‘Once Upon a Time in Hollywood,’ ‘Last Black Man in San Francisco’ Win Location Managers Film Awards
“Once Upon a Time in Hollywood” and “The Last Black Man in San Francisco” have won the top feature film trophies at the seventh annual Location Managers Guild International Awards.
Quentin Tarantino’s “Once Upon a Time in Hollywood” won the award for outstanding locations in a period film, and Joe Talbot’s “The ‘Last Black Man in San Francisco” won for outstanding locations in a contemporary film.
The television winners were HBO’s “Perry Mason” for a period series, BBC America’s “Killing Eve” for a contemporary series and a tie between Apple TV Plus’ “Little America” and Amazon Prime Video’s “ZeroZeroZero” in the limited anthology category.
Isaiah Mustafa hosted the event Saturday with the theme “2020 Vision: We See It First.” The ceremony was presented on a digital platform and streamed to a worldwide audience on Lmgi’s YouTube channel.
“At a time when the industry is shifting under our collective feet,...
Quentin Tarantino’s “Once Upon a Time in Hollywood” won the award for outstanding locations in a period film, and Joe Talbot’s “The ‘Last Black Man in San Francisco” won for outstanding locations in a contemporary film.
The television winners were HBO’s “Perry Mason” for a period series, BBC America’s “Killing Eve” for a contemporary series and a tie between Apple TV Plus’ “Little America” and Amazon Prime Video’s “ZeroZeroZero” in the limited anthology category.
Isaiah Mustafa hosted the event Saturday with the theme “2020 Vision: We See It First.” The ceremony was presented on a digital platform and streamed to a worldwide audience on Lmgi’s YouTube channel.
“At a time when the industry is shifting under our collective feet,...
- 10/24/2020
- by Dave McNary
- Variety Film + TV
In the second season of “Marvel’s Jessica Jones,” long-time friends Trish (Rachael Taylor) and Jessica (Krysten Ritter) are falling apart, as a spiraling Trish becomes entangled with the mysterious organization Igh. In a pivotal 11th episode scene, Jessica finds Trish in a parking lot, and attempts to reach out. However, Trish gets in a car and takes off, leaving Jessica to chase after her — including jumping on the parked cars in her way.
Rocco Nisivoccia
Location manager
“Scenes like this are a lot fun to break down with a director, especially when you are working with someone like Jennifer Lynch. We had to find a garage that had height to it for Jessica to be on top of the cars, and the ramp that led to the street was a bonus. We scouted this garage first and never looked back. It just had elements that let Jen and others...
Rocco Nisivoccia
Location manager
“Scenes like this are a lot fun to break down with a director, especially when you are working with someone like Jennifer Lynch. We had to find a garage that had height to it for Jessica to be on top of the cars, and the ramp that led to the street was a bonus. We scouted this garage first and never looked back. It just had elements that let Jen and others...
- 6/14/2018
- by Marisa Roffman
- Variety Film + TV
The 11th annual Coney Island Film Festival, running Sept. 23-25, offers an exquisite blend of freak show, burlesque and cinematic oddities, featuring movies about reformed gang members, unwitting superheroes, rock ‘n’ roll heaven and tons and tons of short films.
The fest opens with the portrait of a real-life Coney Island badass, Keith Suber, a reformed gang member who now teaches kids that violence isn’t the solution to their problems in the documentary The Last Immortal, directed by Charles Denson.
However, the highlight of the festival — in Bad Lit: The Journal of Underground Film’s opinion — is the headbangin’ documentary Heavy Metal Picnic by Jeff Krulik and John Heyn, which beautifully relives the glory days of ’80s era rock ‘n’ roll Maryland in all its raucous glory. Featuring footage from an outrageous backwoods farm concert and a reunion among its (slightly) more mature participants. Read the official Bad Lit documentary review here.
The fest opens with the portrait of a real-life Coney Island badass, Keith Suber, a reformed gang member who now teaches kids that violence isn’t the solution to their problems in the documentary The Last Immortal, directed by Charles Denson.
However, the highlight of the festival — in Bad Lit: The Journal of Underground Film’s opinion — is the headbangin’ documentary Heavy Metal Picnic by Jeff Krulik and John Heyn, which beautifully relives the glory days of ’80s era rock ‘n’ roll Maryland in all its raucous glory. Featuring footage from an outrageous backwoods farm concert and a reunion among its (slightly) more mature participants. Read the official Bad Lit documentary review here.
- 9/14/2011
- by Mike Everleth
- Underground Film Journal
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