Nominated in five categories at the 39th Film Independent Spirit Awards, the darkly humorous and ominously cringey psychological drama May December is filmmaker Todd Haynes’ tenth (!) Spirit Award nomination. A pioneer of the New Queer Cinema movement, Haynes previously won Best Director for 2002’s period romantic drama Far from Heaven (starring May December co-lead Julianne Moore), as well as the Robert Altman Award for 2007’s Bob-Dylan-inspired musical fantasia, I’m Not There.
Haynes has talked about how May December is about “the stories we tell ourselves” in order to “survive our lives.” Loosely based on the 1990s-era Irl story of Mary Kay Letourneau, the film follows 59-year-old housewife Gracie (Moore), who seems happily married with children to her 36-year-old husband, Joe Yoo, played by Charles Melton. Melton, too, is nominated for Best Supporting Performance at the 2024 Spirit Awards, streaming Live this Sunday at 2pm Pt.
The narrative tension kicks off when...
Haynes has talked about how May December is about “the stories we tell ourselves” in order to “survive our lives.” Loosely based on the 1990s-era Irl story of Mary Kay Letourneau, the film follows 59-year-old housewife Gracie (Moore), who seems happily married with children to her 36-year-old husband, Joe Yoo, played by Charles Melton. Melton, too, is nominated for Best Supporting Performance at the 2024 Spirit Awards, streaming Live this Sunday at 2pm Pt.
The narrative tension kicks off when...
- 2/21/2024
- by Su Fang Tham
- Film Independent News & More
by Cláudio Alves
The festival is past its midpoint, and it's looking like this'll be a banner year. At least, that's the general tenor of the international coverage. The films of the moment offer a wide variety of cinematic approaches. Ramata-Toulaye Sy's debut feature Banel & Adama is being lauded for its rich visuals, while many have declared Todd Hayes's May December as a return to form with juicy acting across the board. And yet, one feels that the Cannes Best Actress frontrunner is neither Portman nor Moore, but Sandra Hüller, who dazzled viewers in Justine Triet's Anatomy of a Fall. Finally, Karim Aïnouz's first English-language feature Firebrand (starring Alicia Vikander and Jude Law) is an outlier earning harsh reviews.
For this Cannes at Home chapter, we consider Our Lady of the Nile which is not directed by Sy, but she co-wrote the script with the director. Then,...
The festival is past its midpoint, and it's looking like this'll be a banner year. At least, that's the general tenor of the international coverage. The films of the moment offer a wide variety of cinematic approaches. Ramata-Toulaye Sy's debut feature Banel & Adama is being lauded for its rich visuals, while many have declared Todd Hayes's May December as a return to form with juicy acting across the board. And yet, one feels that the Cannes Best Actress frontrunner is neither Portman nor Moore, but Sandra Hüller, who dazzled viewers in Justine Triet's Anatomy of a Fall. Finally, Karim Aïnouz's first English-language feature Firebrand (starring Alicia Vikander and Jude Law) is an outlier earning harsh reviews.
For this Cannes at Home chapter, we consider Our Lady of the Nile which is not directed by Sy, but she co-wrote the script with the director. Then,...
- 5/24/2023
- by Cláudio Alves
- FilmExperience
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