Coming Soon To Prime Video India: Citadel: Honey Bunny, Subedaar, Matka King, Call Me Bae & More Exciting Titles Announced! (Photo Credit – Amazon Studios)
Calling all Prime Video India subscribers! Get ready to expand your watchlist because a wave of exciting new Hindi titles is about to hit the streaming platform. We’re talking gripping thrillers featuring Bollywood A-listers, heartwarming coming-of-age tales, and hard-hitting dramas that will leave you wanting more.
This compilation brings you the inside scoop on upcoming releases across various genres. Whether you’re a fan of action heroes like Anil Kapoor or prefer the sizzling chemistry of Varun Dhawan and Samantha Ruth Prabhu, there’s something for every taste. So, grab your popcorn, settle in, and get ready to be entertained by the latest offerings from Prime Video India!
Here’s a compilation of upcoming Hindi titles on Prime Video, categorized for your browsing pleasure:
Trending Mirzapur...
Calling all Prime Video India subscribers! Get ready to expand your watchlist because a wave of exciting new Hindi titles is about to hit the streaming platform. We’re talking gripping thrillers featuring Bollywood A-listers, heartwarming coming-of-age tales, and hard-hitting dramas that will leave you wanting more.
This compilation brings you the inside scoop on upcoming releases across various genres. Whether you’re a fan of action heroes like Anil Kapoor or prefer the sizzling chemistry of Varun Dhawan and Samantha Ruth Prabhu, there’s something for every taste. So, grab your popcorn, settle in, and get ready to be entertained by the latest offerings from Prime Video India!
Here’s a compilation of upcoming Hindi titles on Prime Video, categorized for your browsing pleasure:
Trending Mirzapur...
- 3/19/2024
- by Nikita Wagh
- KoiMoi
Awards While Radhika Apte is nominated for Best Performance By An Actress for 'Lust Stories', the anthology is also competing in the TV Movie/Miniseries category.Tnm StaffThe International Emmy Awards announced its nominees on Thursday and there’s some great news for Indian entertainment as well, with a total of four nominations, including one for Best Performance By An Actress. Netflix India’s original Sacred Games, which recently released its second season has received an International Emmy nomination for Season 1 in the category of Drama Series. Lust Stories, another Netflix miniseries, got a nomination in the TV movie/miniseries category; and for her work in the same, Radhika Apte has been nominated for the Best Performance By An Actress. Amazon Prime’s The Remix-India has been nominated for the International Emmy for Non-Scripted Entertainment. Sacred Games directors Anurag Kashyap, Neeraj Ghaywan and Vikramaditya Motwane, The Remix host...
- 9/20/2019
- by Geetika
- The News Minute
Sacred Games Season 2 review is out, the Indian web television thriller series is based on Vikram Chandra's 2006 novel of the same name. The first Netflix original series in India, is directed by Vikramaditya Motwane and Anurag Kashyap who produced it under their banner Phantom Films. The novel was adapted by Varun Grover, Smita Singh and Vasant Nath.
Immediate reaction when the end credits starts rolling
Joker from The Dark Knight kept on haunting me as I repeatedly murmured ?Why so intense son, why so insane son?.
Sacred Games web series Season 2 review
Ganesh Gaitonde (Nawazuddin Siddiqui) is back in those floral shirts and Inspector Sartaj Singh (Saif Ali Khan) moves around with a wounded thump. A Guruji inspired from Osho - Khanna Guruji (Pankaj Tripathi) holds the key to most of the weirdness in this second season of Netflix most popular original series.
Season 1 was terrific while Season 2 which...
Immediate reaction when the end credits starts rolling
Joker from The Dark Knight kept on haunting me as I repeatedly murmured ?Why so intense son, why so insane son?.
Sacred Games web series Season 2 review
Ganesh Gaitonde (Nawazuddin Siddiqui) is back in those floral shirts and Inspector Sartaj Singh (Saif Ali Khan) moves around with a wounded thump. A Guruji inspired from Osho - Khanna Guruji (Pankaj Tripathi) holds the key to most of the weirdness in this second season of Netflix most popular original series.
Season 1 was terrific while Season 2 which...
- 8/17/2019
- GlamSham
NetflixThe thriller is also a poignant commentary on the equalizing power of hatred, perhaps the only emotion that is truly “secular” in India.Saraswati DatarGanesh, the remover of obstacles. The reigning deity of Mumbai, he is an imperfect being who can give us what we desperately seek. Quite like gangster Ganesh Gaitonde (Nawazzudin Siddiqui) who brings salvation to beleaguered cop Sartaj Singh (Saif Ali Khan), appearing on his phone with a prophecy of doom, and the promise that his life is going to change. Netflix’s first Indian original series, Sacred Games, is an adaptation of the novel by acclaimed writer Vikram Chandra. Shot as a neo-noir thriller over 8 episodes, executive producer Vikramaditya Motwane and writers Varun Grover, Smita Singh and Vasant Nath have adapted the 900-page book into a gripping web of religion, politics, conspiracy and corruption that entangles you slowly but surely. Ganesh Gaitonde, notorious gangster and leader of the G gang returns mysteriously after 15 years, and contacts a defeated Sartaj Singh, who has been sidelined by his department. Gaitonde’s phone call gives him the ray of hope he was looking for, and he jumps headlong into the rabbit hole, ironically risking his job to do it right. Along the way, he finds an ally in Raw agent Anjali Mathur (Radhika Apte), and powerful enemies who include the Home Minister, retired gang members, thumb chopping psychopaths and his fellow police officers. While the series begins in the present day, the narrative soon branches into two distinct timelines. Anurag Kashyap directs the rise of Ganesh Gaitonde as he narrates his journey from Maharashtra’s hinterlands to becoming a mobster, while Motwane directs the present doomsday thread, taking us into the lonely world of Sartaj Singh who finds purpose in deciphering Gaitonde’s tip-off about a catastrophe in 25 days. Though there is a clock ticking, the exposition is luxuriously paced, setting up all the major players in the game and laying out their connections without any spoilers. The pace picks up soon enough, and as the dots join and the mystery unravels, politicians, police officers and starlets struggle to keep their immunity from his dark legacy. Gaitonde’s rise from the garbage dump to the King of Gopalmath serves as a definitive recap of how religion and politics became mutually satisfied bedfellows in India. He narrates his story in the context of landmark events like the Shah Bano case, Babri Masjid demolition, Mumbai bomb blasts and the rise of the Hindu right wing in the country, recalling how each of these events affected his life, his gang, and his ‘karmabhoomi’ Mumbai. There are even mentions of the partition and the 26/11 terror attacks, creating a timeline of intolerance and terror that continues to add new dates to its tab. Nawazzudin Siddiqui, no stranger to playing a gangster, is reliably brilliant, surrendering completely to Gaitonde’s methods, madness and morals. Drugs, illicit liquor, extortion, murder; his life is a series of wrongdoings, yet his deep understanding of religion’s toxicity is surprisingly wise. “Going god’s way clears all the pathways,” he quips, summarizing how religious fault lines are created and nurtured by those who build careers on conflict. Siddiqui humanizes the man, telling his story with sensitivity, humour and no judgement. Complementing him every step of the way is Saif Ali Khan in fabulous form after a long time. Anxious, lonely, bitter but still sincere, Sartaj Singh is perhaps the most complex character Khan has portrayed in his career. One of the only Sikhs in the Mumbai police, Sartaj is not only in religious minority, but also solitary in his attempts at doing his job with honesty. Khan’s eyes are tired, his body seems stuffed into and suffocated in the police uniform and his silences are as heart-wrenching as his screaming meltdown in his dank apartment. Sartaj’s only support is his right-hand man Constable Katekar, played brilliantly by Jitendra Joshi, who picks up his calls and lifts his spirits at all odd hours. There is little light in his house and life, literal or otherwise, and while Motwane wants us to root for him, he never tries to glorify or ennoble him. Khan and Siddiqui are supported by a perfectly cast group of powerful actors who get into the skin of their characters effortlessly. Particularly impressive are Neeraj Kabi as Khan’s morally defunct boss Parulkar, Shalini Vatsa as Kanta Bai, Gaitonde’s voice of reason, Kubra Sait as his first love Kuckoo, Rajshri Deshpande as Subhadra and Jatin Sarna and Gaitonde’s sidekick Bunty. The series gives each of the supporting characters well-defined arcs and motives that organically find common ground or clash violently to take the story forward. Special credit must be given to the cinematographers and art direction unit who convincingly recreate the journey of Bombay to Mumbai, choosing real largely outdoor locations over stereotypical beauty shots that are authentic to a story that exposes the fragility and fetid nature of the city; the garbage from which castles rise, as Gaitonde says. Crisply edited by Aarti Bajaj and with a haunting background score, Sacred Games is a brilliant first production to emerge from India, proving that we are ready to take our content to a global scale. While it’s essentially a cat and mouse thriller, Sacred Games is also a poignant commentary on the equalizing power of hatred, perhaps the only emotion that is truly “secular” in India. It questions why we associate ourselves so deeply with our religious identity, why we place allegiance to an invisible god over our intuitive humanity, and why inspite of so many years of betrayal and bloodshed we just can’t seem to kick our addiction to our God, who as a character says, got sick of us long ago. Also read: Hannah Gadsby's unflinching stand-up special is a must-watch...
- 7/7/2018
- by Monalisa
- The News Minute
I first picked up Vikram Chandra’s massive tome Sacred Games at my local bookshop, and from the very first pages, I knew I wanted to see it adapted for the screen. I could never figure out, though, quite how that could happen – the novel was sweeping, layered, intricate, and it seemed to me that the challenges of adapting it might be beyond the scope of, say, a film. Since the book’s publication we’ve seen the rise of Netflix as a significant player in the world of content creation for online streaming, and the news that Sacred Games would be adapted as a Netflix Original Series – the first Indian Netflix Original – seemed to be the perfect fit for this material. A Netflix adaptation would give the time and the space – and the creative freedom – to tell the story of gangster Ganesh Gaitonde and policeman Sartaj Singh in a...
- 7/2/2018
- by Katherine Matthews
- Bollyspice
The National Film Development Corporation (Nfdc) announced the 12 participants selected for the first Directing for Directors Lab, a two week residential program to be held from January 19-31, 2014. The venue finalised for the residential program is Courtyard by Marriott, Bund Garden, Pune.
The full time two week program will be conducted by Udayan Prasad, professor of Directing at the UK’s Nftvs -National Film and Television School and Lfs-London Film School. Prasad is the director of well-known films such as My Son the Fanatic and The Yellow Handkerchief.
The selected participants are:
1. Sadik Ahmed – 7 Stages
2. Vasant Nath – Sebastian wants to Remember
3. Geetha J – A Certain Slant of Light
4. Prabhijit Dhamija – I’m Not There!
5. Kiran Waval – Tada (Crack)
6. Anoop Mathew – Roach
7. Shazia Iqbal – Me vs Ray
8. Amit Agarwal – Ek Lambi Surang (The Long Tunnel)
9. Harsh Narayan – Ye Pyar Na Hoga Kam
10. Vidyasagar Adhyapak – Chitpat
11. Aditya Kelgaonkar – Duniya Hai Ek...
The full time two week program will be conducted by Udayan Prasad, professor of Directing at the UK’s Nftvs -National Film and Television School and Lfs-London Film School. Prasad is the director of well-known films such as My Son the Fanatic and The Yellow Handkerchief.
The selected participants are:
1. Sadik Ahmed – 7 Stages
2. Vasant Nath – Sebastian wants to Remember
3. Geetha J – A Certain Slant of Light
4. Prabhijit Dhamija – I’m Not There!
5. Kiran Waval – Tada (Crack)
6. Anoop Mathew – Roach
7. Shazia Iqbal – Me vs Ray
8. Amit Agarwal – Ek Lambi Surang (The Long Tunnel)
9. Harsh Narayan – Ye Pyar Na Hoga Kam
10. Vidyasagar Adhyapak – Chitpat
11. Aditya Kelgaonkar – Duniya Hai Ek...
- 1/10/2014
- by NewsDesk
- DearCinema.com
Rajesh Jala’s The Spark was awarded the $16,000 (Rs1m) Incredible India award at the close of Film Bazaar (Nov 20-24), while Kanu Behl’s Titli took the Prasad Digital Intermediate prize.
The Spark, which was selected for Film Bazaar’s Screenwriters’ Lab, tells the story of a riot victim who has a plan to take revenge, but is indecisive about taking action. Jala previously directed award-winning documentary Children Of The Pyre.
Produced by Dibakar Banerjee with backing from Yash Raj Films, Titli revolves around the volatile relationship between two brothers. Currently in post-production, the film was selected for Film Bazaar’s Work-in-Progress Lab. Behl has worked as assistant and co-writer on Banerjee’s previous features.
More than 950 delegates from 35 countries attended this year’s Film Bazaar, compared to 712 from 32 countries in 2012. International visitors included four Cannes heavyweights – Thierry Fremaux, Christian Jeune, Critics Week’s Charles Tesson and Directors’ Fortnight’s Edouard Waintrop – along with delegations from Screen...
The Spark, which was selected for Film Bazaar’s Screenwriters’ Lab, tells the story of a riot victim who has a plan to take revenge, but is indecisive about taking action. Jala previously directed award-winning documentary Children Of The Pyre.
Produced by Dibakar Banerjee with backing from Yash Raj Films, Titli revolves around the volatile relationship between two brothers. Currently in post-production, the film was selected for Film Bazaar’s Work-in-Progress Lab. Behl has worked as assistant and co-writer on Banerjee’s previous features.
More than 950 delegates from 35 countries attended this year’s Film Bazaar, compared to 712 from 32 countries in 2012. International visitors included four Cannes heavyweights – Thierry Fremaux, Christian Jeune, Critics Week’s Charles Tesson and Directors’ Fortnight’s Edouard Waintrop – along with delegations from Screen...
- 11/25/2013
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Vasant Nath’s drama Sebastian Wants To Remember has found an Indian co-producer and secured a grant of $68,000 (€50,000) from EU Media Development.
Kartikeya Narayan Singh’s The Film Café (Alms For The Blind Horse) has boarded the project alongside Germany’s Die Gesellschaft Dgs and France’s 24 Images.
Selected for Nfdc Screenwriters’ Lab in 2011 and the Co-production Market in 2012, Sebastian Wants To Remember is the story of an aging photographer who loses his memory and must embark on a daunting journey with his wife in search of his past.
Kartikeya Narayan Singh’s The Film Café (Alms For The Blind Horse) has boarded the project alongside Germany’s Die Gesellschaft Dgs and France’s 24 Images.
Selected for Nfdc Screenwriters’ Lab in 2011 and the Co-production Market in 2012, Sebastian Wants To Remember is the story of an aging photographer who loses his memory and must embark on a daunting journey with his wife in search of his past.
- 11/25/2013
- ScreenDaily
What: Documentary and short film screenings in Mumbai
Organizers: The Indian Documentary Producers’ Association (Idpa), Dada Saheb Phalke Film City and P.L. Deshpande Maharashtra Kala Academy, Mumbai
Program:
1. Children Of Pyre / Dir – Rajesh S Jala / 74mins
2. Sherpa Tenzing / Dir – Purush Baokar / 15mins
3. A Reasonable Compromise / Dir – Sanjib Dey / 28mins
4. Shanu Taxi / Dir – Vasant Nath / 15mins
5. Meena / Dir – Jasmine Kaur / 22mins
Venue: P.L. Deshpande Mini Auditorium (Ravindra Natya Mandir complex) Prabhadevi, Mumbai – 400025
Date: Sunday, 7th July 2013
Time:10 Am onwards
Entry: Free/Open to all...
Organizers: The Indian Documentary Producers’ Association (Idpa), Dada Saheb Phalke Film City and P.L. Deshpande Maharashtra Kala Academy, Mumbai
Program:
1. Children Of Pyre / Dir – Rajesh S Jala / 74mins
2. Sherpa Tenzing / Dir – Purush Baokar / 15mins
3. A Reasonable Compromise / Dir – Sanjib Dey / 28mins
4. Shanu Taxi / Dir – Vasant Nath / 15mins
5. Meena / Dir – Jasmine Kaur / 22mins
Venue: P.L. Deshpande Mini Auditorium (Ravindra Natya Mandir complex) Prabhadevi, Mumbai – 400025
Date: Sunday, 7th July 2013
Time:10 Am onwards
Entry: Free/Open to all...
- 7/6/2013
- by NewsDesk
- DearCinema.com
The National Film Development Corporation (Nfdc) has announced the list of 26 projects selected for its annual co-production market, a part of Nfdc Film Bazaar held on the sidelines of the International Film Festival of India (Iffi), Goa.
Film Bazaar will be held from November 21-24, 2012 in Goa.
Here is the complete list of selection:-
1. Arunoday by Partho Sen Gupta (Producer: Rakesh Mehra, India)
2. Antaraal by Umesh Kulkarni (Producer: Girirsh Kulkarni, India)
3. Titli by Kanu Behl (Producer: Dibakar Banerjee, India)
4 . Superboudi by Q, Kaushik Mukherjee (Producer: Celine Overdose, India)
5. Kabuliwala by Atiq Rahimi (Producer: Sunil Doshi, India)
6. Court by Chaitanya Tamhane (Producer: Vivek Gomber, Zoo Films, India)
7. The Untold Tale by Shivajee Chandrabhushan (Producer: Shivajee Chandrabhushan, Bombay Berlin Productions, India, Moteur S’il Vous Productions, France)
8. Jabalpur Tapes by Jogavindra S Khera (Producer: Aditi Anand, India)
9. Bhopal Live by Yash Dave & Alison Patel (Producr: Parijat Entertainment, India)
10. Girls by Gul Dharmani (Producer: Shimit Amin,...
Film Bazaar will be held from November 21-24, 2012 in Goa.
Here is the complete list of selection:-
1. Arunoday by Partho Sen Gupta (Producer: Rakesh Mehra, India)
2. Antaraal by Umesh Kulkarni (Producer: Girirsh Kulkarni, India)
3. Titli by Kanu Behl (Producer: Dibakar Banerjee, India)
4 . Superboudi by Q, Kaushik Mukherjee (Producer: Celine Overdose, India)
5. Kabuliwala by Atiq Rahimi (Producer: Sunil Doshi, India)
6. Court by Chaitanya Tamhane (Producer: Vivek Gomber, Zoo Films, India)
7. The Untold Tale by Shivajee Chandrabhushan (Producer: Shivajee Chandrabhushan, Bombay Berlin Productions, India, Moteur S’il Vous Productions, France)
8. Jabalpur Tapes by Jogavindra S Khera (Producer: Aditi Anand, India)
9. Bhopal Live by Yash Dave & Alison Patel (Producr: Parijat Entertainment, India)
10. Girls by Gul Dharmani (Producer: Shimit Amin,...
- 10/25/2012
- by NewsDesk
- DearCinema.com
Marten Rabarts
For someone who has just moved from Amsterdam to Mumbai, Marten Rabarts seems strangely comfortable and sprightly, taking the erratic Mumbai rains and traffic in stride. He definitely understands quite a few things about India and its film industry. It’s hardly been a month since Rabarts arrived in Mumbai to take charge as the Head of Development of the National Film Development Corporation (Nfdc), and he has been working round the clock already: striking off things on his to-do list for Nfdc and hunting for an apartment. As he puts it, ‘You have to handle many things simultaneously in this country. You cannot sit back and work things in order because they take time to happen.’
Rabarts has been relentlessly meeting filmmakers and producers over coffee and dinner to understand their needs as he doesn’t believe in ‘planning from an ivory tower’. Within a week of his arrival,...
For someone who has just moved from Amsterdam to Mumbai, Marten Rabarts seems strangely comfortable and sprightly, taking the erratic Mumbai rains and traffic in stride. He definitely understands quite a few things about India and its film industry. It’s hardly been a month since Rabarts arrived in Mumbai to take charge as the Head of Development of the National Film Development Corporation (Nfdc), and he has been working round the clock already: striking off things on his to-do list for Nfdc and hunting for an apartment. As he puts it, ‘You have to handle many things simultaneously in this country. You cannot sit back and work things in order because they take time to happen.’
Rabarts has been relentlessly meeting filmmakers and producers over coffee and dinner to understand their needs as he doesn’t believe in ‘planning from an ivory tower’. Within a week of his arrival,...
- 7/17/2012
- by Nandita Dutta
- DearCinema.com
Nina Lath Gupta
By December 2012, Nfdc to launch new training programme for mid-career professionals Nfdc will promote India as a destination to make films at Cannes Film Festival Co-production with other countries is the way forward
From the glass wall of her cabin on the sixth floor of the Discovery of India building, Nina Lath Gupta oversees her team working frantically for the Cannes Film Festival. She is happy that four Indian films have made it to the premier film festival in its 65th edition. With a welcoming smile and the composure of a corporate honcho, she talks passionately about the National Film Development Corporation (Nfdc).
Gupta is the Managing Director of Nfdc, and one of its roles entails promoting Indian cinema at international film festivals. How Nfdc has contributed to this landmark year for Indian cinema at Cannes isn’t very overt, yet significant.
Ashim Ahluwalia’s Miss Lovely...
By December 2012, Nfdc to launch new training programme for mid-career professionals Nfdc will promote India as a destination to make films at Cannes Film Festival Co-production with other countries is the way forward
From the glass wall of her cabin on the sixth floor of the Discovery of India building, Nina Lath Gupta oversees her team working frantically for the Cannes Film Festival. She is happy that four Indian films have made it to the premier film festival in its 65th edition. With a welcoming smile and the composure of a corporate honcho, she talks passionately about the National Film Development Corporation (Nfdc).
Gupta is the Managing Director of Nfdc, and one of its roles entails promoting Indian cinema at international film festivals. How Nfdc has contributed to this landmark year for Indian cinema at Cannes isn’t very overt, yet significant.
Ashim Ahluwalia’s Miss Lovely...
- 5/3/2012
- by Nandita Dutta
- DearCinema.com
As Venice International Film Festival began on Wednesday, DearCinema profiles for you the six screenwriters who will participate in the Nfdc Screenwriter’s Lab during the festival.
Screenwriter’s Lab, a 2-part workshop is conducted by the National Film Development Corporation (Nfdc) for the purpose of writing and selling original Indian screenplays in the international market. The workshop at Venice will be conducted by Marten Rabarts, Artistic Director, Binger Filmlab.
In the second of the series, Vasant Nath answers five questions about his project Sebastian Wants to Remember:
Tell us more about your story?
Sebastian Wants to Remember is the story of an aging photographer who loses his memory but remembers one woman who is someone other than his lifelong wife. It’s about how it becomes up to his wife to help him seek out that woman in order for him to regain his memory and thus, love her again.
Screenwriter’s Lab, a 2-part workshop is conducted by the National Film Development Corporation (Nfdc) for the purpose of writing and selling original Indian screenplays in the international market. The workshop at Venice will be conducted by Marten Rabarts, Artistic Director, Binger Filmlab.
In the second of the series, Vasant Nath answers five questions about his project Sebastian Wants to Remember:
Tell us more about your story?
Sebastian Wants to Remember is the story of an aging photographer who loses his memory but remembers one woman who is someone other than his lifelong wife. It’s about how it becomes up to his wife to help him seek out that woman in order for him to regain his memory and thus, love her again.
- 9/1/2011
- by Nandita Dutta
- DearCinema.com
The 68th Venice International Film Festival that kicks off on Wednesday will present the works of newcomer Gurvinder Singh as well as Amit Dutta whose films have been regular at Venice for the last two years. The festival will also pay tribute to Indian auteur Mani Kaul who passed away recently by screening the restored version of his national award-winning film Duvidha (1973).
Still from Anhey Ghore Da Daan
Gurvinder Singh’s Anhey ghorhey da daan and Amit Dutta’s Sonchidi will be presented in Orizzonti, a section dedicated to new currents in international cinema.
Filmmaker Gurvinder Singh describes Anhey ghorhey da daan as — a film about a day in the lives of a family who are witnesses to the play of power equation unfolding around them. It’s about silent witnesses devoid of power to change or influence the course of destiny. It’s about invisible violence and desires, simmering...
Still from Anhey Ghore Da Daan
Gurvinder Singh’s Anhey ghorhey da daan and Amit Dutta’s Sonchidi will be presented in Orizzonti, a section dedicated to new currents in international cinema.
Filmmaker Gurvinder Singh describes Anhey ghorhey da daan as — a film about a day in the lives of a family who are witnesses to the play of power equation unfolding around them. It’s about silent witnesses devoid of power to change or influence the course of destiny. It’s about invisible violence and desires, simmering...
- 8/30/2011
- by Nandita Dutta
- DearCinema.com
National Film Development Corporation (Nfdc) announced the six projects which will participate in Nfdc Screenwriters’ Lab 2011. The projects are:
Sebastian Wants to Remember by Vasant Nath
Dear Mira by Deepti Datt
Dum Laga ke Hayi Sha (The Weighting Game) by Sharat Katariya
Toxic City by Aliya Curmally
Girls by Megha Ramaswamy, and
Dabba (The Lunch Box) by Ritesh Batra.
The Screenwriters’ Lab is a 2-part workshop, conducted by the National Film Development Corporation (Nfdc) for writing and selling original Indian screenplays in international market. It will be conducted in association with Binger FilmLab, Netherlands and Venice International Film Festival.
The 1st session of the lab will be held during the Venice International Film Festival in September, 2011 where participants will get first-hand experience of the workings of the international film community and get to train with their screenplay mentors.
The 2nd session will take place at Film Bazaar, Goa from 24–27 November,...
Sebastian Wants to Remember by Vasant Nath
Dear Mira by Deepti Datt
Dum Laga ke Hayi Sha (The Weighting Game) by Sharat Katariya
Toxic City by Aliya Curmally
Girls by Megha Ramaswamy, and
Dabba (The Lunch Box) by Ritesh Batra.
The Screenwriters’ Lab is a 2-part workshop, conducted by the National Film Development Corporation (Nfdc) for writing and selling original Indian screenplays in international market. It will be conducted in association with Binger FilmLab, Netherlands and Venice International Film Festival.
The 1st session of the lab will be held during the Venice International Film Festival in September, 2011 where participants will get first-hand experience of the workings of the international film community and get to train with their screenplay mentors.
The 2nd session will take place at Film Bazaar, Goa from 24–27 November,...
- 8/9/2011
- by NewsDesk
- DearCinema.com
A still from Aag
India has much to look forward to, at the 64th edition of the Locarno International Film Festival that begins on Wednesday, July 3, 2011. The festival has lined up quite an eclectic and exciting mix of Indian films; from the masters Satyajit Ray and Ritwik Ghatak to the contemporary Umesh Kulkarni and Vikramaditya Motwane.
Locarno Open Doors, an initiative that focuses on a region where independent cinema is in developmental stage every year has its eyes set firmly on India in the 2012 edition.
A still from Udaan
Open Doors screening will present thirteen “Indian classics” which include Raj Kapoor’s Aag, Jahnu Barua’s Halodhia Choraye Baodhan Khai (The Yellow Birds), Girish Kasaravalli’s Kanasembo Kudureyaneri (Riding the Stallion of a Dream), Shyam Benegal’s Manthan, Ritwik Ghatak’s Meghe Dhaka Tara, Aparna Sen’s Mr. and Mrs. Iyer, Chetan Anand’s Neecha Nagar, Adoor Gopalakrishnan’s Nizalkkuthu...
India has much to look forward to, at the 64th edition of the Locarno International Film Festival that begins on Wednesday, July 3, 2011. The festival has lined up quite an eclectic and exciting mix of Indian films; from the masters Satyajit Ray and Ritwik Ghatak to the contemporary Umesh Kulkarni and Vikramaditya Motwane.
Locarno Open Doors, an initiative that focuses on a region where independent cinema is in developmental stage every year has its eyes set firmly on India in the 2012 edition.
A still from Udaan
Open Doors screening will present thirteen “Indian classics” which include Raj Kapoor’s Aag, Jahnu Barua’s Halodhia Choraye Baodhan Khai (The Yellow Birds), Girish Kasaravalli’s Kanasembo Kudureyaneri (Riding the Stallion of a Dream), Shyam Benegal’s Manthan, Ritwik Ghatak’s Meghe Dhaka Tara, Aparna Sen’s Mr. and Mrs. Iyer, Chetan Anand’s Neecha Nagar, Adoor Gopalakrishnan’s Nizalkkuthu...
- 8/2/2011
- by Nandita Dutta
- DearCinema.com
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