![Image](https://m.media-amazon.com/images/M/MV5BNGIzYmUwYjAtZjRiNi00ZDhjLWEwYjQtMTAzZmUwOWI2NDc2XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BNGIzYmUwYjAtZjRiNi00ZDhjLWEwYjQtMTAzZmUwOWI2NDc2XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Ethan and Maya Hawke have shared a cover of the Willie Nelson deep cut, “We Don’t Run,” which will appear on an upcoming compilation from the venerable reissue/archival label, Light in the Attic.
Light in the Attic & Friends — out Nov. 24 for Record Store Day Black Friday — will feature an array of artists covering various far-flung rarities Light in the Attic has released over the years. The compilation was borne out of Lita’s Cover Series, and will feature a handful of previously issued recordings, as well as nearly a dozen new ones.
Light in the Attic & Friends — out Nov. 24 for Record Store Day Black Friday — will feature an array of artists covering various far-flung rarities Light in the Attic has released over the years. The compilation was borne out of Lita’s Cover Series, and will feature a handful of previously issued recordings, as well as nearly a dozen new ones.
- 10/2/2023
- by Jon Blistein
- Rollingstone.com
![Image](https://m.media-amazon.com/images/M/MV5BYTljNzYzZTItYjEyYy00OWY3LTkxZTQtMmNlZmE2NjljMWYyXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
How do you make a big idea literally sound small? That was one of the biggest conundrums that faced the worldbuilding team behind the part live-action, part animated faux-documentary feature, “Marcel the Shell with Shoes On.”
“Because Marcel is so small, there was a temptation to do the sort of ‘Honey I Shrunk the Kids’ soundscape where everything sounds massive,” explained director and co-writer Dean Fleischer-Camp in a recent interview with IndieWire. “We picked our moments to do that, but I didn’t want it to feel that way. My sonic comparisons were mostly documentaries. There was a lot of trying to soften things so that nothing stood out.”
That applied to everything from the film’s soundtrack, which consisted of a blend of original compositions and ambient synth music, to natural sounds and the noises made by the characters. Much of the sound is Marcel’s movement or sounds generated by that.
“Because Marcel is so small, there was a temptation to do the sort of ‘Honey I Shrunk the Kids’ soundscape where everything sounds massive,” explained director and co-writer Dean Fleischer-Camp in a recent interview with IndieWire. “We picked our moments to do that, but I didn’t want it to feel that way. My sonic comparisons were mostly documentaries. There was a lot of trying to soften things so that nothing stood out.”
That applied to everything from the film’s soundtrack, which consisted of a blend of original compositions and ambient synth music, to natural sounds and the noises made by the characters. Much of the sound is Marcel’s movement or sounds generated by that.
- 7/7/2022
- by Simon Thompson
- Indiewire
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.