Unless Pictures’ Meg O’Connell and Ruby Entertainment’s Stephen Luby have been added to the lineup of Screen Canberra’s Screen Pod program, set to begin next month.
The pair will join seven other screen representatives for the five-month market-centred initiative that aims to assist writers of diverse backgrounds in generating, developing, and pitching a screen project.
This year’s platform-agnostic program will be split into three streams – process, project, and pitch.
The process phase will comprise a combination of lecture-based training modules and practical exercises in group workshops, while in the project stage, writers develop specific projects with the market in mind, assisted by fellow writers and developers.
In pitch, participants hone pitching skills and build confidence, working in group simulations as well as real-life pitching opportunities.
The program will begin with a group session on July 10.
Early bird sale for Screen Pod registration ends June 17. Find information on how to register here.
The pair will join seven other screen representatives for the five-month market-centred initiative that aims to assist writers of diverse backgrounds in generating, developing, and pitching a screen project.
This year’s platform-agnostic program will be split into three streams – process, project, and pitch.
The process phase will comprise a combination of lecture-based training modules and practical exercises in group workshops, while in the project stage, writers develop specific projects with the market in mind, assisted by fellow writers and developers.
In pitch, participants hone pitching skills and build confidence, working in group simulations as well as real-life pitching opportunities.
The program will begin with a group session on July 10.
Early bird sale for Screen Pod registration ends June 17. Find information on how to register here.
- 6/10/2021
- by Sean Slatter
- IF.com.au
Screen Canberra has opened applications for its annual Screen Pod program, a five-month market-centred initiative with aims to assist writers of diverse backgrounds in generating, developing, and pitching a screen project.
Participants receive story and market feedback via a workshop environment, as well as mentoring and coaching to improve the marketability of their project and skills as a practitioner.
While previously alternating annually between film and TV, this year’s Screen Pod will be platform-agnostic, broken up into three streams.
The first, Process, sees a combination of lecture-based training modules and practical exercises in group workshops.
The second stage, Project, sees writers develop specific projects with the market in mind, assisted by fellow writers and developers.
The final stage is Pitch, with participants to hone their pitching skills and build confidence, in group simulations as well as real-life pitching opportunities.
This builds to a pitching finale, where participants conduct one-on-one presentations to market representatives.
Participants receive story and market feedback via a workshop environment, as well as mentoring and coaching to improve the marketability of their project and skills as a practitioner.
While previously alternating annually between film and TV, this year’s Screen Pod will be platform-agnostic, broken up into three streams.
The first, Process, sees a combination of lecture-based training modules and practical exercises in group workshops.
The second stage, Project, sees writers develop specific projects with the market in mind, assisted by fellow writers and developers.
The final stage is Pitch, with participants to hone their pitching skills and build confidence, in group simulations as well as real-life pitching opportunities.
This builds to a pitching finale, where participants conduct one-on-one presentations to market representatives.
- 5/12/2021
- by Staff Writer
- IF.com.au
Rob Gibson and Ian Collie.
TV drama producers face a balancing act next year: How to take advantage of the 30 per cent Producer Offset while coping with watered-down local content regulations and the financial constraints affecting all Australian broadcasters – public and commercial.
For Easy Tiger, and no doubt other production companies, one solution lies in attracting more investment from international streamers, networks and co-productions.
Hence Easy Tiger founder/producer Ian Collie and CEO/producer Rob Gibson are working on multiple international deals, not just with the US and the UK, but also with less obvious markets such as Mexico, Norway and India.
In addition, the production company backed by Fremantle continues to foster new and emerging writing talent including Imogen McCloskey, Hannah Lehmann, Anchuli Felicia King and Julia Patey.
“The drama market in Australia is increasingly tough and the changes to the sub-quotas leave the industry in a much more precarious position,...
TV drama producers face a balancing act next year: How to take advantage of the 30 per cent Producer Offset while coping with watered-down local content regulations and the financial constraints affecting all Australian broadcasters – public and commercial.
For Easy Tiger, and no doubt other production companies, one solution lies in attracting more investment from international streamers, networks and co-productions.
Hence Easy Tiger founder/producer Ian Collie and CEO/producer Rob Gibson are working on multiple international deals, not just with the US and the UK, but also with less obvious markets such as Mexico, Norway and India.
In addition, the production company backed by Fremantle continues to foster new and emerging writing talent including Imogen McCloskey, Hannah Lehmann, Anchuli Felicia King and Julia Patey.
“The drama market in Australia is increasingly tough and the changes to the sub-quotas leave the industry in a much more precarious position,...
- 10/26/2020
- by Don Groves
- IF.com.au
Rachael Turk.
After more than 10 years as a development producer – the last seven and a half years at Easy Tiger/Essential Media and Entertainment – Rachael Turk is pursuing her passion for screenwriting, creating her own projects and script producing with other creatives.
“This was a long-planned strategic move in order to do what I love best: not only creating and developing shows but writing on them too,” Turk tells If.
As an indie, she hopes her first project to go into production will be female-led, international mystery thriller The Red Cord, which has been in development for several years with Easy Tiger and Fremantle’s global drama division and recently received script funding from Screen Nsw.
The plot follows two women, one in Australia, the other on the other side of the world, who set out to solve a mystery surrounding a child whom they inadvertently share. Easy Tiger’s...
After more than 10 years as a development producer – the last seven and a half years at Easy Tiger/Essential Media and Entertainment – Rachael Turk is pursuing her passion for screenwriting, creating her own projects and script producing with other creatives.
“This was a long-planned strategic move in order to do what I love best: not only creating and developing shows but writing on them too,” Turk tells If.
As an indie, she hopes her first project to go into production will be female-led, international mystery thriller The Red Cord, which has been in development for several years with Easy Tiger and Fremantle’s global drama division and recently received script funding from Screen Nsw.
The plot follows two women, one in Australia, the other on the other side of the world, who set out to solve a mystery surrounding a child whom they inadvertently share. Easy Tiger’s...
- 10/12/2020
- by The IF Team
- IF.com.au
Dop Emma Paine with Laura Nagy on the set of ‘Hook Up’ (Photo credit: Narika Mckenzie)
Laura Nagy first met Ian Collie when she was a casting coordinator on Doctor Doctor and he later hired her as his assistant at Essential Media in 2017.
Spotting her potential, Collie asked Laura to follow him and colleagues Rachael Turk and Tanya Phegan when he departed to launch Easy Tiger in 2018.
He then asked the emerging filmmaker to join the Easy Tiger development team, where the 2010 Aftrs graduate is nurturing several projects. “Laura is an absolute gem and multi-skilled – a filmmaker in her own right,” Collie tells If.
Laura says: “I am queer and I started writing those stories because a lot of it was exploring things I felt in my real life and wasn’t necessarily talking about.
“Once I started doing it, it got easier and people keep asking me to do it,...
Laura Nagy first met Ian Collie when she was a casting coordinator on Doctor Doctor and he later hired her as his assistant at Essential Media in 2017.
Spotting her potential, Collie asked Laura to follow him and colleagues Rachael Turk and Tanya Phegan when he departed to launch Easy Tiger in 2018.
He then asked the emerging filmmaker to join the Easy Tiger development team, where the 2010 Aftrs graduate is nurturing several projects. “Laura is an absolute gem and multi-skilled – a filmmaker in her own right,” Collie tells If.
Laura says: “I am queer and I started writing those stories because a lot of it was exploring things I felt in my real life and wasn’t necessarily talking about.
“Once I started doing it, it got easier and people keep asking me to do it,...
- 3/3/2020
- by The IF Team
- IF.com.au
(L-r) Tanya Phegan, Ian Collie, Rachael Turk and Rob Gibson.
Bolstered by the arrival of Rob Gibson as CEO and producer, Ian Collie’s Easy Tiger Productions is ramping up the development of Australian and internationally-targeted projects, drawing on emerging talent as well as seasoned creatives.
“The difficulty we all recognise is that people like Tony McNamara, Andrew Knight and Kris Mrksa are getting pulled into Us or UK projects,” says Collie, who launched the company in 2017 with the backing of Fremantle.
“Our big focus is working with tomorrow’s talent, the wonderful emerging writers and creators who hopefully will be the next generation.”
Gibson adds: “It’s very much a two-pronged strategy of finding prestige projects and international opportunities with our increasingly sought after partners like Andrew Knight and Tony McNamara, and also working with rising stars and the next generation.
Collie and Gibson are working with development executives...
Bolstered by the arrival of Rob Gibson as CEO and producer, Ian Collie’s Easy Tiger Productions is ramping up the development of Australian and internationally-targeted projects, drawing on emerging talent as well as seasoned creatives.
“The difficulty we all recognise is that people like Tony McNamara, Andrew Knight and Kris Mrksa are getting pulled into Us or UK projects,” says Collie, who launched the company in 2017 with the backing of Fremantle.
“Our big focus is working with tomorrow’s talent, the wonderful emerging writers and creators who hopefully will be the next generation.”
Gibson adds: “It’s very much a two-pronged strategy of finding prestige projects and international opportunities with our increasingly sought after partners like Andrew Knight and Tony McNamara, and also working with rising stars and the next generation.
Collie and Gibson are working with development executives...
- 2/13/2019
- by The IF Team
- IF.com.au
Rob Gibson.
Rob Gibson has joined Easy Tiger Productions, where he will be CEO and producer.
Most recently, Gibson was the head of originals at Stan, overseeing the commission and production of shows such as No Activity, Wolf Creek and Bloom. His successor at the streaming service is yet to be announced.
Gibson’s appointment at Easy Tiger is a strategic one, designed to free up founder and current managing director Ian Collie to focus on more on creative. The Fremantle majority-owned production company has a slate that includes Rake, Doctor Doctor, Jack Irish and Sunshine.
As CEO, Gibson’s focus will be on assessing potential finance models for drama production with an eye on international partners and collaborations, working closely with CFO Kelley Ward. He will also oversee the drama development slate along with Collie and development executives Rachael Turk and Tanya Phegan.
Prior to Stan, Gibson worked as...
Rob Gibson has joined Easy Tiger Productions, where he will be CEO and producer.
Most recently, Gibson was the head of originals at Stan, overseeing the commission and production of shows such as No Activity, Wolf Creek and Bloom. His successor at the streaming service is yet to be announced.
Gibson’s appointment at Easy Tiger is a strategic one, designed to free up founder and current managing director Ian Collie to focus on more on creative. The Fremantle majority-owned production company has a slate that includes Rake, Doctor Doctor, Jack Irish and Sunshine.
As CEO, Gibson’s focus will be on assessing potential finance models for drama production with an eye on international partners and collaborations, working closely with CFO Kelley Ward. He will also oversee the drama development slate along with Collie and development executives Rachael Turk and Tanya Phegan.
Prior to Stan, Gibson worked as...
- 1/29/2019
- by jkeast
- IF.com.au
Australia's best short film festival, the St Kilda Film Festival, is turning 30 this year and in the lead up has unveiled an epic line-up of shorts, music videos, sidebars from SXSW, retrospectives and restored short films. Twitch will dissect the program in full over the coming weeks, but for the moment here are the shorts selected to play opening night.Sad Dark Eyes - "The Loved Ones"Easy Come, Easy Go1967 3mins VICProducer Peter Lamb, Garry WapshottDirector Peter Lamb, Garry WapshottScratch World premiere2012 15mins Nsw Producer Sam Meikle, Rachael Turk Director Danielle Boesenberg Death of a BoganVictorian premiere2010 7mins SAProducer Nick Matthews, Craig Behenna, Tom HeuzenroederDirector Nick MatthewsMelbhattan2012 5mins Vic Producer Oslo DavisDirector Oslo DavisBarbarion - "My Rock"SoundKILDA2011 6.34mins VICProducer Carolyn MaselDirector Dave BudgeRuby (pictured)World premiere2013 3mins VICProducer Summer DeRoche Director Summer...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 5/3/2013
- Screen Anarchy
A new Australian short film using crowd-funding platform Pozible has received investment from Australian actor Sam Worthington.
The project, Scratch, written and produced by Rachael Turk, is based on her own family’s life experiences with child allergies.
Directed by Danielle Boesenberg, it is co-produced by Sam Meikle, writer on All Saints, Wild Boys, Crownies and Home and Away with Claudia Karvan cast in the lead role.
The project, which sat at $8,000 earlier today received a $20,000 investment from Worthington this afteroon, taking the film’s target beyond its $25,000 goal, to $28,331.
The investment marks Worthington as an ‘Angel Investor’ and gives him and executive producer title on the film for providing over $10,000.
The film is budgeted at $60,000.
Turk, who’s day job is development executive for drama at Southern Star where Karvan is a producer, told Encore: “Claudia is not working for the rates she might normally command, but there’s...
The project, Scratch, written and produced by Rachael Turk, is based on her own family’s life experiences with child allergies.
Directed by Danielle Boesenberg, it is co-produced by Sam Meikle, writer on All Saints, Wild Boys, Crownies and Home and Away with Claudia Karvan cast in the lead role.
The project, which sat at $8,000 earlier today received a $20,000 investment from Worthington this afteroon, taking the film’s target beyond its $25,000 goal, to $28,331.
The investment marks Worthington as an ‘Angel Investor’ and gives him and executive producer title on the film for providing over $10,000.
The film is budgeted at $60,000.
Turk, who’s day job is development executive for drama at Southern Star where Karvan is a producer, told Encore: “Claudia is not working for the rates she might normally command, but there’s...
- 6/14/2012
- by Colin Delaney
- Encore Magazine
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