Above: Spanish poster for Pepi, Luci, Bom (Pedro Almodóvar, Spain, 1980). Artist: Ceesepe.Is there a contemporary filmmaker with a more vivid graphic sensibility than Pedro Almodóvar? His always distinctive films, with their bold colors, deliberate blocking and impeccable set design, often look like cartoons or magazine spreads come to life. Following suit, the posters for his films have always been a testament to his aesthetic, whether in his scrappy underground days or his far more polished later years. With his 20th feature film, Julieta, opening December 21, and a Museum of Modern Art retrospective beginning in New York next Tuesday, I thought it was high time I featured the best artwork of Almodóvar’s 40 year career.Any cinephile in their twenties might be forgiven for thinking that Almodóvar is the most establishment of arthouse directors: perennially fêted by Cannes and the New York Film Festival, winner of two Oscars, and, since the late 1990s,...
- 11/29/2016
- MUBI
Above: 1965 Czech poster for Three Fables of Love (Blasetti, Bromberger, Clair, Berlanga, Italy/Spain, 1962). Designer: Karel Teissig.Two events provoked this article. First of all, last week I saw the wonderful 1963 Czech fable The Cassandra Cat (a.k.a. When the Cat Comes) at New York’s newest cinephile hotspot, the Metrograph. In this charming New Wave satire a cat wearing dark glasses is brought into a small town by a circus troupe and, when his glasses are removed, the townspeople are revealed in their true colors: namely neon shades of purple, yellow and pink, each representing their vices or virtues. The highlight of the film for me, aside from a psychedelic freak-out dance party in the middle of the film, comes when all the children of the town march through the street bearing large drawings of cats. Chris Marker would have loved this film.The second event was the...
- 3/30/2016
- by Adrian Curry
- MUBI
Above: Polish poster for Young Törless (Volker Schlöndorff, West Germany, 1966). Design by Kazimierz Krolikowski (1921-1994).
Since Volker Schlöndorff’s newest film, Diplomacy, is opening in New York next week (full disclosure, I work for the distributor) I thought I’d take a look back at the posters for the 25 or more films he has made over he past half a century. Though I quickly discovered that from the late 80s onwards there is little of note (Palmetto, anyone?), I have found some gorgeous posters from the first twenty years of his career, when Schlöndorff was one of the most important directors of the New German Cinema. What is striking is the wide variety of looks given to some of his films, most particularly the international posters for his breakout success The Lost Honor of Katharina Blum which he co-directed with his then-wife Margarethe von Trotta (though shame on the French...
Since Volker Schlöndorff’s newest film, Diplomacy, is opening in New York next week (full disclosure, I work for the distributor) I thought I’d take a look back at the posters for the 25 or more films he has made over he past half a century. Though I quickly discovered that from the late 80s onwards there is little of note (Palmetto, anyone?), I have found some gorgeous posters from the first twenty years of his career, when Schlöndorff was one of the most important directors of the New German Cinema. What is striking is the wide variety of looks given to some of his films, most particularly the international posters for his breakout success The Lost Honor of Katharina Blum which he co-directed with his then-wife Margarethe von Trotta (though shame on the French...
- 10/12/2014
- by Adrian Curry
- MUBI
Above: Us 2014 re-release poster for Othello (Orson Welles, Morocco/Italy, 1952) designed by Dark Star, Paris.
Orson Welles' glorious, noirish, idiosyncratic, benighted Othello opens in New York and Chicago today in a new restoration. And Wednesday, not coincidentally, saw the 450th anniversary of William Shakespeare’s birth. Shakespeare has been adapted for film since the silent dawn of cinema, so it seems only right and fitting that I should mark this occasion with the best posters for Shakespeare on film through the ages, presented here in chronological order.
Above: German poster for Hamlet (Svend Gade & Heinz Schall, Germany, 1921).
Above: Us one sheet for The Taming of the Shrew (Sam Taylor, USA, 1929).
Above: Us lobby card for A Midsummer Night’s Dream (William Dieterle & Max Reinhardt, USA, 1935).
Above: 1956 Polish poster for Henry V (Laurence Olivier, UK, 1944) by Jozef Mroszczak.
Above: Australian poster for Henry V (Laurence Olivier, UK, 1944).
Above: French poster for Hamlet (Laurence Olivier,...
Orson Welles' glorious, noirish, idiosyncratic, benighted Othello opens in New York and Chicago today in a new restoration. And Wednesday, not coincidentally, saw the 450th anniversary of William Shakespeare’s birth. Shakespeare has been adapted for film since the silent dawn of cinema, so it seems only right and fitting that I should mark this occasion with the best posters for Shakespeare on film through the ages, presented here in chronological order.
Above: German poster for Hamlet (Svend Gade & Heinz Schall, Germany, 1921).
Above: Us one sheet for The Taming of the Shrew (Sam Taylor, USA, 1929).
Above: Us lobby card for A Midsummer Night’s Dream (William Dieterle & Max Reinhardt, USA, 1935).
Above: 1956 Polish poster for Henry V (Laurence Olivier, UK, 1944) by Jozef Mroszczak.
Above: Australian poster for Henry V (Laurence Olivier, UK, 1944).
Above: French poster for Hamlet (Laurence Olivier,...
- 4/25/2014
- by Adrian Curry
- MUBI
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.