Returning for its 30th anniversary edition next year, Slamdance Film Festival has now unveiled its full film lineup for 2024. Kicking off with Oscar-winning filmmaker Carol Dysinger’s One Bullet, this year’s festival will showcase 32 features both in Park City and Salt Lake City from January 19-25 and online screenings will be available on the Slamdance Channel from January 22-28.
“Our 2024 Slamdance lineup is a testament to filmmakers who dare to push their stories to the very edge of filmmaking, making it deeply personal yet globally resonant,” said Festival Director Taylor Miller. “Their raw passion and risk-taking echo our commitment to exploring uncharted territories of cinematic expression. This year, we proudly host the most inclusive and accessible festival we’ve ever had, staying true to the core objectives I aimed to cultivate with our programmers when I took this job.”
The 2024 programming was selected from more than 9,000 submissions, 1,729 of which were features.
“Our 2024 Slamdance lineup is a testament to filmmakers who dare to push their stories to the very edge of filmmaking, making it deeply personal yet globally resonant,” said Festival Director Taylor Miller. “Their raw passion and risk-taking echo our commitment to exploring uncharted territories of cinematic expression. This year, we proudly host the most inclusive and accessible festival we’ve ever had, staying true to the core objectives I aimed to cultivate with our programmers when I took this job.”
The 2024 programming was selected from more than 9,000 submissions, 1,729 of which were features.
- 12/4/2023
- by Leonard Pearce
- The Film Stage
Festival runs January 19-25 in person, January 22-28 online.
Slamdance Film Festival has announced the roster for its upcoming 30th anniversary edition, which is bookended by Carol Dysinger’s previously announced post-Afghanistan War documentary One Bullet and Vanessa Hope’s IDFA closing night documentary Invisible Nation, a profile of Taiwanese first female president Tsai Ing-wen.
Running January 19-25 in person and January 22-28 online, this year’s event returns to Yarrow Hotel in Park City where the festival launched and will showcase 32 features, of which 17 are world premieres, as well as 75 shorts, and five episodics.
Festival organisers said this year...
Slamdance Film Festival has announced the roster for its upcoming 30th anniversary edition, which is bookended by Carol Dysinger’s previously announced post-Afghanistan War documentary One Bullet and Vanessa Hope’s IDFA closing night documentary Invisible Nation, a profile of Taiwanese first female president Tsai Ing-wen.
Running January 19-25 in person and January 22-28 online, this year’s event returns to Yarrow Hotel in Park City where the festival launched and will showcase 32 features, of which 17 are world premieres, as well as 75 shorts, and five episodics.
Festival organisers said this year...
- 12/4/2023
- by Jeremy Kay
- ScreenDaily
Sometimes a director and a cinematographer meet and beautiful things happen. It may or may not make for a successful film, but story isn’t everything. Theming this work in part around the activities of an increasingly unfashionable photographer, Onur Tukel gives Eric Laplante the opportunity to show us what he can do both in still form and in gorgeous fluid compositions. It’s a film you won’t want to look away from even when, narratively, it is threatening to collapse under its own weight.
At the centre of the narrative is Leonard (Frank Raharinosy), the worst chef in new York, who turns out to be equally bad at relationships, losing his girlfriend within the first few minutes of the film by questioning her relationship with her father. Subsequently she goes away, leaving him to live there by himself until he can get his life sorted out – except that her father,...
At the centre of the narrative is Leonard (Frank Raharinosy), the worst chef in new York, who turns out to be equally bad at relationships, losing his girlfriend within the first few minutes of the film by questioning her relationship with her father. Subsequently she goes away, leaving him to live there by himself until he can get his life sorted out – except that her father,...
- 11/8/2021
- by Jennie Kermode
- eyeforfilm.co.uk
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