Rather than horns, they look like tiny black catkins clinging to the grains on swaying stalks of rye. These little clusters — actually a fungus known as ergot — are a disease that affects the ovaries of their host plants, but can be made into an infusion that induces abortion in women. That kind of resonance, between the natural world and the female human experience, is very much at the heart of Jaione Camborda’s second film, “The Rye Horn,” which began its festival journey in Toronto and won top honors in San Sebastian.
But as symbiotically involved with nature as the film is, particularly in Portuguese master cinematographer Rui Poças’ earthen imagery, which is so tactile you can almost feel the wet gray sand of the Galician island setting under your toes, its somber narrative is comparatively undernourished. Atmospherics can only do so much to engage with a central character this wary and stoic.
But as symbiotically involved with nature as the film is, particularly in Portuguese master cinematographer Rui Poças’ earthen imagery, which is so tactile you can almost feel the wet gray sand of the Galician island setting under your toes, its somber narrative is comparatively undernourished. Atmospherics can only do so much to engage with a central character this wary and stoic.
- 10/6/2023
- by Jessica Kiang
- Variety Film + TV
The Golden Shell winner at the San Sebastián––the Basque film festival’s top prize––went to home-grown filmmaker Jaione Camborda for this absorbing and sensual Galician-language abortion drama The Rye Horn, an urgent film about women in a totalitarian environment that has potent echoes today.
It’s 1971 and the late stages of the Franco regime on an island off the northwest coast of Spain, the same Galicia region that provided the untamed landscapes of The Beasts and Olivier Laxe’s Fire Will Come. Maria, perhaps in her late 30s or early 40s, makes a living in this rustic part of the world picking shellfish, in touch with nature and the tactile world of her surroundings. But in this tight-knit community, she’s also an unofficial midwife, perhaps a symbol of how the centralized, male-led Spain of the regime has neglected this far-flung end of the country––only women protect women here.
It’s 1971 and the late stages of the Franco regime on an island off the northwest coast of Spain, the same Galicia region that provided the untamed landscapes of The Beasts and Olivier Laxe’s Fire Will Come. Maria, perhaps in her late 30s or early 40s, makes a living in this rustic part of the world picking shellfish, in touch with nature and the tactile world of her surroundings. But in this tight-knit community, she’s also an unofficial midwife, perhaps a symbol of how the centralized, male-led Spain of the regime has neglected this far-flung end of the country––only women protect women here.
- 10/4/2023
- by Ed Frankl
- The Film Stage
The San Sebastián Film Festival has revealed the lineup of Spanish titles that will screen as part of the Official Selection of its latest edition, which is due to unfold from September 22 — 30. Scroll down for the full list.
Selected titles include Un Amor from Isabel Coixet, who competes for the festival’s Golden Shell for the first time with the pic based on the book of the same name by Sara Mesa and starring Laia Costa at the head of a cast also featuring Hovik Keuchkerian, Hugo Silva, Luis Bermejo, Ingrid García-Jonsson and Francesco Carril.
Filmmaker Fernando Trueba, of the Oscar-nominated feature Chico & Rita (2012), will present his latest project, They Shot the Piano Player, directed alongside Javier Mariscal in the fest’s Special Screening sidebar. The film, narrated by the voice of Jeff Goldblum, follows the figure of Brazilian musician Tenorio Jr. during the early days of the musical movement known as bossa nova.
Selected titles include Un Amor from Isabel Coixet, who competes for the festival’s Golden Shell for the first time with the pic based on the book of the same name by Sara Mesa and starring Laia Costa at the head of a cast also featuring Hovik Keuchkerian, Hugo Silva, Luis Bermejo, Ingrid García-Jonsson and Francesco Carril.
Filmmaker Fernando Trueba, of the Oscar-nominated feature Chico & Rita (2012), will present his latest project, They Shot the Piano Player, directed alongside Javier Mariscal in the fest’s Special Screening sidebar. The film, narrated by the voice of Jeff Goldblum, follows the figure of Brazilian musician Tenorio Jr. during the early days of the musical movement known as bossa nova.
- 7/14/2023
- by Zac Ntim
- Deadline Film + TV
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