history of Diy crafts, Aboriginal magic, heavy metal, and random violent outbursts to create an anthology of stories sure to make your spine tingle.
————————————————–
Doreen, how did you become interested in slides as your primary visual medium, and what are the advantages or limitations of working with slides?
Doreen: A number of my friends are filmmakers, and I started working with slides as a way of overcoming my own technical shortcomings in terms of making film.
- 12/9/2010
- by Zack Carlson
- OriginalAlamo.com
Happy Halloween! If I can start off on a scary — albeit a bit self-serving — note, if you’re looking for some spooky, creepy, frightening and sometimes a bit disgusting films to watch today, please visit Bad Lit’s short horror movie index page. Some great stuff in there if you click around. Now onto our regular links: If short horror movies are my “must see” link of the week, then my absolute Must Read link is j.j. murphy’s review of Andy Warhol’s recently preserved and unleashed Face, which focuses on the beautiful face of Edie Sedgwick. This film has sadly been out of circulation for 40 years. The Phantom of Pulp took a time out while making a documentary in Australia to take some awesome photos of a cemetery. Ella thinks that Kanye West is a filmmaker who should be considered on the same level as Andy Warhol and Salvador Dali.
- 10/31/2010
- by Mike Everleth
- Underground Film Journal
Alessandro Cima wrote a new article inspired by my old “What’s an Underground Film, Anyway?” post. In it, Cima argues that the definition of “underground film” should include “a requirement of hostility.” I like what Cima is saying and I get where he’s coming from, but I haven’t decided if I totally agree with him yet. While I certainly like a little hostility in my underground films, the problem is that sustained hostility can a) get tiring; and b) leads to burnout. But, good stuff to contemplate in the article. (P.S. Driving or walking by a row of StarWagons never gets not-exciting to me.) Donna k. muses on why more filmmakers don’t tour with their films like Brent Green does. For what it’s worth, here’s my short answer: Most filmmakers don’t create the ancillary product that would make touring profitable. Green has it all: Music,...
- 10/3/2010
- by Mike Everleth
- Underground Film Journal
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