The main character of Nitzan Gilady’s Wedding Doll is a common character archetype, but one that’s rarely given the opportunity to be a lead, and even more rarely placed into a potential romance. Hagit (Moran Rosenblatt) is a young woman living in Israel with a mild mental illness that makes her appear slightly askew to those around her.
Hagit smiles a little too often, slightly stumbles over her words, and just appears a little bit too friendly to those around her. It’s not hard to imagine a version of this movie that plays out like Lucky McKee’s May instead of a romantic comedy sprinkled with social commentary.
It’s not just Hagit’s manner, but her pet habits that cement her reputation as an eccentric in the community. Her room is adorned with a wall of women in wedding dresses, and she spends much of her...
Hagit smiles a little too often, slightly stumbles over her words, and just appears a little bit too friendly to those around her. It’s not hard to imagine a version of this movie that plays out like Lucky McKee’s May instead of a romantic comedy sprinkled with social commentary.
It’s not just Hagit’s manner, but her pet habits that cement her reputation as an eccentric in the community. Her room is adorned with a wall of women in wedding dresses, and she spends much of her...
- 4/8/2016
- by Michael Snydel
- The Film Stage
★★★★☆ Nitzan Giladi's fantastic debut feature Wedding Doll (2015), premièring at Toronto this year, is the second Israeli film in as many years to focus on the difficult relationship between a young woman with a mental disability and the family member living with and caring for her. Where Asaf Korman's Next To Her (2014) mined the more unsettling recesses of a co-dependent relationship, Giladi has chosen to make a film all about the quest for independence. Of course, that is difficult in modern society when learning difficulties of any kind still come laden with all manner of stigma. "Weirdo!" is the cry of a young boy as Hagit (Moran Rosenblatt) revels in the sunrise.
Giladi's script does an impressive job of excavating the spectrum of different prejudices buried beneath the surface. These do not just come in the form of overt nastiness, but subtle put-downs and mistrust even from those who...
Giladi's script does an impressive job of excavating the spectrum of different prejudices buried beneath the surface. These do not just come in the form of overt nastiness, but subtle put-downs and mistrust even from those who...
- 9/10/2015
- by CineVue UK
- CineVue
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