Specialty film rollouts continues to accelerate with Chinonye Chukwu’s Till, Park Chan-wook’s Decision To Leave and A24’s Stars At Noon joining releases from previous weeks to populate theaters as awards season gathers steam.
Till, from United Artists Releasing, world premiered at the ongoing New York Film Festival to stellar reviews. It opens on 16 screens in five markets – NY, LA, Chicago, Atlanta and Washington, D.C. The story of Emmett Till, a 14-year-old lynched in 1955 while visiting cousins in Mississippi, is an emotional one, and a tough one. But explicit violence is something Chukwu determinedly left out of the frame, focusing instead on Deadwyler’s Mamie Till-Mobley, Emmet’s mother, as she pursues justice for her son. Word of mouth, that this is first and foremost a poignant, powerful cinematic journey about one person changing history, will be key.
Till, from United Artists Releasing, world premiered at the ongoing New York Film Festival to stellar reviews. It opens on 16 screens in five markets – NY, LA, Chicago, Atlanta and Washington, D.C. The story of Emmett Till, a 14-year-old lynched in 1955 while visiting cousins in Mississippi, is an emotional one, and a tough one. But explicit violence is something Chukwu determinedly left out of the frame, focusing instead on Deadwyler’s Mamie Till-Mobley, Emmet’s mother, as she pursues justice for her son. Word of mouth, that this is first and foremost a poignant, powerful cinematic journey about one person changing history, will be key.
- 10/14/2022
- by Jill Goldsmith
- Deadline Film + TV
George Stephanopoulos has been many things over the years. A political operative. A TV anchor. In his next project, he’s taking on a decidedly different role.
In “Power Trip — Those Who Seek Power and Those Who Chase Them,” a new eight-part series set to stream on Hulu starting September 25, Stephanopoulos will serve as an analyst and adviser to a group of seven ambitious young “embed” reporters covering the 2022 midterm elections for ABC News. The show mixes on-the-ground reportage with the sort of mentor-student relationship that plays a central part in popular reality programs that range from “The Voice” to “Restaurant: Impossible.”
The conceit offers “a fresh way of covering politics,” says Stephanopoulos, in an interview. “This is a different way of doing it, through the lens of these young reporters on the ground.”
All the nation’s big TV-news outlets have built new massive streaming-video hubs, the better to...
In “Power Trip — Those Who Seek Power and Those Who Chase Them,” a new eight-part series set to stream on Hulu starting September 25, Stephanopoulos will serve as an analyst and adviser to a group of seven ambitious young “embed” reporters covering the 2022 midterm elections for ABC News. The show mixes on-the-ground reportage with the sort of mentor-student relationship that plays a central part in popular reality programs that range from “The Voice” to “Restaurant: Impossible.”
The conceit offers “a fresh way of covering politics,” says Stephanopoulos, in an interview. “This is a different way of doing it, through the lens of these young reporters on the ground.”
All the nation’s big TV-news outlets have built new massive streaming-video hubs, the better to...
- 9/15/2022
- by Brian Steinberg
- Variety Film + TV
Mubi Go, which has helped buoy NYC’s arthouse market by offering members a free movie ticket a week at participating theaters, expands to LA today where the biz could really use a boost. The films are curated and the first is Apple’s Cha Cha Real Smooth.
Mubi, a global streaming service, production company and film distributor, launched Mubi Go in New York last fall and will continue expanding to major markets through 2022 with Chicago next. “We’re being very careful and methodical about the rollout,” said distribution chief Chris Wells.
Mubi members get Mubi Go as a perk. The company doesn’t release subscriber numbers but Wells said its NYC base jumped by 30 after it added Mubi Go.
Movie picks include its own releases, like Lingui, The Sacred Bonds, but mostly from other distributors from Drive My Car, The Power of the Dog and Passing to We’re...
Mubi, a global streaming service, production company and film distributor, launched Mubi Go in New York last fall and will continue expanding to major markets through 2022 with Chicago next. “We’re being very careful and methodical about the rollout,” said distribution chief Chris Wells.
Mubi members get Mubi Go as a perk. The company doesn’t release subscriber numbers but Wells said its NYC base jumped by 30 after it added Mubi Go.
Movie picks include its own releases, like Lingui, The Sacred Bonds, but mostly from other distributors from Drive My Car, The Power of the Dog and Passing to We’re...
- 6/17/2022
- by Jill Goldsmith
- Deadline Film + TV
The theme for this year’s Melbourne Underground Film Festival is “Evolve Or Die,” so thank God that after 15 years, the fest has decided to evolve rather than kick the proverbial bucket.
What does “evolution” look like for Muff? For starters, this year is a much more stripped down festival. It runs Sept. 12 – 19 at a single location — The Backlot Studios.
Muff usually features a healthy retrospective section, but they decided to spin that off into a separate event that will run in a month or two. Instead, Muff 15 is all about new cinema, with an even stronger focus on Down Under cinema.
Opening Night: Start Options Exit was originally conceived by local co-directors Chris Mitchell and Yoav Lester as a web series, but was subsequently edited together as this outrageous comedy about a pair of degenerates stumbling through the seedy underbelly of Melbourne.
Closing Night: Acclaimed Melbourne cult filmmaker Stuart Simpson...
What does “evolution” look like for Muff? For starters, this year is a much more stripped down festival. It runs Sept. 12 – 19 at a single location — The Backlot Studios.
Muff usually features a healthy retrospective section, but they decided to spin that off into a separate event that will run in a month or two. Instead, Muff 15 is all about new cinema, with an even stronger focus on Down Under cinema.
Opening Night: Start Options Exit was originally conceived by local co-directors Chris Mitchell and Yoav Lester as a web series, but was subsequently edited together as this outrageous comedy about a pair of degenerates stumbling through the seedy underbelly of Melbourne.
Closing Night: Acclaimed Melbourne cult filmmaker Stuart Simpson...
- 9/8/2014
- by Mike Everleth
- Underground Film Journal
When we think of Jazz, we automatically think of New Orleans where Jazz originates from, but tonight I experienced the rebirth of jazz with a difference.
Sachal Jazz Ensemble took the stage at Kings Place, London for an intimate gig. A group of veteran master musicians from Lahore explore the music of east and west, uniting a unique sound and giving us pure musical pleasure.
The seven-member Sachal Jazz Ensemble includes Nijat Ali (conductor), Nafees Khan (sitar), Baqar Abbas (flute), Ballu Khan (Tabla), Rafiq Ahmed (Naal), Najaf Ali (Dholak Mardang) and Asad Ali (Guitar).
Behind them they had the support from guest musicians, such as Solid Strings, Phillip Achille (Harmonica & Double Bass), Chris Wells (Drums) and Steve Lodder (Piano).
Together, they produced the most amazing music that had me toe tapping to the fusion of traditional instruments like the tabla, flute and sitar to modern western music like ‘Imagine’ by...
Sachal Jazz Ensemble took the stage at Kings Place, London for an intimate gig. A group of veteran master musicians from Lahore explore the music of east and west, uniting a unique sound and giving us pure musical pleasure.
The seven-member Sachal Jazz Ensemble includes Nijat Ali (conductor), Nafees Khan (sitar), Baqar Abbas (flute), Ballu Khan (Tabla), Rafiq Ahmed (Naal), Najaf Ali (Dholak Mardang) and Asad Ali (Guitar).
Behind them they had the support from guest musicians, such as Solid Strings, Phillip Achille (Harmonica & Double Bass), Chris Wells (Drums) and Steve Lodder (Piano).
Together, they produced the most amazing music that had me toe tapping to the fusion of traditional instruments like the tabla, flute and sitar to modern western music like ‘Imagine’ by...
- 7/13/2014
- by Press Releases
- Bollyspice
News.
A new issue of one the most essential film publications, La Furia Umana, is now available online. As always, alongside a rich collection of disparate texts, the issue has separate dossiers devoted to specific filmmakers, including ones on René Vautier (edited by Nicole Brenez) and Ida Lupino with Claire Denis. The amount of must-read coverage is daunting: included, too, are homages to Chris Marker and Stephen Dwoskin, a new video by David Phelps, and much more to explore.
In this issue, our pride and joy is to be found in the monograph-length dossier on Hollywood auteur William A. Wellman, a dossier edited by Gina Telaroli and Phelps. Our editor Daniel Kasman has contributed anoverview to Wellman's filmography; Telaroli has an incredible image-based piece on Good-bye, My Lady (alongside "scraps" and "findings" pointing the way for even more coverage of this filmmaker's wide oeuvre), filmmaker Bertrand Tavernier has a new piece,...
A new issue of one the most essential film publications, La Furia Umana, is now available online. As always, alongside a rich collection of disparate texts, the issue has separate dossiers devoted to specific filmmakers, including ones on René Vautier (edited by Nicole Brenez) and Ida Lupino with Claire Denis. The amount of must-read coverage is daunting: included, too, are homages to Chris Marker and Stephen Dwoskin, a new video by David Phelps, and much more to explore.
In this issue, our pride and joy is to be found in the monograph-length dossier on Hollywood auteur William A. Wellman, a dossier edited by Gina Telaroli and Phelps. Our editor Daniel Kasman has contributed anoverview to Wellman's filmography; Telaroli has an incredible image-based piece on Good-bye, My Lady (alongside "scraps" and "findings" pointing the way for even more coverage of this filmmaker's wide oeuvre), filmmaker Bertrand Tavernier has a new piece,...
- 10/8/2012
- by Notebook
- MUBI
The Avengers trailer has debuted showing Marvel's biggest superheroes together on screen. Captain America (Chris Evans), Iron Man (Robert Downey Jr) and Thor (Chris Hemsworth) lead the comic book team's lineup, with Hulk (Mark Ruffalo), Hawkeye (Jeremy Renner) and Black Widow (Scarlett Johansson) joining the ensemble. The new extended video is the final trailer before the blockbuster opens in UK cinemas on April 26 and May 4 in the Us. The movie, which debuted a theatrical poster this week, has officially been retitled Marvel Avengers Assemble in the UK.
> The Avengers trailer scene-by-scene recap
> The Avengers Super Bowl trailer The Avengers visual effects chief Chris Wells recently said that the film will "dwarf" other movies in the genre, adding that fans of the Hulk will be particularly (more)...
> The Avengers trailer scene-by-scene recap
> The Avengers Super Bowl trailer The Avengers visual effects chief Chris Wells recently said that the film will "dwarf" other movies in the genre, adding that fans of the Hulk will be particularly (more)...
- 2/29/2012
- by By Simon Reynolds
- Digital Spy
Marvel has released another great new image from The Avengers featuring Agent Phil Coulson (Clark Gregg) and Thor (Chris Hemsworth) having a discussion on the Helicarrier.
If you watched the Super Bowl spot for this movie, then you know how epically glorious it's going to be. I just can't help but think that the movie is going to end up blowing our minds and being better than what we expected. I just couldn't be happier that Marvel trusted Joss Whedon with this story and these characters. I loved what VFX supervisor Chris Wells had to say about the movie, and you should read that here, if you haven't already.
Random question... If you could fight any one of the Avengers, who would it be and why?...
If you watched the Super Bowl spot for this movie, then you know how epically glorious it's going to be. I just can't help but think that the movie is going to end up blowing our minds and being better than what we expected. I just couldn't be happier that Marvel trusted Joss Whedon with this story and these characters. I loved what VFX supervisor Chris Wells had to say about the movie, and you should read that here, if you haven't already.
Random question... If you could fight any one of the Avengers, who would it be and why?...
- 2/17/2012
- by Venkman
- GeekTyrant
While we mere mortals won't set eyes on The Avengers for another couple of months, special effects supervisor Chris Wells has just raised the anticipation another notch by saying it's the best comic book adaptation to date.
That's a big claim to make but Wells is in a pretty good position to judge. Although not a massive fan of the genre, he previously worked on a whole slew of comic-derived productions including both Fantastic Four films, X-Men: The Last Stand, 300, The Incredible Hulk and Green Lantern.
Director Joss Whedon's superhero team-up storms into cinemas in the UK on April 27 and the Us on May 4 and will feature an opening sequence created by Hydraulx Visual Effects, the Santa Monica company where Wells works.
Wells told Starburst (via Cbm): "We're doing what essentially boils down to the prelude of the movie. There's a whole intro that happens before you start...
That's a big claim to make but Wells is in a pretty good position to judge. Although not a massive fan of the genre, he previously worked on a whole slew of comic-derived productions including both Fantastic Four films, X-Men: The Last Stand, 300, The Incredible Hulk and Green Lantern.
Director Joss Whedon's superhero team-up storms into cinemas in the UK on April 27 and the Us on May 4 and will feature an opening sequence created by Hydraulx Visual Effects, the Santa Monica company where Wells works.
Wells told Starburst (via Cbm): "We're doing what essentially boils down to the prelude of the movie. There's a whole intro that happens before you start...
- 2/17/2012
- by David Bentley
- The Geek Files
Special effects supervisor on The Avengers movie Chris Wells recently gave a great interview to Star Burst Magazine in which he talks about the film and its opening sequence, which is supposed to be insanely amazing. Here's what he had to say about this pre-intro to the movie, before the opening credits even roll...
We're doing what essentially boils down to the prelude of the movie. There's a whole intro that happens before you start even getting the titles and it's pretty big. There's nothing small in this movie. I went to a screening with all the temporary visual effects and it was pretty fleshed out. It's a long movie but it doesn't feel like it. Out of all the comic book movies and franchises I've worked on, this is the best one I've seen so far.
After seeing what I've seen of the film it's hard for me not to agree.
- 2/16/2012
- by Venkman
- GeekTyrant
When you put the likes of Captain America, Iron Man, Thor, Hulk and more onto the big-screen altogether, the results are bound to be explosive. Thankfully, from the look and sound of it, "Marvel's The Avengers" won't disappoint in that regard.
"There's nothing small in this movie," effects supervisor Chris Wells told Starburst Magazine about "The Avengers" in a new interview. "I went to a screening with all the temporary visual effects and it was pretty fleshed out. It's a long movie but it doesn't feel like it. Out of all the comic book movies and franchises I've worked on, this is the best one I've seen so far."
Wells also briefly described the film's opening sequence, "what essentially boils down to the prelude," as he described it. "There's a whole intro that happens before you start even getting the titles and it's pretty big."
Something Loki-centric, perhaps? It won't involve Red Skull,...
"There's nothing small in this movie," effects supervisor Chris Wells told Starburst Magazine about "The Avengers" in a new interview. "I went to a screening with all the temporary visual effects and it was pretty fleshed out. It's a long movie but it doesn't feel like it. Out of all the comic book movies and franchises I've worked on, this is the best one I've seen so far."
Wells also briefly described the film's opening sequence, "what essentially boils down to the prelude," as he described it. "There's a whole intro that happens before you start even getting the titles and it's pretty big."
Something Loki-centric, perhaps? It won't involve Red Skull,...
- 2/16/2012
- by Josh Wigler
- MTV Splash Page
Chris Wells, a supervisor working at visual effects house Hydraulx, tells Starburst Magazine that he thinks Marvel's "The Avengers" is the best of the comic book films he's worked on to date - and he's worked on practically all the Marvel ones.
Wells has seen a rough cut of the film and his company is working on the prologue - "I went to a screening with all the temporary visual effects and it was pretty fleshed out. It's a long movie but it doesn't feel like it. Out of all the comic book movies and franchises I've worked on, this is the best one I've seen so far."
He goes on to tell the magazine that "This thing has gone so big that Marvel are dwarfing their other franchises. For people who enjoy the comics and haven't really liked the way some of the characters were treated in other movies,...
Wells has seen a rough cut of the film and his company is working on the prologue - "I went to a screening with all the temporary visual effects and it was pretty fleshed out. It's a long movie but it doesn't feel like it. Out of all the comic book movies and franchises I've worked on, this is the best one I've seen so far."
He goes on to tell the magazine that "This thing has gone so big that Marvel are dwarfing their other franchises. For people who enjoy the comics and haven't really liked the way some of the characters were treated in other movies,...
- 2/16/2012
- by Garth Franklin
- Dark Horizons
The Avengers will dwarf other Marvel Studios projects, according to special effects chief Chris Wells. Wells, who works for Hydraulx, told Starburst Magazine that Joss Whedon's superhero team-up film will "appease" those who were dissatisfied with previous comic book adaptations. "This thing has gone so big that Marvel are dwarfing their other franchises," he said. "For people who enjoy the comics and haven't really liked the way some of the characters were treated in other movies, I think they're going to be a little more appeased by this one. Especially the Hulk. "They let the Hulk be Hulk and that's great. He acts more like the comic book Hulk. It's fun. My biggest problem with every single superhero movie is I don't think the payoff ever matches the build-up. This one definitely does." The FX (more)...
- 2/16/2012
- by By Mark Langshaw
- Digital Spy
Chris Wells, a special effects supervisor has revealed some interesting information about the opening sequence to Marvel’s swiftly forthcoming The Avengers.
Wells works for Hydraulx, the company who are handling the effects on the opening sequence. He tells Starbust Magazine in an interview;
“We’re doing what essentially boils down to the prelude of the movie,” he said. “There’s a whole intro that happens before you start even getting the titles and it’s pretty big. There’s nothing small in this movie. I went to a screening with all the temporary visual effects and it was pretty fleshed out. It’s a long movie but it doesn’t feel like it. Out of all the comic book movies and franchises I’ve worked on, this is the best one I’ve seen so far.”
Wells has previously worked on Captain America: The First Avenger, the X-Men saga,...
Wells works for Hydraulx, the company who are handling the effects on the opening sequence. He tells Starbust Magazine in an interview;
“We’re doing what essentially boils down to the prelude of the movie,” he said. “There’s a whole intro that happens before you start even getting the titles and it’s pretty big. There’s nothing small in this movie. I went to a screening with all the temporary visual effects and it was pretty fleshed out. It’s a long movie but it doesn’t feel like it. Out of all the comic book movies and franchises I’ve worked on, this is the best one I’ve seen so far.”
Wells has previously worked on Captain America: The First Avenger, the X-Men saga,...
- 2/16/2012
- by Matt Holmes
- Obsessed with Film
Hydraulx is the Special Effects company behind a few movies you may know, including Green Lantern, Battle: Los Angeles, The Book Of Eli, 2012, and The Incredible Hulk. And on all of those I just mentioned, Chris Wells was the supervisor. This is important to know because these are the people (with Chris Wells in charge again) that are crafting the opening sequence to The Avengers, and after seeing a rough cut of the thing here's what Well had to say in a recent interview: "We're...
- 2/16/2012
- by Alejandro Stepenberg
- JoBlo.com
It takes a lot of people to ensure a film on the scale of The Avengers looks as good as it should, and SFX specialists Hydraulx are the team charged with ensuring Iron Man and chums are at their most visually dazzling. Special effects supervisor Chris Wells has taken time out from his busy schedule to drop an update concerning the movie’s opening sequence, and from the sounds of it, it’s going to be epic… “We're doing what essentially boils down to the prelude of the movie," he said. "There's a whole intro...
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- 2/16/2012
- by George Wales
- TotalFilm
The visual effects supervisor of The Avengers movie has been dropping one or two hints as to what we should expect from the film…
The Avengers are set to assemble on the big screen at the end of April in the UK, and we’ve been given a taster as to what to expect, courtesy of Chris Wells. Well is the special effects supervisor on the film, and has been chatting to Starburst about it. In particular, he’s revealed a detail or two about the opening sequence.
Obviously, don’t read on if you don’t want to know more.
"We're doing what essentially boils down to the prelude of the movie. There's a whole intro that happens before you start even getting the titles and it's pretty big”, he said. “There's nothing small in this movie. I went to a screening with all the temporary visual effects and it was pretty fleshed out.
The Avengers are set to assemble on the big screen at the end of April in the UK, and we’ve been given a taster as to what to expect, courtesy of Chris Wells. Well is the special effects supervisor on the film, and has been chatting to Starburst about it. In particular, he’s revealed a detail or two about the opening sequence.
Obviously, don’t read on if you don’t want to know more.
"We're doing what essentially boils down to the prelude of the movie. There's a whole intro that happens before you start even getting the titles and it's pretty big”, he said. “There's nothing small in this movie. I went to a screening with all the temporary visual effects and it was pretty fleshed out.
- 2/16/2012
- Den of Geek
During a recent interview with Starburst Magazine, the Hydraulx special effects supervisor behind Skyline, last year's Captain America and Battle: Los Angeles flicks, as well the X-Men movies, Chris Wells, dished on his company's most recent project; Marvel's Joss Whedon-directed superhero spectacle The Avengers. Working on the much-anticipated film's opening sequence specifically, check out what he says! "We're doing what essentially boils down to the prelude of the movie,'" he said. "'There's a whole intro that happens before you start even getting the titles and it's pretty big. There's nothing small in this movie. I went to a screening with all the temporary visual effects and it was pretty fleshed out. It's a long movie but it doesn't feel like it. Out of all the comic book movies and franchises I've worked on, this is the best one I've seen so far.'" After being asked whether the...
- 2/15/2012
- ComicBookMovie.com
During a recent interview with Starburst Magazine, the Hydraulx special effects supervisor behind Skyline, last year's Captain America and Battle: Los Angeles flicks, as well the X-Men movies, Chris Wells, dished on his company's most recent project; Marvel's Joss Whedon-directed superhero spectacle The Avengers. Working on the much-anticipated film's opening sequence specifically, check out what he says! "We're doing what essentially boils down to the prelude of the movie,'" he said. "'There's a whole intro that happens before you start even getting the titles and it's pretty big. There's nothing small in this movie. I went to a screening with all the temporary visual effects and it was pretty fleshed out. It's a long movie but it doesn't feel like it. Out of all the comic book movies and franchises I've worked on, this is the best one I've seen so far.'" After being asked whether the movie is more action-driven,...
- 2/15/2012
- ComicBookMovie.com
Hydraulx special effects supervisor Chris Wells gave Starburst Magazine some interesting info on the opening sequence for Marvel's The Avengers that the company is overseeing. "We're doing what essentially boils down to the prelude of the movie," he said. "There's a whole intro that happens before you start even getting the titles and it's pretty big. There's nothing small in this movie. I went to a screening with all the temporary visual effects and it was pretty fleshed out. It's a long movie but it doesn't feel like it. Out of all the comic book movies and franchises I've worked on, this is the best one I've seen so far." That is certainly good news for the fans, considering he's worked on the "X-Men" films, Captain America: The First...
- 2/15/2012
- Comingsoon.net
Updated through 6/26.
"The golden age of New York moviegoing is now," argues Ao Scott in the New York Times. "Two events in the coming days offer confirmation of this hunch." Tonight "in Brooklyn the BAMcinemaFest opens with Weekend, Andrew Haigh's bracing, present-tense exploration of sex, intimacy and love, the first of 26 features that will play, along with 24 short films, over the next 10 days. And Friday is the official opening night of the Elinor Bunin Munroe Film Center, a charming two-screen jewel box carved (by the architect David Rockwell) out of garage and office space at Lincoln Center." He touches on the Museum of the Moving Image and the reRun Gastropub Theater as well, before returning to BAMcinemaFEST: "Not everything in the lineup is quite so perfectly realized as Weekend, but the range and generosity of the sampling make it hard to go wrong. Even the misfires and train wrecks are interesting,...
"The golden age of New York moviegoing is now," argues Ao Scott in the New York Times. "Two events in the coming days offer confirmation of this hunch." Tonight "in Brooklyn the BAMcinemaFest opens with Weekend, Andrew Haigh's bracing, present-tense exploration of sex, intimacy and love, the first of 26 features that will play, along with 24 short films, over the next 10 days. And Friday is the official opening night of the Elinor Bunin Munroe Film Center, a charming two-screen jewel box carved (by the architect David Rockwell) out of garage and office space at Lincoln Center." He touches on the Museum of the Moving Image and the reRun Gastropub Theater as well, before returning to BAMcinemaFEST: "Not everything in the lineup is quite so perfectly realized as Weekend, but the range and generosity of the sampling make it hard to go wrong. Even the misfires and train wrecks are interesting,...
- 6/26/2011
- MUBI
Last week, I had the opportunity to spend about 30 minutes in New York with the actress Greta Gerwig, who has earned widespread acclaim — including a nomination for breakthrough actor of the year at last month’s Gotham Indepdenent Film Awards and a nomination for best female lead at next month’s Independent Spirit Awards — for her performance opposite Ben Stiller in Noah Baumbach’s dark dramedy “Greenberg” (Focus Features, 3/26, R, trailer). In the film, Gerwig plays Florence Marr, a wealthy family’s personal assistant who is charged with checking up on — and who ultimately becomes romantically entangled with — Roger Greenberg (Stiller), a relative of theirs who recently had a nervous breakdown and is now recalibrating at their house while they travel abroad. Earlier this year, New York Times film critic A.O. Scott wrote that the 27-year-old blonde, who was previously best known for her instrumental role in American cinema’s “mumblecore” movement,...
- 1/13/2011
- by Scott Feinberg
- Scott Feinberg
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