Updated through 4/30.
"At first it was about neighborhood," begins Eric Hynes in the Voice. "Then it was about stars, parties, and supersizing. But finally, for its 10th incarnation, the Tribeca Film Festival (April 20-May 1) seems to be about movies. Gone are the superfluous, attention-sucking Hollywood premieres (Tom Cruise on a Jet Ski, anyone?), and few are the big-name, low-quality vanity projects. Several years into a vital slimming of the slate — the fest topped out at 176 films in 2005; this year, it's a manageable 93 — Tff remains New York's largest film survey."
To celebrate Tribeca's 10th, we're running a retrospective of some of the best films the festival's shown over the past decade here at Mubi. Happy viewing.
"A notoriously uneven assemblage of titles, Tribeca aspires toward something like a mini Toronto, but despite, in recent years, bringing such important films as Jia Zhangke's Still Life and Mohammad Rasoulof's The White Meadows...
"At first it was about neighborhood," begins Eric Hynes in the Voice. "Then it was about stars, parties, and supersizing. But finally, for its 10th incarnation, the Tribeca Film Festival (April 20-May 1) seems to be about movies. Gone are the superfluous, attention-sucking Hollywood premieres (Tom Cruise on a Jet Ski, anyone?), and few are the big-name, low-quality vanity projects. Several years into a vital slimming of the slate — the fest topped out at 176 films in 2005; this year, it's a manageable 93 — Tff remains New York's largest film survey."
To celebrate Tribeca's 10th, we're running a retrospective of some of the best films the festival's shown over the past decade here at Mubi. Happy viewing.
"A notoriously uneven assemblage of titles, Tribeca aspires toward something like a mini Toronto, but despite, in recent years, bringing such important films as Jia Zhangke's Still Life and Mohammad Rasoulof's The White Meadows...
- 4/30/2011
- MUBI
As someone that only watches films rather than make them, my favorite thing about the Red camera, the digital camera that has democratized high quality imagery amongst low budget filmmakers, is the clarity not only of the imagery, but the specificity it allows for regional writer/directors to bring out the best in their hometown. In recent years, we've seen Portland as it's never been shot before by Aaron Katz and crew in "Cold Weather," the Joe Maggio-directed Tribeca selection "The Last Rites of Joe May" captures Chicago in a different light and then there's "Stuck Between Stations," the feature debut of Brady Kiernan, a Minneapolis native who, with cinematographer Bo Hakala, creates a portrait of the city that wouldn't seem out of place if it were framed in the Walker Art Center.
Ultimately, that's what separates Kiernan's film from the so many others that have been born in the wake of "Before Sunrise,...
Ultimately, that's what separates Kiernan's film from the so many others that have been born in the wake of "Before Sunrise,...
- 4/24/2011
- by Stephen Saito
- ifc.com
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