Undoubtedly, everything documentarian Darius Marder shows in his debut film Loot actually happened, but Marder’s approach to this “truth is stranger than fiction” story is so forced that the movie feels phony. Loot follows Lance Larson, a Utah used-car salesman and entrepreneur who spends his spare time hunting lost treasures from World War II. The movie opens with Larson staring into an empty pit after wasting $100,000 on one of his adventures, and then it tracks him as he cajoles two elderly veterans into helping him find what they stashed overseas. One of those veterans is Darrel Ross ...
- 12/3/2009
- avclub.com
Now that December is upon us, you can expect to hear about a lot of new releases you probably won't be able to see right away, unless you happen to live in a major market. Unfortunately, this is how it goes with films vying for year-end awards notice. Some of these hopeful contenders will show up at your multiplex around Christmas, when the marquee will be filled with so many new releases your head is likely to spin. Others will expand in January, and still others won't go wide until the Oscar nominations are announced on February 2. Meanwhile, we'll continue to see some titles released that don't have the benefit of an Oscar campaign and some that don't have the qualifying status to warrant such promotion.
This week's unLimited features a sure-thing Oscar contender, a dark comedy unlikely to be considered for any honors and a documentary that isn't qualified...
This week's unLimited features a sure-thing Oscar contender, a dark comedy unlikely to be considered for any honors and a documentary that isn't qualified...
- 12/1/2009
- by Christopher Campbell
- MTV Movies Blog
Holiday festivities are about to kick into full gear, but you wouldn't know it looking at this angst-ridden release slate, since the closest we come to Christmas is Nicolas Cage's "Bad Lieutenant" doing a lot of "snow." Instead, planets are discovered, new moons rise and suns set.
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"Bad Lieutenant: Port of Call New Orleans"
Ever since Nicolas Cage was shown clinging to his "lucky crackpipe," cinephiles have been jonesing for Werner Herzog's re-imagining of Abel Ferrara's arthouse cop thriller. After months of backbiting between Ferrara, who suggested that the film's producers "burn in hell," and Herzog's admission that he had never seen the original film, audiences will finally see Cage in the shoes of Terence McDonagh, the hopped-up, hopelessly bent detective who shakes down suspects and random pedestrians on the trail...
Download this in audio form (MP3: 18:21 minutes, 16.8 Mb)
Subscribe to the In Theaters podcast: [Xml] [iTunes]
"Bad Lieutenant: Port of Call New Orleans"
Ever since Nicolas Cage was shown clinging to his "lucky crackpipe," cinephiles have been jonesing for Werner Herzog's re-imagining of Abel Ferrara's arthouse cop thriller. After months of backbiting between Ferrara, who suggested that the film's producers "burn in hell," and Herzog's admission that he had never seen the original film, audiences will finally see Cage in the shoes of Terence McDonagh, the hopped-up, hopelessly bent detective who shakes down suspects and random pedestrians on the trail...
- 11/16/2009
- by Neil Pedley
- ifc.com
By Stephen Saito
Last year, "Young@Heart" caused ripples when it sold to Fox Searchlight to become the first distribution deal to emerge from the L.A. Film Festival, so perhaps it shouldn't have come as a surprise that the festival put documentaries front and center this year, even in a city where there's no shortage of name actors that most other festivals would deploy to lure audiences. Instead, one of the more anticipated star attractions in Los Angeles was a talk with HBO documentary czar Sheila Nevins, who participated in a wide-ranging conversation with L.A. Times columnist Patrick Goldstein about her career of mixing high class projects like the recent doc "Roman Polanski: Wanted and Desired" with, well, "Heidi Fleiss: The Would-Be Madam of Crystal," which premiered at the festival hours after Nevins finished up. (The latest from "The Eyes of Tammy Faye" directors Fenton Bailey and Randy Barbato,...
Last year, "Young@Heart" caused ripples when it sold to Fox Searchlight to become the first distribution deal to emerge from the L.A. Film Festival, so perhaps it shouldn't have come as a surprise that the festival put documentaries front and center this year, even in a city where there's no shortage of name actors that most other festivals would deploy to lure audiences. Instead, one of the more anticipated star attractions in Los Angeles was a talk with HBO documentary czar Sheila Nevins, who participated in a wide-ranging conversation with L.A. Times columnist Patrick Goldstein about her career of mixing high class projects like the recent doc "Roman Polanski: Wanted and Desired" with, well, "Heidi Fleiss: The Would-Be Madam of Crystal," which premiered at the festival hours after Nevins finished up. (The latest from "The Eyes of Tammy Faye" directors Fenton Bailey and Randy Barbato,...
- 7/2/2008
- by Stephen Saito
- ifc.com
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