Oscar Wilde may be the most famous person to face imprisonment for being gay, but he wasn’t the only one to suffer under an archaic legal system. Set in 1960s Italy, Gianni Amelio’s expansive historical drama “Lord of The Ants” uncovers the story of Aldo Braibanti, an Italian playwright, poet, and director who faced imprisonment for a consensual relationship with a younger student. “Lord of The Ants” holds a mirror to this shameful chapter in Italian history, painting
The film opens on an intimate moment between the handsome and dignified Aldo (Luigi Lo Cascio) and beautiful Ettore (Leonardo Maltese). Glowing with adoration, Aldo and Ettore recite poetry to each other in an outdoor Roman movie theater, ensconced in each other’s brilliance. At another table a kind journalist named Ennio (Elio Germano) observes them with sensitivity. “Braibanti, the myrmecologist,” he points out to his cousin Grazie (Sara Serraiocco...
The film opens on an intimate moment between the handsome and dignified Aldo (Luigi Lo Cascio) and beautiful Ettore (Leonardo Maltese). Glowing with adoration, Aldo and Ettore recite poetry to each other in an outdoor Roman movie theater, ensconced in each other’s brilliance. At another table a kind journalist named Ennio (Elio Germano) observes them with sensitivity. “Braibanti, the myrmecologist,” he points out to his cousin Grazie (Sara Serraiocco...
- 9/10/2022
- by Jude Dry
- Indiewire
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Gianni Amelio’s chronicle of the persecution of Aldo Braibanti, Lord of the Ants (Il Signore delle Formiche), doesn’t avoid the propensity of many Italian period dramas for dense verbosity, with characters spouting great gobs of manicured prose. That’s perhaps especially the case since the protagonist was a poet, playwright and philosopher. But Amelio’s classical approach, and the dignified refusal of martyrdom in Luigi Lo Cascio’s lead performance, make this account of Braibanti’s controversial imprisonment for homosexuality in 1968 after a four-year trial a quietly stirring portrait of institutional intolerance.
The Braibanti case drew international attention in the wake of his conviction due to the number of influential public figures who spoke out against the travesty of justice — Pier Paolo Pasolini, Alberto Moravia, Elsa Morante, Marco Bellocchio and Umberto Eco among them.
What’s striking now about the courtroom...
Gianni Amelio’s chronicle of the persecution of Aldo Braibanti, Lord of the Ants (Il Signore delle Formiche), doesn’t avoid the propensity of many Italian period dramas for dense verbosity, with characters spouting great gobs of manicured prose. That’s perhaps especially the case since the protagonist was a poet, playwright and philosopher. But Amelio’s classical approach, and the dignified refusal of martyrdom in Luigi Lo Cascio’s lead performance, make this account of Braibanti’s controversial imprisonment for homosexuality in 1968 after a four-year trial a quietly stirring portrait of institutional intolerance.
The Braibanti case drew international attention in the wake of his conviction due to the number of influential public figures who spoke out against the travesty of justice — Pier Paolo Pasolini, Alberto Moravia, Elsa Morante, Marco Bellocchio and Umberto Eco among them.
What’s striking now about the courtroom...
- 9/6/2022
- by David Rooney
- The Hollywood Reporter - Movie News
Myrmecology is a study of science that looks at the life, society and hierarchy of ants. Early Myrmecologists believed that ant culture was utopian and thought by studying them in encased ant farms, they could find solutions to human problems. However, Gianni Amelio’s Italian post-wwii drama The Lord of the Ants (Il Signore Delle Formiche) flips this idea around. It examines why strict societies foster cultures of oppression where everyone must play their role or be punished.
The screenplay by Amelio, Federico Fava and Edoardo Petti chooses its dialogue with precision. They want us to know they resent post-Mussolini Europe and how not just homosexuals but anyone on the margins is oppressed under fascist rule.
Venice Film Festival: Deadline’s Full Coverage
In 1965 Rome, Aldo Braibanti (Luigi Lo Cascio) is caught sleeping with his young lover Ettore (Leonardo Maltese). Their relationship started a year earlier in small-town Italy, where Aldo was directing a play.
The screenplay by Amelio, Federico Fava and Edoardo Petti chooses its dialogue with precision. They want us to know they resent post-Mussolini Europe and how not just homosexuals but anyone on the margins is oppressed under fascist rule.
Venice Film Festival: Deadline’s Full Coverage
In 1965 Rome, Aldo Braibanti (Luigi Lo Cascio) is caught sleeping with his young lover Ettore (Leonardo Maltese). Their relationship started a year earlier in small-town Italy, where Aldo was directing a play.
- 9/6/2022
- by Valerie Complex
- Deadline Film + TV
Gianni Amelio was in his late sixties when he came out as gay a few years ago. The announcement preceded the release of his documentary “Happy to Be Different,” which worked toward an overriding sunniness in contemplating the trials and challenges of being gay in Italy at various points in the 20th century. In turning to a gay-themed narrative project, Amelio narrows the focus and dims the mood: “Lord of the Ants” takes as its subject the gay Italian author Aldo Braibanti, and the social and legal opposition he faced over his sexuality in mid-1960s Rome. Solemn, stately and perhaps a little stifled, it’s the kind of queer statement you might expect from a veteran filmmaker who wasn’t until relatively recently out and proud, and is rather poignant for that.
In a key scene, the middle-aged Braibanti (played with urbane grace by Luigi Lo Cascio) takes his...
In a key scene, the middle-aged Braibanti (played with urbane grace by Luigi Lo Cascio) takes his...
- 9/6/2022
- by Guy Lodge
- Variety Film + TV
Gianni Amelio’s ‘Lord Of The Ants’ and Susanna Nicchiarelli’s ‘Chiara’ both in Competition.
Sales powerhouse The Match Factory is representing five titles at this year’s Venice Film Festival, including two Competition films plus Mark Cousins’ Giornate degli Autori opener The March On Rome.
Both of the German-based sales firm’s Competition titles are Italian films. Gianni Amelio’s Lord Of The Ants recounts the true story of Italian playwright and poet Aldo Braibanti, and the relationship he had with his pupil Ettore that lead to an infamous trial in the 1960s.
Kavac Film, Ibc Movie, Tenderstories and Rai Cinema produced the title.
Sales powerhouse The Match Factory is representing five titles at this year’s Venice Film Festival, including two Competition films plus Mark Cousins’ Giornate degli Autori opener The March On Rome.
Both of the German-based sales firm’s Competition titles are Italian films. Gianni Amelio’s Lord Of The Ants recounts the true story of Italian playwright and poet Aldo Braibanti, and the relationship he had with his pupil Ettore that lead to an infamous trial in the 1960s.
Kavac Film, Ibc Movie, Tenderstories and Rai Cinema produced the title.
- 7/26/2022
- by Ben Dalton
- ScreenDaily
As Venice Film Festival chief Alberto Barbera continues to see films and tinker with his selection before announcing the Lido lineup next week, several high-profile titles have emerged as either locked in or highly likely to be launching from the Lido.
As previously anticipated by Variety, U.S. studios and streamers are set to be disembarking at the fest in full force. Warner Bros. will be launching steamy psychological thriller “Don’t Worry Darling,” which is Olivia Wilde’s second directorial effort and stars Florence Pugh and Harry Styles. The pic is one of two movies starring the latter pop star to come out this fall (the other being Amazon Studios’ “My Policeman”).
Focus Features will be on the Lido with Todd Field’s “Tár,” which teams the “In the Bedroom” director with Cate Blanchett as the fictional Lydia Tár, one of the world’s greatest conductors and the first female...
As previously anticipated by Variety, U.S. studios and streamers are set to be disembarking at the fest in full force. Warner Bros. will be launching steamy psychological thriller “Don’t Worry Darling,” which is Olivia Wilde’s second directorial effort and stars Florence Pugh and Harry Styles. The pic is one of two movies starring the latter pop star to come out this fall (the other being Amazon Studios’ “My Policeman”).
Focus Features will be on the Lido with Todd Field’s “Tár,” which teams the “In the Bedroom” director with Cate Blanchett as the fictional Lydia Tár, one of the world’s greatest conductors and the first female...
- 7/21/2022
- by Nick Vivarelli
- Variety Film + TV
In spite of a disastrous box office situation, the Italian film industry is staying buoyant thanks to increased exports, a friendly rapport with streaming giants and support from the government of Prime Minister Mario Draghi that is pumping money into a revamp of Rome’s Cinecittà Studios.
“Production never stopped and ailing movie theaters have been able to get subsidies,” says Francesco Rutelli, the former Rome mayor who heads Italy’s motion picture association, Anica. The org recently broadened its member base to include executives from Amazon Prime Video, Disney and ViacomCBS, after Netflix had joined.
This move — which is unique in Europe — indicates the level of friendly dialogue between film producers and streaming platforms in Italy, best encapsulated by Paolo Sorrentino’s “The Hand of God,” Italy’s international Oscar nominee. Sorrentino’s Netflix original film was released theatrically in November across the country before dropping on the platform...
“Production never stopped and ailing movie theaters have been able to get subsidies,” says Francesco Rutelli, the former Rome mayor who heads Italy’s motion picture association, Anica. The org recently broadened its member base to include executives from Amazon Prime Video, Disney and ViacomCBS, after Netflix had joined.
This move — which is unique in Europe — indicates the level of friendly dialogue between film producers and streaming platforms in Italy, best encapsulated by Paolo Sorrentino’s “The Hand of God,” Italy’s international Oscar nominee. Sorrentino’s Netflix original film was released theatrically in November across the country before dropping on the platform...
- 2/13/2022
- by Nick Vivarelli
- Variety Film + TV
Il signore delle formiche
Septuagenarian Gianni Amelio is showing zero signs of slowing down quickly after 2020’s Hammamet he climbed onto a film that could stir up Italy’s past with Il signore delle formiche. The Italian filmmaker who once worked as an assistant director for Liliana Cavani has competed for the Palme d’Or once in his career with The Stolen Children but obviously has a better track record at Venice debuting his feature Blow to the Heart (1982), and winning the Golden Lion for The Way We Laughed (1998). Reteaming with his La tenerezza actor Elio Germano, Il signore delle formiche is the biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law.…...
Septuagenarian Gianni Amelio is showing zero signs of slowing down quickly after 2020’s Hammamet he climbed onto a film that could stir up Italy’s past with Il signore delle formiche. The Italian filmmaker who once worked as an assistant director for Liliana Cavani has competed for the Palme d’Or once in his career with The Stolen Children but obviously has a better track record at Venice debuting his feature Blow to the Heart (1982), and winning the Golden Lion for The Way We Laughed (1998). Reteaming with his La tenerezza actor Elio Germano, Il signore delle formiche is the biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law.…...
- 1/10/2022
- by Eric Lavallée
- IONCINEMA.com
Italian auteur Gianni Amelio (“Open Doors”) will shoot a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law. The Match Factory has boarded the pic and is launching international sales in Cannes.
Amelio is best-known for the Oscar-nominated “Open Doors” (1990) and also “Stolen Children,” which won the 1992 Cannes Grand Prix, as well as “Hammamet,” a portrait of disgraced late Italian Prime Minister Bettino Craxi’s final years in Tunisia.
Braibanti was convicted after a complaint from his partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality. The Fascist-era law that punished Braibanti, which made it a crime to lead innocent or unwary people “morally” astray, was repealed in 1981.
Amelio’s new film, titled “Il signore delle formiche,” which translates as “The Ants Man,” features an...
Amelio is best-known for the Oscar-nominated “Open Doors” (1990) and also “Stolen Children,” which won the 1992 Cannes Grand Prix, as well as “Hammamet,” a portrait of disgraced late Italian Prime Minister Bettino Craxi’s final years in Tunisia.
Braibanti was convicted after a complaint from his partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality. The Fascist-era law that punished Braibanti, which made it a crime to lead innocent or unwary people “morally” astray, was repealed in 1981.
Amelio’s new film, titled “Il signore delle formiche,” which translates as “The Ants Man,” features an...
- 7/10/2021
- by Nick Vivarelli
- Variety Film + TV
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