A look at what's new on DVD today:
"ExTerminators" (2010)
Directed by John Inwood
Released by Image Entertainment
Also appearing on VOD, Heather Graham, Amber Heard and Jennifer Coolidge team up to launch a service that will permanently wipe away your exes from your address book (and life) under the cover of Coolidge's bug extermination business in this comedy from cinematographer-turned-director John Inwood.
"Bad Ass" (2009)
Directed by Adamo Cultraro
Released by Well Go USA
A hitman (Tom Sizemore) has a change of heart when his latest job leaves the nurse of an aging mob boss as the prime suspect in Adamo Cultraro's feature debut. Frank Stallone co-stars.
"Centurion" (2010)
Directed by Neil Marshall
Released by Magnolia Home Entertainment
Following "Doomsday," Marshall returns to Hadrian's Wall in England for the story of surviving group of Roman soldiers in 117 A.D., including Michael Fassbender, Dominic West and Liam Cunningham among their ranks, who defend...
"ExTerminators" (2010)
Directed by John Inwood
Released by Image Entertainment
Also appearing on VOD, Heather Graham, Amber Heard and Jennifer Coolidge team up to launch a service that will permanently wipe away your exes from your address book (and life) under the cover of Coolidge's bug extermination business in this comedy from cinematographer-turned-director John Inwood.
"Bad Ass" (2009)
Directed by Adamo Cultraro
Released by Well Go USA
A hitman (Tom Sizemore) has a change of heart when his latest job leaves the nurse of an aging mob boss as the prime suspect in Adamo Cultraro's feature debut. Frank Stallone co-stars.
"Centurion" (2010)
Directed by Neil Marshall
Released by Magnolia Home Entertainment
Following "Doomsday," Marshall returns to Hadrian's Wall in England for the story of surviving group of Roman soldiers in 117 A.D., including Michael Fassbender, Dominic West and Liam Cunningham among their ranks, who defend...
- 11/1/2010
- by Stephen Saito
- ifc.com
There have been westerns almost as long as the medium of cinema has existed. The first ever-narrative film, Edward Porter’s 1903 twelve-minute milestone The Great Train Robbery was a western. In terms of sheer cinematic proliferation, the western simply stands unmatched and there is a very good and very simple reason – they’re bloody cheap. A couple of guys, a couple of horses and some wide-open space and you’ve essentially got yourself a western. But just because you can do something doesn't necessarily mean you should nor that there is value in doing that thing.
With that in mind we arrive at Come Hell or High Water, writer-director Wayne Shipley’s Dv, no-budget, horse opera where, at first glance, a Maryland amateur dramatics society comes together to chart the vast outreaches of incomprehensible thespian inadequacy. Coming across like some bizarre hybrid between a civil war reenactment, a wild west...
With that in mind we arrive at Come Hell or High Water, writer-director Wayne Shipley’s Dv, no-budget, horse opera where, at first glance, a Maryland amateur dramatics society comes together to chart the vast outreaches of incomprehensible thespian inadequacy. Coming across like some bizarre hybrid between a civil war reenactment, a wild west...
- 4/7/2009
- by Neil Pedley
- JustPressPlay.net
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