American Insurrection Trailer — William Sullivan‘s American Insurrection (2021) movie trailer has been released by Saban Films. The American Insurrection trailer stars Nadine Malouf, Michael Raymond James, Sarah Wharton, Brandon Perea, Nick Westrate, and Jarret Kerr. Crew Jarret Kerr and William Sullivan wrote the screenplay for American Insurrection. Nathan Matthew David created the music for [...]
Continue reading: American Insurrection (2021) Movie Trailer: A Civilian Militia tracks Non-whites with Barcodes in William Sullivan’s Dystopia Film...
Continue reading: American Insurrection (2021) Movie Trailer: A Civilian Militia tracks Non-whites with Barcodes in William Sullivan’s Dystopia Film...
- 8/12/2021
- Film-Book
American Insurrection Trailer — William Sullivan‘s American Insurrection (2021) movie trailer has been released by Saban Films. The American Insurrection trailer stars Nadine Malouf, Michael Raymond James, Sarah Wharton, Brandon Perea, Nick Westrate, and Jarret Kerr. Crew Jarret Kerr and William Sullivan wrote the screenplay for American Insurrection. Nathan Matthew David created the music for [...]
Continue reading: American Insurrection (2021) Movie Trailer: A Civilian Militia tracks Non-whites with Barcodes in William Sullivan’s Dystopia Film...
Continue reading: American Insurrection (2021) Movie Trailer: A Civilian Militia tracks Non-whites with Barcodes in William Sullivan’s Dystopia Film...
- 8/12/2021
- by Rollo Tomasi
- Film-Book
Ahead of the film's release on May 3rd, check out the official trailer and poster for Paul Hyett's The Convent. Also in today's Horror Highlights: North American release details for The Samaritans and a Q&A with Deadly Class composer Nathan Matthew David.
The Convent Release Details, Trailer, and Poster: "In the early 17th century, innocent young Persephone is falsely accused and put on trial for her life. Her fate seems sealed except for the timely intervention of the mysterious Reverend Mother offering her not just sanctuary, but hope. For the Reverend Mother is the self-appointed leader of a small religious retreat, a secluded Priory, where her fellow Sisters devote their lives to the Lord and seek atonement for their pasts. But upon arrival, Persephone is plagued with terrifying visions and soon realizes that it’s not salvation that awaits but a battle for her very soul itself.
Director:...
The Convent Release Details, Trailer, and Poster: "In the early 17th century, innocent young Persephone is falsely accused and put on trial for her life. Her fate seems sealed except for the timely intervention of the mysterious Reverend Mother offering her not just sanctuary, but hope. For the Reverend Mother is the self-appointed leader of a small religious retreat, a secluded Priory, where her fellow Sisters devote their lives to the Lord and seek atonement for their pasts. But upon arrival, Persephone is plagued with terrifying visions and soon realizes that it’s not salvation that awaits but a battle for her very soul itself.
Director:...
- 4/3/2019
- by Tamika Jones
- DailyDead
How do you put music to child sexual abuse — especially if the accused predators are musical icons?
That’s the challenge composers Chad Hobson and Nathan Matthew David faced as they scored HBO’s “Leaving Neverland” and Lifetime’s “Surviving R. Kelly,” respectively. The documentaries are built around interviews with the alleged victims of Michael Jackson and Kelly (more than a dozen women who contend that Kelly seduced them while still teenagers).
London-based Hobson and Los Angeles-based David took very different approaches, yet in interviews with Variety stressed that they took pains to avoid sensationalizing or overly dramatizing the stories. “Neverland” featured acoustic musicians while “Kelly” was a studio production using synths and samples.
“The scoring approach to ‘Leaving Neverland’ was to imagine a walk through a beautiful and magical forest,” says Hobson. “But as you travel deeper into the forest it becomes darker, more distorted, the limbs of the...
That’s the challenge composers Chad Hobson and Nathan Matthew David faced as they scored HBO’s “Leaving Neverland” and Lifetime’s “Surviving R. Kelly,” respectively. The documentaries are built around interviews with the alleged victims of Michael Jackson and Kelly (more than a dozen women who contend that Kelly seduced them while still teenagers).
London-based Hobson and Los Angeles-based David took very different approaches, yet in interviews with Variety stressed that they took pains to avoid sensationalizing or overly dramatizing the stories. “Neverland” featured acoustic musicians while “Kelly” was a studio production using synths and samples.
“The scoring approach to ‘Leaving Neverland’ was to imagine a walk through a beautiful and magical forest,” says Hobson. “But as you travel deeper into the forest it becomes darker, more distorted, the limbs of the...
- 3/19/2019
- by Jon Burlingame
- Variety Film + TV
Assassin class is now in session! Syfy’s new action packed series Deadly Class premieres next Wednesday, but ahead of the release we wanted to give fans some insight on the show’s unique score fit for the 1980s by composer Nathan Matthew David. Below, Nathan, whom is also the composer of TBS’s comedy Angie Tribeca, discusses working with the comic’s creator Rick Remender to get the right vibe for the show and much more. -Is it difficult to go from scoring a comedy such as Angie Tribeca to a darker project like Deadly Class? I love that there are so many
Composer Nathan Matthew David Discusses His Synth Heavy Score to Syfy’s “Deadly Class”...
Composer Nathan Matthew David Discusses His Synth Heavy Score to Syfy’s “Deadly Class”...
- 1/9/2019
- by Dan Moore
- TVovermind.com
There isn’t a town quite like Kingfisher, nor is there a movie quite like Austin Vesely’s “Slice.” With his feature-length directorial debut, the longtime Chance the Rapper’s collaborator has concocted a world where ghosts co-exist alongside humans and a werewolf is on the loose, yet Kingfisher still feels like a real town, thanks in part to wonderful turns from Zazie Beetz, Paul Scheer, and Rae Gray. Although it falters at time, “Slice” is a funny and campy homage to ’80s horror, mashing together Michael Jackson’s “Thriller” with “Stranger Things” and “Riverdale,” often with satisfying results.
Since 2012, Vesely has collaborated with Chance the Rapper on several music videos, including “Juice,” “Everybody’s Something,” and “Angels,” which features Chance standing on top of a Chicago subway car. With “Slice,” they’ve created a black comedy with horror elements that seems destined to become a stoner classic. With memorable characters,...
Since 2012, Vesely has collaborated with Chance the Rapper on several music videos, including “Juice,” “Everybody’s Something,” and “Angels,” which features Chance standing on top of a Chicago subway car. With “Slice,” they’ve created a black comedy with horror elements that seems destined to become a stoner classic. With memorable characters,...
- 9/12/2018
- by Jamie Righetti
- Indiewire
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