Ves Awards 2019: ‘Avengers: Infinity War’ and ‘Spider-Man: Into the Spider-Verse’ Win Top VFX Prizes
Marvel’s “Avengers: Infinity War” was the big VFX winner at the 17th annual Ves Awards Tuesday at the Beverly Hilton, grabbing four prizes, including photoreal feature. And Sony’s animated Oscar favorite, “Spider-Man: Into the Spider-Verse,” also scored four awards, including animated feature.
While it’s a significant momentum builder for “Infinity War” in its quest to be the first VFX Oscar winner for the McU (and first superhero winner since 2004’s “Spider-Man 2”), there still remains competition from Damien Chazelle’s “First Man,” which won the Ves supporting prize. However, “Infinity War” boasts the stronger CG wow factor in the form of the brilliantly animated Thanos (peformance-captured by Josh Brolin) from Digital Domain and Weta Digital.
“Infinity War” also took home honors for animated character (Thanos), simulations (Titan), and compositing (Titan). “Spider-Verse” additionally snagged animated character (Miles Morales), environment (Graphic New York City), and simulations.
On the TV side,...
While it’s a significant momentum builder for “Infinity War” in its quest to be the first VFX Oscar winner for the McU (and first superhero winner since 2004’s “Spider-Man 2”), there still remains competition from Damien Chazelle’s “First Man,” which won the Ves supporting prize. However, “Infinity War” boasts the stronger CG wow factor in the form of the brilliantly animated Thanos (peformance-captured by Josh Brolin) from Digital Domain and Weta Digital.
“Infinity War” also took home honors for animated character (Thanos), simulations (Titan), and compositing (Titan). “Spider-Verse” additionally snagged animated character (Miles Morales), environment (Graphic New York City), and simulations.
On the TV side,...
- 2/6/2019
- by Bill Desowitz
- Indiewire
It was a great night for Marvel at the 17th annual Visual Effects Society Awards on Tuesday night. The comic book publisher’s wares led the film fields, with “Avengers: Infinity War” and “Spider-Man: Into the Spider-Verse” nabbing four wins apiece.
“Spider-Verse,” a dominant animated feature on the awards circuit this year, swept each of its categories. “Avengers” nearly did the same, dropping just one to Universal’s “Mortal Engines.”
“Ready Player One” received two prizes, while “First Man” picked up one. They join “Avengers: Infinity War,” along with “Christopher Robin” and “Solo: A Star Wars Story,” in the Academy’s Oscar lineup of visual effects nominees this year.
On the television side, Netflix’s “Lost in Space” dominated with four wins as well.
“Westworld” co-creator Jonathan Nolan received the Visual Effects Society’s Visionary Award, while “Game of Thrones” creators David Benioff and D.B. Weiss accepted the organization’s...
“Spider-Verse,” a dominant animated feature on the awards circuit this year, swept each of its categories. “Avengers” nearly did the same, dropping just one to Universal’s “Mortal Engines.”
“Ready Player One” received two prizes, while “First Man” picked up one. They join “Avengers: Infinity War,” along with “Christopher Robin” and “Solo: A Star Wars Story,” in the Academy’s Oscar lineup of visual effects nominees this year.
On the television side, Netflix’s “Lost in Space” dominated with four wins as well.
“Westworld” co-creator Jonathan Nolan received the Visual Effects Society’s Visionary Award, while “Game of Thrones” creators David Benioff and D.B. Weiss accepted the organization’s...
- 2/6/2019
- by Kristopher Tapley
- Variety Film + TV
The 17th annual Ves Awards are being handed out tonight at the Beverly Hilton in Los Angeles, and Deadline will be live-blogging the affair and updating the winners list live. Patton Oswalt is hosting the Visual Effects Society’s gala, which celebrates the best VFX artistry and innovation in film, animation, TV, commercials and video games across 24 categories.
The winner of the Ves Award for Photoreal Feature has gone on to win the Visual Effects Oscar 10 of the 16 times it has been presented, but it hasn’t been much of a harbinger for the past half-decade or so. Last year the Ves Award went to War for the Planet of the Apes, while the Academy Award was claimed by Blade Runner 2049, as Roger Deakins won for the first time in his 14th nominations. The Jungle Book won both in 2017, but Ves and Oscar failed to match up in either of the previous two years.
The winner of the Ves Award for Photoreal Feature has gone on to win the Visual Effects Oscar 10 of the 16 times it has been presented, but it hasn’t been much of a harbinger for the past half-decade or so. Last year the Ves Award went to War for the Planet of the Apes, while the Academy Award was claimed by Blade Runner 2049, as Roger Deakins won for the first time in his 14th nominations. The Jungle Book won both in 2017, but Ves and Oscar failed to match up in either of the previous two years.
- 2/6/2019
- by Erik Pedersen
- Deadline Film + TV
Slamdance has awarded its grand prize for screenwriting to Jessica Sinyard for her television pilot “The Peak.”
The prize was presented Thursday night during a ceremony hosted by Writers Guild of America West at the WGA Theatre. About 3,000 submissions were received for this year’s contest, and more than $16,000 was awarded to 2018 winners across all categories.
“The Peak” is a psychological survival thriller that follows a team of eight overachievers in their attempt to climb Mount Everest. When a team member goes missing on the peak, paranoia and altitude sickness corrode the reliability of survivor accounts. With a dual narrative that interweaves both the team’s ascent and descent, “The Peak” explores the choices people make when they believe no one is watching.
“This year’s competition proved that wherever you come from in this world our judges are waiting to discover and honor great new writing talent, especially if...
The prize was presented Thursday night during a ceremony hosted by Writers Guild of America West at the WGA Theatre. About 3,000 submissions were received for this year’s contest, and more than $16,000 was awarded to 2018 winners across all categories.
“The Peak” is a psychological survival thriller that follows a team of eight overachievers in their attempt to climb Mount Everest. When a team member goes missing on the peak, paranoia and altitude sickness corrode the reliability of survivor accounts. With a dual narrative that interweaves both the team’s ascent and descent, “The Peak” explores the choices people make when they believe no one is watching.
“This year’s competition proved that wherever you come from in this world our judges are waiting to discover and honor great new writing talent, especially if...
- 10/12/2018
- by Dave McNary
- Variety Film + TV
Title: Steve Chong Finds Out That Suicide Is a Bad Idea Director: Charlie Lavoy Starring: Stanley Wong, Joseph Sökmen, Owen Hornstein III, Tyler Russell, Jenn Foreman, Jennie Freeman A recent world premiere at the 16th annual Dances With Films, the evocatively titled micro-budget indie film “Steve Chong Finds Out That Suicide Is a Bad Idea” tries to put a bearded, decidedly fraternal spin on the whole “Return of the Secaucus 7″ sub-genre, wherein young adults grapple with changes in life and their relationships. If there’s a certain easygoing charm to the movie, there’s also a lack of forward-leaning momentum or insight to make these characters stick to the psyche. Mopey, [ Read More ]
The post Steve Chong Finds Out That Suicide Is a Bad Idea Movie Review appeared first on Shockya.com.
The post Steve Chong Finds Out That Suicide Is a Bad Idea Movie Review appeared first on Shockya.com.
- 6/12/2013
- by bsimon
- ShockYa
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