Call Me Lucky is Bobcat Goldthwait’s documentary portrait of fellow comedian Barry Crimmins, who is not as famous as he should be for his barbed political satire — and whose outsider activism led him to dark places, as this documentary reveals. To visually capture Crimmins on and off stage, Goldthwait turned to his frequent cinematographer Bradley Stonesifer, who previously screened at Sundance with Lee Toland Krieger’s dramatic feature, The Vicious Kind. Below Stonesifer answers questions about that collaboration and doing big theatrical lighting on a shoestring budget. Call Me Lucky premieres January 27, 2015 in the Sundance Documentary Competition section […]...
- 1/27/2015
- by Scott Macaulay
- Filmmaker Magazine - Blog
Call Me Lucky is Bobcat Goldthwait’s documentary portrait of fellow comedian Barry Crimmins, who is not as famous as he should be for his barbed political satire — and whose outsider activism led him to dark places, as this documentary reveals. To visually capture Crimmins on and off stage, Goldthwait turned to his frequent cinematographer Bradley Stonesifer, who previously screened at Sundance with Lee Toland Krieger’s dramatic feature, The Vicious Kind. Below Stonesifer answers questions about that collaboration and doing big theatrical lighting on a shoestring budget. Call Me Lucky premieres January 27, 2015 in the Sundance Documentary Competition section […]...
- 1/27/2015
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Director Joseph Oxford and cinematographer Bradley Stonesifer created an imaginary world using cardboard boxes and rubber bands for their animated short film Me + Her. A labor of love that evolved over four years, their work was rewarded when the film was accepted into Sundance’s Short Film program. Oxford has worked in the industry since 2007 in a variety of roles, including production assistant and art director, but Me + Her is his first project as writer and director. Oxford first met cinematographer Stonesifer through a director friend, and they both worked on the film The Vicious Kind in 2008. […]...
- 1/18/2014
- by Michael Murie
- Filmmaker Magazine - Blog
Director Joseph Oxford and cinematographer Bradley Stonesifer created an imaginary world using cardboard boxes and rubber bands for their animated short film Me + Her. A labor of love that evolved over four years, their work was rewarded when the film was accepted into Sundance’s Short Film program. Oxford has worked in the industry since 2007 in a variety of roles, including production assistant and art director, but Me + Her is his first project as writer and director. Oxford first met cinematographer Stonesifer through a director friend, and they both worked on the film The Vicious Kind in 2008. […]...
- 1/18/2014
- by Michael Murie
- Filmmaker Magazine-Director Interviews
It's been a busy year for The Wheeler Boys writer/director Philip G. Flores. Since winning Film Independent's Netflix Find Your Voice competition last year, Flores has been on quite a ride going from script to screen in less than 12 months. Flores, an alumni of Film Independent's Screenwriters Lab, sat down with Film Independent Director of Talent Development Josh Welsh to talk about The Wheeler Boys and its upcoming world premiere later this month at the Los Angeles Film Festival.
By Josh Welsh
You've been extremely busy since we last interviewed you, just before the Screenwriters Lab began. It's a broad question, but how have these last months been for you?
Making this film has been the most incredible experience of my life. It's been amazing to see a story you've been dreaming up in your head forever comes to life, first on set, and now during the post-production process.
By Josh Welsh
You've been extremely busy since we last interviewed you, just before the Screenwriters Lab began. It's a broad question, but how have these last months been for you?
Making this film has been the most incredible experience of my life. It's been amazing to see a story you've been dreaming up in your head forever comes to life, first on set, and now during the post-production process.
- 6/17/2010
- Film Independent
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