Stars: Miki Esparbé, Aura Garrido, Luis Callejo, Álvaro Cervantes, Jesús Carroza, María Botto, Mouad Ghazouan, Sergio Torrico | Written by Jaime Marques, Cristian Conti | Directed by Javier Ruiz Caldera, Alberto de Toro
Netflix’s Spanish Civil War zombie movie Valley of the Dead (Malnazidos) is an entertaining stumble through familiar undead territory, courtesy of co-directors Javier Ruiz Caldera and Alberto de Toro. As such, it won’t surprise anyone who’s seen a zombie movie before, but it pushes all the right buttons, thanks to genre-savvy direction, likeable performances and a snappy script.
Valley of the Dead begins in 1938, in the middle of the Spanish Civil War, which has bitterly divided the losing Republican side and the Nazi-assisted Franco-led Nationalist side. In a chilling opening sequence, Nazi soldiers murder a wedding party and then spray the corpses with a blue gas, under the watchful eye of their Commandant (Francisco Reyes).
Meanwhile,...
Netflix’s Spanish Civil War zombie movie Valley of the Dead (Malnazidos) is an entertaining stumble through familiar undead territory, courtesy of co-directors Javier Ruiz Caldera and Alberto de Toro. As such, it won’t surprise anyone who’s seen a zombie movie before, but it pushes all the right buttons, thanks to genre-savvy direction, likeable performances and a snappy script.
Valley of the Dead begins in 1938, in the middle of the Spanish Civil War, which has bitterly divided the losing Republican side and the Nazi-assisted Franco-led Nationalist side. In a chilling opening sequence, Nazi soldiers murder a wedding party and then spray the corpses with a blue gas, under the watchful eye of their Commandant (Francisco Reyes).
Meanwhile,...
- 7/25/2022
- by Matthew Turner
- Nerdly
Two hotly-favored competition frontrunners, Spain’s motherhood-focused “Lullaby” and “Utama,” shot on an awe-inspiring Bolivian Altiplano, swept the board at a historic, 25th Málaga Film Festival which said a lot about the current state of the Spanish film industry.
Running March 18-26, the Festival proved a vibrant affair, galvanised by renewed interest in the Spanish cinema after a buoyant reception for its major movies at Berlin, as well as the joy of proving the first time many industry attendees had seen each other in person in two years and backing from Spain’s Avs Hub plan for a vastly larger industry presence.
In Alauda Ruiz de Azúa’s “Lullaby,” coming after Sundance hit “Piggy” and Carla Simón’s Berlin Golden Bear triumph “Alcarrás,” Spain would look to have a third art pic breakout in just the first three months of 2022, all driven by a young generation of women cineastes, directors and producers.
Running March 18-26, the Festival proved a vibrant affair, galvanised by renewed interest in the Spanish cinema after a buoyant reception for its major movies at Berlin, as well as the joy of proving the first time many industry attendees had seen each other in person in two years and backing from Spain’s Avs Hub plan for a vastly larger industry presence.
In Alauda Ruiz de Azúa’s “Lullaby,” coming after Sundance hit “Piggy” and Carla Simón’s Berlin Golden Bear triumph “Alcarrás,” Spain would look to have a third art pic breakout in just the first three months of 2022, all driven by a young generation of women cineastes, directors and producers.
- 3/26/2022
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
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