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Each month, the editors and critics at Rolling Stone compile a list of our favorite new albums. Our picks for January include Colombian pop star Maluma’s Jamaican detour, a brilliant new LP from hip-hop innovator Madlib and great post-punk from Pom Poko and Goat Girl.
Maluma, #7 DJ: 7 Dias En Jamaica
The Colombian star worked with Jamaican artists to create an organic LP that never feels like musical tourism. Though the island’s legendary dancehall producer Bobby Digital is responsible for the dembow riddim that came to define reggaetón, Maluma...
Maluma, #7 DJ: 7 Dias En Jamaica
The Colombian star worked with Jamaican artists to create an organic LP that never feels like musical tourism. Though the island’s legendary dancehall producer Bobby Digital is responsible for the dembow riddim that came to define reggaetón, Maluma...
- 2/2/2021
- by Jon Dolan, Claire Shaffer, Brenna Ehrlich, Jonathan Bernstein, Jeff Ihaza, Danny Schwartz, Dewayne Gage, Brittany Spanos and Gary Suarez
- Rollingstone.com
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When the only music you can stand is the drumbeat of rage coursing through your aching head, the Sleaford Mods are always good for a spin. They’re Nottingham, England’s answer to the Fall, with singer Jason Williamson rant-rapping about everything from austerity-era Britain to consumerism to the foibles of the music business over Andrew Fearn’s spare-yet-sharp beats.
Spare Ribs, the Mods’ 11th LP since they formed in 2007, is a veritable a la carte menu of outrages. Sick of hipsters who fetishize the blue-collar existence? Check out “Nudge It,...
Spare Ribs, the Mods’ 11th LP since they formed in 2007, is a veritable a la carte menu of outrages. Sick of hipsters who fetishize the blue-collar existence? Check out “Nudge It,...
- 1/13/2021
- by Brenna Ehrlich
- Rollingstone.com
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The Sleaford Mods watch themselves perform in the video for “Second,” off their upcoming retrospective album, All That Glue, out May 15 via Rough Trade.
In the Robin Lee-directed clip, two actresses (Kate Dickie and Emma Stansfield) portray Jason Williamson and Andrew Fearn in the Mods’ early days when they frequently played pubs. The women are pitch-perfect, down to Williamson’s Fred Perry polo shirt and Fearn’s omnipresent beer. The electronic duo is known for their unorthodox stage setup — Fearn turns on the beats and shuffles in place while Williamson loses it.
In the Robin Lee-directed clip, two actresses (Kate Dickie and Emma Stansfield) portray Jason Williamson and Andrew Fearn in the Mods’ early days when they frequently played pubs. The women are pitch-perfect, down to Williamson’s Fred Perry polo shirt and Fearn’s omnipresent beer. The electronic duo is known for their unorthodox stage setup — Fearn turns on the beats and shuffles in place while Williamson loses it.
- 5/5/2020
- by Brenna Ehrlich
- Rollingstone.com
Author: Greg Wetherall
Since emerging out of the industrial fog of Nottingham in the late noughties, Jason Williamson and Andrew Fearn – aka Sleaford Mods – have charted an unlikely ascent. With rudimentary electronic soundscapes and blistering invectives, they have filled a void articulating the frustrations of the working class man and woman in Ukip heartland.
Now they are the subject of a documentary by erstwhile German music journalist Christine Franz in her debut film. The good news is that not only is Bunch of Kunst compelling in a gloriously roughshod, rambling fashion; it feels alive; bristling with energy and anger. Perceived as something of a cult concern, arched eyebrows greet the opening litany of glowing testaments from unlikely, high profile musical admirers.
From there, Franz consciously cuts back to the inauspicious, dingy rehearsal dens that remain the nexus for their work. Williamson wrestles with a chorus line and makes amendments to his lyrics,...
Since emerging out of the industrial fog of Nottingham in the late noughties, Jason Williamson and Andrew Fearn – aka Sleaford Mods – have charted an unlikely ascent. With rudimentary electronic soundscapes and blistering invectives, they have filled a void articulating the frustrations of the working class man and woman in Ukip heartland.
Now they are the subject of a documentary by erstwhile German music journalist Christine Franz in her debut film. The good news is that not only is Bunch of Kunst compelling in a gloriously roughshod, rambling fashion; it feels alive; bristling with energy and anger. Perceived as something of a cult concern, arched eyebrows greet the opening litany of glowing testaments from unlikely, high profile musical admirers.
From there, Franz consciously cuts back to the inauspicious, dingy rehearsal dens that remain the nexus for their work. Williamson wrestles with a chorus line and makes amendments to his lyrics,...
- 4/21/2017
- by Greg Wetherall
- HeyUGuys.co.uk
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