Update, with video Eighth wonder of the world? King Kong probably isn’t even the eighth wonder of Broadway – those kids in The Ferryman aren’t giving up their spots anytime soon – but the big ape does provide some roaring good thrills.
Picking over Hollywood’s Depression Era beauty-and-the-beast tale for what still works and ditching what doesn’t – the casting of the African American Christiani Pitts as Ann Darrow swiftly does away with the freighted Fay Wray blonde beauty ideal – director Drew McOnie has captured a wildly impressive 1.2-ton puppet, even if the musical surrounding it is considerably less memorable.
So let’s cut to the chase. The monkey in this reported $35 million production is amazing, a 20-foot-tall hybrid of animatronics, puppetry and human performance. Fifteen puppeteers, mostly onstage, work the beast with ropes, poles and pulleys – a show in themselves as they slide down cables like ninjas. Each...
Picking over Hollywood’s Depression Era beauty-and-the-beast tale for what still works and ditching what doesn’t – the casting of the African American Christiani Pitts as Ann Darrow swiftly does away with the freighted Fay Wray blonde beauty ideal – director Drew McOnie has captured a wildly impressive 1.2-ton puppet, even if the musical surrounding it is considerably less memorable.
So let’s cut to the chase. The monkey in this reported $35 million production is amazing, a 20-foot-tall hybrid of animatronics, puppetry and human performance. Fifteen puppeteers, mostly onstage, work the beast with ropes, poles and pulleys – a show in themselves as they slide down cables like ninjas. Each...
- 11/9/2018
- by Greg Evans
- Deadline Film + TV
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