The 6th annual Arizona Underground Film Festival might be beginning on the unluckiest day of the year — Friday the 13th — but the residents of Tucson are lucky for this 9-night extravaganza of wild and wooly cinema from all over the globe. The fest runs Sept. 13-21 at The Screening Room and other locations.
Opening Night films include the retro, music-fueled slasher flick Discopath by Renaud Gauthier and the Internet-based bloodbath Truth Or Dare, directed by scream queen Jessica Cameron making her filmmaking debut. The last film of the fest on the 21st is the cryptic post-apocalyptic thriller Dust of War, directed by Andrew Kightlinger.
The rest of the fest includes mind-bending fiction flicks like the cult-ish Fateful Findings by Neil Breen; the 90-minute, one-shot noir Worm by Andrew Bowser; Zach Clark’s twisted holiday movie White Reindeer; Drew Tobia’s surreal See You Next Tuesday; as well as challenging documentaries...
Opening Night films include the retro, music-fueled slasher flick Discopath by Renaud Gauthier and the Internet-based bloodbath Truth Or Dare, directed by scream queen Jessica Cameron making her filmmaking debut. The last film of the fest on the 21st is the cryptic post-apocalyptic thriller Dust of War, directed by Andrew Kightlinger.
The rest of the fest includes mind-bending fiction flicks like the cult-ish Fateful Findings by Neil Breen; the 90-minute, one-shot noir Worm by Andrew Bowser; Zach Clark’s twisted holiday movie White Reindeer; Drew Tobia’s surreal See You Next Tuesday; as well as challenging documentaries...
- 9/13/2013
- by Mike Everleth
- Underground Film Journal
Held back on Sept. 21-29, the 5th annual Arizona Underground Film Festival was a major blow-out event of extreme underground greatness. And, to top it all off, they handed out a gaggle of awards to both feature films and shorts alike.
The big winner was the Best of Fest award that went to Michael Melamedoff’s sly drama The Exhibitionists, about a bunch of hedonists gathered on New Year’s Eve. Meanwhile, the Audience Award went to the reality TV parody Ghosts With Shit Jobs by Chris McCawley, Jim Morrison, Jim Munroe and Tate Young; and Kenton Bartlett’s torture flick Missing Pieces won the Director’s Award.
Some other winners include Spencer Parsons’ Saturday Morning Massacre for Best Horror Feature, a film that while not reviewed yet on Bad Lit: The Journal of Underground Film we’ve seen it and easily declare one of the best horror movies of the last few years.
The big winner was the Best of Fest award that went to Michael Melamedoff’s sly drama The Exhibitionists, about a bunch of hedonists gathered on New Year’s Eve. Meanwhile, the Audience Award went to the reality TV parody Ghosts With Shit Jobs by Chris McCawley, Jim Morrison, Jim Munroe and Tate Young; and Kenton Bartlett’s torture flick Missing Pieces won the Director’s Award.
Some other winners include Spencer Parsons’ Saturday Morning Massacre for Best Horror Feature, a film that while not reviewed yet on Bad Lit: The Journal of Underground Film we’ve seen it and easily declare one of the best horror movies of the last few years.
- 11/9/2012
- by Mike Everleth
- Underground Film Journal
To celebrate their 5th anniversary, the Arizona Underground Film Festival has expanded to a whopping nine nights on Sept. 21-29 for a cinematic event the likes of Tucson has never seen before!
The shenanigans kick off with the opening night film The Legend of Kaspar Hauser, an experimental Italian feature directed by Davide Manuli and starring Vincent Gallo as the hero and the villain to a strange young boy, then end with the closing night film Jason M. Solomon’s nostalgic documentary 7 Years Underground: A 60′s Tale, which profiles the legendary Cafe Au Go Go in NYC that hosted such up-and-coming acts such as Jimi Hendrix, Frank Zappa, George Carlin, Lily Tomlin and more.
In between those two films lies a twisted carnage of movie mayhem, including Spencer Parsons’ demented homage to ’70s mystery cartoons Saturday Morning Massacre; Michael Melamedoff exploitative semi-doc The Exhibitionists; Stephen Amis’ Australian WWII sci-fi...
The shenanigans kick off with the opening night film The Legend of Kaspar Hauser, an experimental Italian feature directed by Davide Manuli and starring Vincent Gallo as the hero and the villain to a strange young boy, then end with the closing night film Jason M. Solomon’s nostalgic documentary 7 Years Underground: A 60′s Tale, which profiles the legendary Cafe Au Go Go in NYC that hosted such up-and-coming acts such as Jimi Hendrix, Frank Zappa, George Carlin, Lily Tomlin and more.
In between those two films lies a twisted carnage of movie mayhem, including Spencer Parsons’ demented homage to ’70s mystery cartoons Saturday Morning Massacre; Michael Melamedoff exploitative semi-doc The Exhibitionists; Stephen Amis’ Australian WWII sci-fi...
- 9/14/2012
- by Mike Everleth
- Underground Film Journal
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