Antony Partos.
Antony Partos won the prize for best TV theme for Bloom and shared the awards for best music in a TV series or serial, also for Bloom, and feature film score for I Am Mother at the Screen Music Awards in Melbourne on Wednesday night.
First time nominee Piers Burbrook de Vere is now a first time Screen Music Awards winner as his work on Abe Forsythe’s zombie comedy Little Monsters was named best soundtrack album at the awards hosted by Justine Clarke at the Forum.
The guest presenters were actors Susan Prior, Amali Golden, Mark Coles Smith and Damon Herriman and screen composer Burkhard Dallwitz.
In her welcoming address Australian Guild of Screen Composers (Agsc) president Caitlin Yeo said: “The Agsc is stronger, more unified and more able to advocate for everyone’s interests because of your dedication, hard work, and service.
“This year I have...
Antony Partos won the prize for best TV theme for Bloom and shared the awards for best music in a TV series or serial, also for Bloom, and feature film score for I Am Mother at the Screen Music Awards in Melbourne on Wednesday night.
First time nominee Piers Burbrook de Vere is now a first time Screen Music Awards winner as his work on Abe Forsythe’s zombie comedy Little Monsters was named best soundtrack album at the awards hosted by Justine Clarke at the Forum.
The guest presenters were actors Susan Prior, Amali Golden, Mark Coles Smith and Damon Herriman and screen composer Burkhard Dallwitz.
In her welcoming address Australian Guild of Screen Composers (Agsc) president Caitlin Yeo said: “The Agsc is stronger, more unified and more able to advocate for everyone’s interests because of your dedication, hard work, and service.
“This year I have...
- 11/20/2019
- by The IF Team
- IF.com.au
Top: Anthony Partos, Brett Aplin and Bryony Marks. Bottom: Caitlin Yeo, David Bridie.
Bryony Marks, Caitlin Yeo, Antony Partos, Brett Aplin and David Bridie have received three nominations each for the upcoming Screen Music Awards, staged by Apra Amcos and the Australian Guild of Screen Composers (Agcs).
They are among a group of 40 composers who have been nominated across 12 award categories, spanning more than 36 works. The awards will be held in late November in Melbourne, hosted by Justine Clarke.
Nominated for Best Feature Film Score of the Year is Yeo for Danger Close: The Battle of Long Tan, Partos and Dan Luscombe for I Am Mother; Aj True for Jirga and François Tétaz for Judy & Punch.
Yeo is also nominated for Best Television Theme for The Pacific: In the Wake of Captain Cook with Sam Neill and also the category of Best Music for an Advertisement, while Partos is nominated...
Bryony Marks, Caitlin Yeo, Antony Partos, Brett Aplin and David Bridie have received three nominations each for the upcoming Screen Music Awards, staged by Apra Amcos and the Australian Guild of Screen Composers (Agcs).
They are among a group of 40 composers who have been nominated across 12 award categories, spanning more than 36 works. The awards will be held in late November in Melbourne, hosted by Justine Clarke.
Nominated for Best Feature Film Score of the Year is Yeo for Danger Close: The Battle of Long Tan, Partos and Dan Luscombe for I Am Mother; Aj True for Jirga and François Tétaz for Judy & Punch.
Yeo is also nominated for Best Television Theme for The Pacific: In the Wake of Captain Cook with Sam Neill and also the category of Best Music for an Advertisement, while Partos is nominated...
- 10/16/2019
- by jkeast
- IF.com.au
Author: Daniel Goodwin
Australian debut writer/director Ben Young makes an astonishing transition from lightweight TV with Castaway and Prank Patrol (Candid Camera for the i-generation) to this edgy, visually scintillating kidnap/rape/escape thriller. Hounds of Love gradually unravels its characters before developing them via scenes of suspense, conflict and surprising poignancy. Young shuns gratuitous violence and gruelling exploitation to set HoL apart from lesser contemporary sub-genre efforts as well and grimier Giallo and Grindhouse flicks like Almost Human, House on the Edge of The Park and I Spit On Your Grave.
It’s near Christmas in sun-soaked suburban Perth, 1987, when troubled teenager Vicki Maloney (Ashleigh Cummings) is kidnapped by local maniacal grunts John and Evelyn (Stephen Curry and Emma Booth), bound in their home then subjected to psychological torment, sexual humiliation and physical abuse. Vicki must manipulate John and Evelyn by studying their characters/relationship dynamics then turn...
Australian debut writer/director Ben Young makes an astonishing transition from lightweight TV with Castaway and Prank Patrol (Candid Camera for the i-generation) to this edgy, visually scintillating kidnap/rape/escape thriller. Hounds of Love gradually unravels its characters before developing them via scenes of suspense, conflict and surprising poignancy. Young shuns gratuitous violence and gruelling exploitation to set HoL apart from lesser contemporary sub-genre efforts as well and grimier Giallo and Grindhouse flicks like Almost Human, House on the Edge of The Park and I Spit On Your Grave.
It’s near Christmas in sun-soaked suburban Perth, 1987, when troubled teenager Vicki Maloney (Ashleigh Cummings) is kidnapped by local maniacal grunts John and Evelyn (Stephen Curry and Emma Booth), bound in their home then subjected to psychological torment, sexual humiliation and physical abuse. Vicki must manipulate John and Evelyn by studying their characters/relationship dynamics then turn...
- 7/25/2017
- by Daniel Goodwin
- HeyUGuys.co.uk
‘Hounds of Love’ Is a Harrowing and Grimly Satisfying ExperienceA deranged couple with a desire to kill, a teenage girl with a will to live.
A twisted relationship between a man and his wife sits at the center of writer/director Ben Young’s feature debut, but it’s the more innocent one between a teenager and her mother that viewers will hope prevails as the harrowing and unsettling Hounds of Love heads towards its conclusion.
It’s the late ’80s and Christmastime in Perth, Western Australia, and Vicki (Ashleigh Cummings) is enduring a common right of passage for teenagers the world over. Her parents have split, but while her dad tries to retain her affection with the gift of a new puppy, her mom (Susie Porter) is trying to establish ground rules. Vicki scoffs at her restrictions though and instead sneaks out into the night for a party, but along the way she has the misfortune...
A twisted relationship between a man and his wife sits at the center of writer/director Ben Young’s feature debut, but it’s the more innocent one between a teenager and her mother that viewers will hope prevails as the harrowing and unsettling Hounds of Love heads towards its conclusion.
It’s the late ’80s and Christmastime in Perth, Western Australia, and Vicki (Ashleigh Cummings) is enduring a common right of passage for teenagers the world over. Her parents have split, but while her dad tries to retain her affection with the gift of a new puppy, her mom (Susie Porter) is trying to establish ground rules. Vicki scoffs at her restrictions though and instead sneaks out into the night for a party, but along the way she has the misfortune...
- 4/21/2017
- by Rob Hunter
- FilmSchoolRejects.com
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